J F Orr
Biographic Data
| ID | 5936073 |
|---|---|
| NAME | J F Orr |
| GIVEN NAMES | J F |
| FAMILY NAME | Orr |
| SIGNATURE | ORR J F |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 2 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2005 |
| LATEST PUBLICATION YEAR | 2009 |
| H-INDEX | 1 |
Michael Haneke's Cinema
To my knowledge, Catherine Wheatley's book is the first full-length study of Michael Haneke written in English. While good anglophone criticism does exist, it is in essay form. The pieces that spring to mind are the landmark essay by Brigitte Peucker on Haneke's ‘modernist melodramas’ and the astute articles by Maxmillian le Cain and Matthias Frey for the online journal Senses of Cinema.1 Wheatley's book goes much further by being doubly ambitiou…
The Death of Classical Cinema
From David Bordwell to Gilles Deleuze and beyond, the nature of classical cinema has long been debated by film theorists, and whatever differences there are, many constants crop up in the discourse – organic action-narrative, empathic stardom, readable mise-en-scene, match cuts, continuity editing, climactic plot resolution. Hollywood is usually taken to be the motor force in world cinema with its veneration of the First Five Minutes and its thre…
Mark Cousins, The Story of Film
Journal Article Mark Cousins, The Story of Film Get access Mark Cousins, The Story of Film. London: Pavilion Books, 2004, 512 pp. John Orr John Orr Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 46, Issue 2, Summer 2005, Pages 281–286, https://doi.org/10.1093/screen/46.2.281 Published: 01 July 2005
Michael Haneke's Cinema
To my knowledge, Catherine Wheatley's book is the first full-length study of Michael Haneke written in English. While good anglophone criticism does exist, it is in essay form. The pieces that spring to mind are the landmark essay by Brigitte Peucker on Haneke's ‘modernist melodramas’ and the astute articles by Maxmillian le Cain and Matthias Frey for the online journal Senses of Cinema.1 Wheatley's book goes much further by being doubly ambitiou…
Mark Cousins, The Story of Film
Journal Article Mark Cousins, The Story of Film Get access Mark Cousins, The Story of Film. London: Pavilion Books, 2004, 512 pp. John Orr John Orr Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 46, Issue 2, Summer 2005, Pages 281–286, https://doi.org/10.1093/screen/46.2.281 Published: 01 July 2005
The Death of Classical Cinema
From David Bordwell to Gilles Deleuze and beyond, the nature of classical cinema has long been debated by film theorists, and whatever differences there are, many constants crop up in the discourse – organic action-narrative, empathic stardom, readable mise-en-scene, match cuts, continuity editing, climactic plot resolution. Hollywood is usually taken to be the motor force in world cinema with its veneration of the First Five Minutes and its thre…
Michael Haneke's Cinema
To my knowledge, Catherine Wheatley's book is the first full-length study of Michael Haneke written in English. While good anglophone criticism does exist, it is in essay form. The pieces that spring to mind are the landmark essay by Brigitte Peucker on Haneke's ‘modernist melodramas’ and the astute articles by Maxmillian le Cain and Matthias Frey for the online journal Senses of Cinema.1 Wheatley's book goes much further by being doubly ambitiou…
Art (3 works) · Art history (3 works) · Cinema and Media Studies (3 works) · Literature (2 works) · Movie theater (2 works) · Philosophy (2 works) · Philosophy (2 works) · Shakespeare, Adaptation, and Literary Criticism (2 works) · Action (physics (1 work) · Aesthetics (1 work)