William Fysh
Biographic Data
| ID | 5936209 |
|---|---|
| NAME | William Fysh |
| GIVEN NAMES | William |
| FAMILY NAME | Fysh |
| SIGNATURE | FYSH W |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 2 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2018 |
| LATEST PUBLICATION YEAR | 2020 |
| H-INDEX | 0 |
Infrastructures of Light: Tropicapitalism and Germaine Krull’s Camera
To understand the relationship between the camera and colonial capitalism, we must consider photography not just as a tool but as an infrastructural system, the very grounds upon which movements of goods, capital and ideas can be sustained, regulated, and interrupted. Focusing on French-Dutch-German photographer Germaine Krull, this article examines how the development of photographic infrastructures in mid-twentieth century Paris and Equatorial …
The little crystal eye would not blink’: Jean Rouch and the camera eyewitness
In a 1951 article series for Franc-Tireur, Jean Rouch described his fears as an ethnographic filmmaker. One must, he wrote, navigate between the detached observation of the ‘dry-eyed savant’ and the myopic immersion of a new ‘Robinson Crusoe’ bereft of his perspective-glass. If Rouch’s anxiety touched on a familiar cliche of both ethnographic fieldwork and documentary filmmaking, it would nonetheless operate idiosyncratically in his work as a rec…
No prominent works on this page.
The little crystal eye would not blink’: Jean Rouch and the camera eyewitness
In a 1951 article series for Franc-Tireur, Jean Rouch described his fears as an ethnographic filmmaker. One must, he wrote, navigate between the detached observation of the ‘dry-eyed savant’ and the myopic immersion of a new ‘Robinson Crusoe’ bereft of his perspective-glass. If Rouch’s anxiety touched on a familiar cliche of both ethnographic fieldwork and documentary filmmaking, it would nonetheless operate idiosyncratically in his work as a rec…
Infrastructures of Light: Tropicapitalism and Germaine Krull’s Camera
To understand the relationship between the camera and colonial capitalism, we must consider photography not just as a tool but as an infrastructural system, the very grounds upon which movements of goods, capital and ideas can be sustained, regulated, and interrupted. Focusing on French-Dutch-German photographer Germaine Krull, this article examines how the development of photographic infrastructures in mid-twentieth century Paris and Equatorial …
Historical Studies and Socio-cultural Analysis (2 works) · Law (2 works) · Law (2 works) · Political science (2 works) · Sociology (2 works) · Aesthetics (1 works) · African history and culture studies (1 works) · Ancient history (1 works) · Anthropology (1 works) · Art (1 works)