Tatiana Signorelli Heise
Biographic Data
| ID | 5936185 |
|---|---|
| NAME | Tatiana Signorelli Heise |
| GIVEN NAMES | Tatiana Signorelli |
| FAMILY NAME | Heise |
| SIGNATURE | HEISE T S |
| AFFILIATIONS | University of Glasgow |
| ORCID | 0000-0002-6262-3620 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 7 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2007 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 1 |
Transnational Memories and Post-Dicatorship Cinema: Brazil, Chile and Argentina
New Argentine and Brazilian Cinema: Reality Effects (New Directions in Latino American Cultures Series)
Journal Article New Argentine and Brazilian Cinema: Reality Effects (New Directions in Latino American Cultures Series) Get access Jens Andermann and Álvaro Fernández Bravo (eds), New Argentine and Brazilian Cinema: Reality Effects (New Directions in Latino American Cultures Series). New York, NY: Palgrave Macmillan, 2013, 228 pp. Tatiana Signorelli Heise Tatiana Signorelli Heise [email protected] Search for other works by this author o…
Dangerous, divine, and marvelous? The legacy of the 1960s in the political cinema of Europe and Brazil
The experience of the 1960s had a profound influence on both politicized cinema and on the critical discourse surrounding it. This article explores that influence and its subsequent legacy in the comparative contexts of Brazil and Europe. In Europe the most striking developments were to be seen in France after 1968, most particularly in the “revolutionary cinema” of Jean-Luc Godard during his involvement with the Dziga-Vertov Group. At the same t…
Constructing (Film) Art: Bourdieu's Field Model in a Comparative Context
In this paper we seek to apply Bourdieu's approach to consecration, legitimacy and autonomization in the fields of art to the struggle to legitimize film as art.We examine the efficacy of Bourdieu's theory in relation to the early 'film-as-art' campaign as it received institutional expression in the profoundly different economic, social and cultural circumstances of Brazil and Britain in the 1920s and 1930s. After tracing the broad history of fil…
Constructing (Film) Art: Bourdieu's Field Model in a Comparative Context
In this paper we seek to apply Bourdieu's approach to consecration, legitimacy and autonomization in the fields of art to the struggle to legitimize film as art.We examine the efficacy of Bourdieu's theory in relation to the early 'film-as-art' campaign as it received institutional expression in the profoundly different economic, social and cultural circumstances of Brazil and Britain in the 1920s and 1930s. After tracing the broad history of fil…
Dangerous, divine, and marvelous? The legacy of the 1960s in the political cinema of Europe and Brazil
The experience of the 1960s had a profound influence on both politicized cinema and on the critical discourse surrounding it. This article explores that influence and its subsequent legacy in the comparative contexts of Brazil and Europe. In Europe the most striking developments were to be seen in France after 1968, most particularly in the “revolutionary cinema” of Jean-Luc Godard during his involvement with the Dziga-Vertov Group. At the same t…
Constructing (Film) Art: Bourdieu's Field Model in a Comparative Context
In this paper we seek to apply Bourdieu's approach to consecration, legitimacy and autonomization in the fields of art to the struggle to legitimize film as art.We examine the efficacy of Bourdieu's theory in relation to the early 'film-as-art' campaign as it received institutional expression in the profoundly different economic, social and cultural circumstances of Brazil and Britain in the 1920s and 1930s. After tracing the broad history of fil…
Dangerous, divine, and marvelous? The legacy of the 1960s in the political cinema of Europe and Brazil
The experience of the 1960s had a profound influence on both politicized cinema and on the critical discourse surrounding it. This article explores that influence and its subsequent legacy in the comparative contexts of Brazil and Europe. In Europe the most striking developments were to be seen in France after 1968, most particularly in the “revolutionary cinema” of Jean-Luc Godard during his involvement with the Dziga-Vertov Group. At the same t…
New Argentine and Brazilian Cinema: Reality Effects (New Directions in Latino American Cultures Series)
Journal Article New Argentine and Brazilian Cinema: Reality Effects (New Directions in Latino American Cultures Series) Get access Jens Andermann and Álvaro Fernández Bravo (eds), New Argentine and Brazilian Cinema: Reality Effects (New Directions in Latino American Cultures Series). New York, NY: Palgrave Macmillan, 2013, 228 pp. Tatiana Signorelli Heise Tatiana Signorelli Heise [email protected] Search for other works by this author o…
Transnational Memories and Post-Dicatorship Cinema: Brazil, Chile and Argentina
Art (4 works) · Art history (4 works) · History (4 works) · Movie theater (3 works) · Aesthetics (2 works) · History (2 works) · Law (2 works) · Philosophy (2 works) · Political science (2 works) · Politics (2 works)