Mi-Suk Ko
Biographic Data
| ID | 5936051 |
|---|---|
| NAME | Mi-Suk Ko |
| GIVEN NAMES | Mi-Suk |
| FAMILY NAME | Ko |
| SIGNATURE | KO M |
| VERIFIED | No |
| TOTAL WORKS | 1 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 1 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2011 |
| LATEST PUBLICATION YEAR | 2011 |
| H-INDEX | 0 |
Neo-documentarism' in Funeral Parade of Roses
During the 1960s, a younger generation of Japanese filmmakers vigorously debated the prospects for Japanese cinema in film journals such as Kiroku Eiga and Eiga Hyōron . At a time when it was common to be both a critic and a filmmaker, some filmmakers sought not only to theorize the potentialities of Japanese filmmaking but also to put theory into practice. However, with the exception of Oshima Nagisa, the critical and theoretical writings of mos…
No prominent works on this page.
Neo-documentarism' in Funeral Parade of Roses
During the 1960s, a younger generation of Japanese filmmakers vigorously debated the prospects for Japanese cinema in film journals such as Kiroku Eiga and Eiga Hyōron . At a time when it was common to be both a critic and a filmmaker, some filmmakers sought not only to theorize the potentialities of Japanese filmmaking but also to put theory into practice. However, with the exception of Oshima Nagisa, the critical and theoretical writings of mos…
Art (1 work) · Art history (1 work) · Cinema and Media Studies (1 work) · Digital Games and Media (1 work) · Multimedia Communication and Technology (1 work) · Parade (1 work) · Realism (1 work) · Visual arts (1 work)