Sebastian Heiduschke
Biographic Data
| ID | 5936330 |
|---|---|
| NAME | Sebastian Heiduschke |
| GIVEN NAMES | Sebastian |
| FAMILY NAME | Heiduschke |
| SIGNATURE | HEIDUSCHKE S |
| AFFILIATIONS | Oregon State University |
| ORCID | 0000-0001-5253-9129 |
| VERIFIED | Yes |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 7 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2013 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
Simon Spiegel. Utopias in Non-Fiction Film
Moving Images on the Margins: Experimental Film in Late Socialist East Germany
In general, English-language publications on East German film have largely been interested in feature films from the GDR’s state-owned studio DEFA, whereas lacunae exist about GDR documentaries, television film or non-narrative cinema. Seth Howes’s book on experimental film of the late GDR is an interesting first work that takes a first step towards filling these gaps. Early on, Howes’s describes how ‘the experimental films of late 1980s East Ger…
Gender and Sexuality in East German Film: Intimacy and Alienation
The cinema of the German Democratic Republic, that is, the cinema of its state-run studio DEFA, portrayed gender and sexuality in complex and contradictory ways. In doing so, it reflected the contradictions in GDR society in respect to such questions. This is the first scholarly collection in English or German to fully address the treatment of gender and sexuality in the productions of DEFA across genres (from shorts and feature films to educatio…
Women’s Interventions in the Contemporary German Film Industry
Although women today graduate from Germany’s film schools in numbers nearly equal to those of men, they remain heavily underrepresented in the nation’s film industry. This essay employs statistical evidence to take stock of the situation for women filmmakers and examines three women-driven initiatives that offer responses to current industrial practices: Women in Film and Television Germany (WIFTG), Pro Quote Film (PQF), and the grassroots organi…
Und wenn sie nicht gestorben sind: Die Kinder von Golzow – Das Ende einer Langzeitbeobachtung 1961–2007
"Und wenn sie nicht gestorben sind ...: Die Kinder von Golzow – Das Ende einer Langzeitbeobachtung 1961–2007." Historical Journal of Film, Radio and Television, 35(4), pp. 678–679
East German Cinema: Defa and Film History
East Germany's film monopoly, Deutsche Film-Aktiengesellschaft, produced a films ranging beyond simple propaganda to westerns, musicals, and children's films, among others. This book equips scholars w
Authority, Mobility, and Teenage Rebellion in The Wild One (USA, 1953), Die Halbstarken (West Germany, 1956), and Berlin – Ecke Schönhauser (East Germany, 1957)
No prominent works on this page.
East German Cinema: Defa and Film History
East Germany's film monopoly, Deutsche Film-Aktiengesellschaft, produced a films ranging beyond simple propaganda to westerns, musicals, and children's films, among others. This book equips scholars w
Authority, Mobility, and Teenage Rebellion in The Wild One (USA, 1953), Die Halbstarken (West Germany, 1956), and Berlin – Ecke Schönhauser (East Germany, 1957)
Und wenn sie nicht gestorben sind: Die Kinder von Golzow – Das Ende einer Langzeitbeobachtung 1961–2007
"Und wenn sie nicht gestorben sind ...: Die Kinder von Golzow – Das Ende einer Langzeitbeobachtung 1961–2007." Historical Journal of Film, Radio and Television, 35(4), pp. 678–679
Gender and Sexuality in East German Film: Intimacy and Alienation
The cinema of the German Democratic Republic, that is, the cinema of its state-run studio DEFA, portrayed gender and sexuality in complex and contradictory ways. In doing so, it reflected the contradictions in GDR society in respect to such questions. This is the first scholarly collection in English or German to fully address the treatment of gender and sexuality in the productions of DEFA across genres (from shorts and feature films to educatio…
Women’s Interventions in the Contemporary German Film Industry
Although women today graduate from Germany’s film schools in numbers nearly equal to those of men, they remain heavily underrepresented in the nation’s film industry. This essay employs statistical evidence to take stock of the situation for women filmmakers and examines three women-driven initiatives that offer responses to current industrial practices: Women in Film and Television Germany (WIFTG), Pro Quote Film (PQF), and the grassroots organi…
Moving Images on the Margins: Experimental Film in Late Socialist East Germany
In general, English-language publications on East German film have largely been interested in feature films from the GDR’s state-owned studio DEFA, whereas lacunae exist about GDR documentaries, television film or non-narrative cinema. Seth Howes’s book on experimental film of the late GDR is an interesting first work that takes a first step towards filling these gaps. Early on, Howes’s describes how ‘the experimental films of late 1980s East Ger…
Simon Spiegel. Utopias in Non-Fiction Film
European history and politics (6 works) · Art (5 works) · German History and Society (5 works) · History (5 works) · Sociology (5 works) · German (4 works) · Political science (4 works) · Art history (3 works) · Movie theater (3 works) · Archaeology (2 works)