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Mark Steven

Biographic Data

ID5936127
NAMEMark Steven
GIVEN NAMESMark
FAMILY NAMESteven
SIGNATURESTEVEN M
AFFILIATIONSUNSW Sydney
ORCID0000-0003-4894-4943
VERIFIEDYes
TOTAL WORKS12
TOTAL CITATIONS0
WORKS AS AUTHOR11
WORKS AS EDITOR1
FIRST PUBLICATION YEAR2015
LATEST PUBLICATION YEAR2025
H-INDEX0
  • Chaplin's Nuts

    Open Access•Mark Steven•ARTICLE•Critical Quarterly•2025

    To behave erratically is to be seen as nuts and to be labelled nuts is to be seen as deranged.But it wasn't always like this.Since Anglo-Saxon times, nuts have primarily been the inner kernel of certain kinds of fruit, the final form of the seed from which this or that lifeform grew.And yet, beginning with the term's very first recorded usage, the nut has also contained the suggestion of a human mind-even if only proleptically.The late twelfth ce…

  • Understanding Marx, Understanding Modernism

    Mark Steven•BOOK•Understanding Marx, Understanding…•2021

    A concentrated study of the relationships between modernism and transformative left utopianism, this volume provides an introduction to Marx and Marxism for modernists, and an introduction to modernism for Marxists. Its guiding hypothesis is that Marx’s writing absorbed the lessons of artistic and cultural modernity as much as his legacy concretely shaped modernism across multiple media.

  • Poetry for the Storms to Come

    Open Access•Mark Steven•ARTICLE•Journal of American Studies•2021

    November 2017. New Brunswick, Canada. Having spent five hours banding lobster claws, Karissa Lindstrand detects an anomaly on one of the crustaceans. Inscribed on its left pincer is a familiar yet resolutely inorganic swirl of red, blue, and white. A corporate sigil branded onto the exoskeletal form of aquatic life: the Pepsi globe. While marine biologists disagree about the conditions under which the lobster acquired its tattoo – one suggestion …

  • Cinematic Masculinity in the Age of Finance

    Open Access•Mark Steven•ARTICLE•Postmodern Culture•2019

    This essay shows how popular cinema represents financialization and finance capitalism by leveraging male stardom as an allegory for superannuated forms of productive labor in Cosmopolis (2012), Dark Knight Rises (2012), Magic Mike (2012), The Wolf of Wall Street (2013), The Lego Movie (2014), and The Big Short (2015). Building on recent film history and scholarship about financialization and the 2008 banking collapse, it illustrates that popular…

  • The ragged claws of crisis

    Mark Stevens, Mark Steven•ARTICLE•Textual Practice•2019

    Why might a B-grade horror film in 2015 stage a performative reading of T. S. Eliot’s ‘The Love Song of J. Alfred Prufrock’? That is precisely what we encounter during It Follows, when a classroom recitation of the well-known poem frames an encounter between the film’s heroine and a spectral force of bodily destruction. This essay begins with an account of that scene before describing how the film uses its historical setting, in Detroit Michigan,…

  • Love in the Time of Capital

    Mark Stevens, Mark Steven•ARTICLE•SubStance•2018•References: 1

    This is the author accepted manuscript. The final version is available from Johns Hopkins University Press via the DOI in this record

  • Communist laughter, from Lenin to Lubitsch

    Mark Steven•ARTICLE•Screen•2017

    No description available

  • Modernism's Rubber Sole

    Open Access•Mark Stevens, Mark Steven•ARTICLE•Cultural Studies Review•2016

    A review of David Trotter, Literature in the First Media Age: Britain between the Wars (Harvard University Press, 2013

  • The Cinema of Theo Angelopoulos

    Open Access•Angelos Koutsourakis, Mark Steven•BOOK•Cinema of Theo Angelopoulos•2015

    Demonstrates how the films of Theo Angelopoulos react aesthetically to their historical periodThe Cinema of Theo Angelopoulos is the first critical assessment of one of the leading figures of modernist European art cinema. Assessing his complete works, this groundbreaking collection brings together a team of internationally regarded experts and emerging scholars from multiple disciplines, to provide a definitive account of Angelopoulos' formal re…

  • The Cinema of Theo Angelopoulos

    Open Access•Angelos Koutsourakis, Mark Steven•EDITOR•BOOK•Cinema of Theo Angelopoulos•2015

    This book is the first critical assessment of one of the leading figures of modernist European art cinema. Assessing his complete works, the book brings together a team of internationally regarded experts and emerging scholars from multiple disciplines, to provide a definitive account of Theo Angelopoulos' formal reactions to the historical events that determined life during the twentieth and early twenty-first centuries. Refusing to restrict its…

  • Cinema of Theo Angelopoulos

    Angelos Koutsourakis, Mark Steven•BOOK•Cinema of Theo Angelopoulos•2015

  • Introduction – Angelopoulos and the Lingua Franca of Modernism

    Angelos Koutsourakis, Mark Steven•CHAPTER•Cinema of Theo Angelopoulos•2015

No prominent works on this page.

  • The Cinema of Theo Angelopoulos

    Open Access•Angelos Koutsourakis, Mark Steven•BOOK•Cinema of Theo Angelopoulos•2015

    Demonstrates how the films of Theo Angelopoulos react aesthetically to their historical periodThe Cinema of Theo Angelopoulos is the first critical assessment of one of the leading figures of modernist European art cinema. Assessing his complete works, this groundbreaking collection brings together a team of internationally regarded experts and emerging scholars from multiple disciplines, to provide a definitive account of Angelopoulos' formal re…

  • The Cinema of Theo Angelopoulos

    Open Access•Angelos Koutsourakis, Mark Steven•EDITOR•BOOK•Cinema of Theo Angelopoulos•2015

    This book is the first critical assessment of one of the leading figures of modernist European art cinema. Assessing his complete works, the book brings together a team of internationally regarded experts and emerging scholars from multiple disciplines, to provide a definitive account of Theo Angelopoulos' formal reactions to the historical events that determined life during the twentieth and early twenty-first centuries. Refusing to restrict its…

  • Cinema of Theo Angelopoulos

    Angelos Koutsourakis, Mark Steven•BOOK•Cinema of Theo Angelopoulos•2015

  • Introduction – Angelopoulos and the Lingua Franca of Modernism

    Angelos Koutsourakis, Mark Steven•CHAPTER•Cinema of Theo Angelopoulos•2015

  • Modernism's Rubber Sole

    Open Access•Mark Stevens, Mark Steven•ARTICLE•Cultural Studies Review•2016

    A review of David Trotter, Literature in the First Media Age: Britain between the Wars (Harvard University Press, 2013

  • Communist laughter, from Lenin to Lubitsch

    Mark Steven•ARTICLE•Screen•2017

    No description available

  • Love in the Time of Capital

    Mark Stevens, Mark Steven•ARTICLE•SubStance•2018•References: 1

    This is the author accepted manuscript. The final version is available from Johns Hopkins University Press via the DOI in this record

  • Cinematic Masculinity in the Age of Finance

    Open Access•Mark Steven•ARTICLE•Postmodern Culture•2019

    This essay shows how popular cinema represents financialization and finance capitalism by leveraging male stardom as an allegory for superannuated forms of productive labor in Cosmopolis (2012), Dark Knight Rises (2012), Magic Mike (2012), The Wolf of Wall Street (2013), The Lego Movie (2014), and The Big Short (2015). Building on recent film history and scholarship about financialization and the 2008 banking collapse, it illustrates that popular…

  • The ragged claws of crisis

    Mark Stevens, Mark Steven•ARTICLE•Textual Practice•2019

    Why might a B-grade horror film in 2015 stage a performative reading of T. S. Eliot’s ‘The Love Song of J. Alfred Prufrock’? That is precisely what we encounter during It Follows, when a classroom recitation of the well-known poem frames an encounter between the film’s heroine and a spectral force of bodily destruction. This essay begins with an account of that scene before describing how the film uses its historical setting, in Detroit Michigan,…

  • Understanding Marx, Understanding Modernism

    Mark Steven•BOOK•Understanding Marx, Understanding…•2021

    A concentrated study of the relationships between modernism and transformative left utopianism, this volume provides an introduction to Marx and Marxism for modernists, and an introduction to modernism for Marxists. Its guiding hypothesis is that Marx’s writing absorbed the lessons of artistic and cultural modernity as much as his legacy concretely shaped modernism across multiple media.

  • Poetry for the Storms to Come

    Open Access•Mark Steven•ARTICLE•Journal of American Studies•2021

    November 2017. New Brunswick, Canada. Having spent five hours banding lobster claws, Karissa Lindstrand detects an anomaly on one of the crustaceans. Inscribed on its left pincer is a familiar yet resolutely inorganic swirl of red, blue, and white. A corporate sigil branded onto the exoskeletal form of aquatic life: the Pepsi globe. While marine biologists disagree about the conditions under which the lobster acquired its tattoo – one suggestion …

  • Chaplin's Nuts

    Open Access•Mark Steven•ARTICLE•Critical Quarterly•2025

    To behave erratically is to be seen as nuts and to be labelled nuts is to be seen as deranged.But it wasn't always like this.Since Anglo-Saxon times, nuts have primarily been the inner kernel of certain kinds of fruit, the final form of the seed from which this or that lifeform grew.And yet, beginning with the term's very first recorded usage, the nut has also contained the suggestion of a human mind-even if only proleptically.The late twelfth ce…

Art (9 works) · Literature (6 works) · Aesthetics (5 works) · Art history (5 works) · History (5 works) · Economics (3 works) · Law (3 works) · Modernism (music) (3 works) · Movie theater (3 works) · Philosophy (3 works)

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