Ulrike Sieglohr
Biographic Data
| ID | 5936111 |
|---|---|
| NAME | Ulrike Sieglohr |
| GIVEN NAMES | Ulrike |
| FAMILY NAME | Sieglohr |
| SIGNATURE | SIEGLOHR U |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1998 |
| LATEST PUBLICATION YEAR | 2004 |
| H-INDEX | 0 |
The Dark Mirror
Light Motives
Heroines without Heroes
1945 to 1951 was a neglected period in the study of European film. Ulrike Sieglohr rectifies this era's absence in cinematic history and explores the roles gender played during the national identity struggles of the time. Sieglohr compares and contrasts the postwar cinemas of Britain, France, Germany, Italy, and Spain in order to examine how representations of women in this period emerged from specific national contexts. She further analyzes the …
Weimar and Third Reich Cinema
Weimar and Third Reich Cinema: a Different Take, Goethe-Institut, London, with the collaboration of the University of Warwick and BFI Films, 1 November 1997 Get access Ulrike Sieglohr Ulrike Sieglohr Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 39, Issue 2, Summer 1998, Pages 193–195, https://doi.org/10.1093/screen/39.2.193 Published: 01 July 1998
No prominent works on this page.
Weimar and Third Reich Cinema
Weimar and Third Reich Cinema: a Different Take, Goethe-Institut, London, with the collaboration of the University of Warwick and BFI Films, 1 November 1997 Get access Ulrike Sieglohr Ulrike Sieglohr Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 39, Issue 2, Summer 1998, Pages 193–195, https://doi.org/10.1093/screen/39.2.193 Published: 01 July 1998
Heroines without Heroes
1945 to 1951 was a neglected period in the study of European film. Ulrike Sieglohr rectifies this era's absence in cinematic history and explores the roles gender played during the national identity struggles of the time. Sieglohr compares and contrasts the postwar cinemas of Britain, France, Germany, Italy, and Spain in order to examine how representations of women in this period emerged from specific national contexts. She further analyzes the …
The Dark Mirror
Light Motives
Art (4 works) · European history and politics (4 works) · History (4 works) · Archaeology (3 works) · Art history (3 works) · German (3 works) · German History and Society (3 works) · Italian Fascism and Post-war Society (3 works) · Movie theater (3 works) · Aesthetics (2 works)