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Gail K Hart

Biographic Data

ID5936362
NAMEGail K Hart
GIVEN NAMESGail K
FAMILY NAMEHart
SIGNATUREHART G K
AFFILIATIONSUniversity of California, Irvine
VERIFIEDNo
TOTAL WORKS21
TOTAL CITATIONS0
WORKS AS AUTHOR21
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1985
LATEST PUBLICATION YEAR2018
H-INDEX0
  • The Nanking Massacre on Gum Cards

    Open Access•Gail K Hart•ARTICLE•The Journal of American Culture•2018•References: 3

  • Jeremias Gotthelf’s Business

    Gail K Hart, Gail Hart•ARTICLE•Seminar A Journal of Germanic…•2012

  • Robbers, Readers, and Security

    Gail K Hart, Gail Hart•ARTICLE•Seminar A Journal of Germanic…•2008•References: 2

  • Schiller's Wallenstein, Maria Stuart, and Die Jungfrau von Orleans

    Gail K Hart, Kathy Saranpa•ARTICLE•The German Quarterly•2002

    The legacy of the Enlightenment - criticism by Schiller's contemporaries Hegel, Herder and Ranke - Schiller during the century of historicism the metaphysical crisis, World War II and the aftermath Schiller's late historical plays and the Third Reich Schiller from the left - early leftist criticism and criticism in the German Democratic Republic the Federal Republic of Germany and post-(re)unification criticism

  • The Stage and the State

    Gail K Hart•ARTICLE•Seminar A Journal of Germanic…•1999

    There is considerable evidence in Schiller's theoretical writings that he viewed his theatrical domain as a counter-position to the absolutist state, inasmuch as the theatre was a realm where politics and morality were not estranged from one another. ' The theatre, for Schiller, observed higher and more complex standards of law and order and had more enlightened methods of dealing with human vice or human weakness. In his impassioned defense of t…

  • Der imaginierte Findling

    Gail K Hart, Ulrich Struve•ARTICLE•The German Quarterly•1997

  • Tragedy in Paradise

    Sharon M DiFino, Gail K Hart•ARTICLE•South Atlantic Review•1997

  • Tragedy in Paradise

    Karin A Wurst, Gail K Hart•ARTICLE•German Studies Review•1997

  • The Smell of Books

    Gail K Hart, Hans J Rindisbacher•ARTICLE•The German Quarterly•1996

  • The Feminization of Dr. Faustus

    Gail K Hart, Helga Druxes•ARTICLE•The German Quarterly•1995

  • Words Chiseled into Marble

    Gail K Hart, Ferdinand Meyer et al.•ARTICLE•The German Quarterly•1993

    Contents: Meyer's means of representing artworks in verbal narratives are analyzed narratologically. His art-historical realism, his stance as translator, and his ambivalence towards the cultic function of the arts are studied

  • Readers and Their Fictions in the Novels and Novellas of Gottfried Keller

    Robert Weninger, Robert K Weninger et al.•ARTICLE•German Studies Review•1991

    does not validate these pious and perhaps interested statements-many of them are addressed to well-placed correspondents who wanted to hear exactly that.In short, I believed I saw in his work as a whole a denial of direct social utility and an affirmation of a more complex aesthetic endeavor.Keller's stock was not particularly high in US German graduate programs in the 1980s, and many colleagues were confused at my interest in what they considere…

  • Im Banne der Melusine

    Gail K Hart, Wolfgang Paulsen•ARTICLE•The German Quarterly•1990

  • Readers and Their Fictions in the Novels and Novellas of Gottfried Keller

    Brent O Peterson, Gottfried Keller et al.•ARTICLE•South Atlantic Review•1990

    This study seeks to alter our understanding of Keller’s realism by problematizing the act of reading within fiction. The story of reading in Keller’s fiction is a self-conscious meditation on the schism between life and its literary representation—and it emphasizes the incapacity of that representation to actually and substantially influence the life it is based on. This has consequences for the didactic writer. The act of reading here generally …

  • The Facts of Fiction

    Gail K Hart•ARTICLE•Seminar A Journal of Germanic…•1990

    As a self-conscious purveyor of realistic fictions or lies'' that resemble truth, Conrad Ferdinand Meyer typically altered the conventional relations between (understood as facticity) and its opposite (that which is contrary to fact) in his fiction. This fictional revision of the (empiricist) truefalse opposition consists in the fact that for Meyer's fiction the ontological status of a given fact often depends entirely on the determination of the…

  • Karl May

    Gail K Hart, Helmut Schmiedt•ARTICLE•The German Quarterly•1989

  • Gotthelf im Zeitgeflecht

    Gail K Hart, Hanns Peter Holl•ARTICLE•The German Quarterly•1987

  • Keller's Fictional Readers

    Gail K Hart•ARTICLE•Seminar A Journal of Germanic…•1987

    Nearly all of Keller's fiction issues from a single basic situation: an ordinary person, seized by extraordinary ideals or aspirations, constructs an alternative world of the imagination and lives according to its values until he is enlightened of eliminated by the `reality he has chosen to ignore. Indeed, Keller's novels and novellas are so singlemindedly dedicated to themes of illusion and error that the idea of an `errant' or `deluded' Keller …

  • Sexualitat im Gedicht

    Gail K Hart, Irene Guy•ARTICLE•The German Quarterly•1986

  • The Functions of Fictions

    Gail K Hart•ARTICLE•The German Quarterly•1986

    Heroes and heroines of novels are notorious readers. They tend to practice a kind of misreading rarely encountered outside of fiction, namely the uncritical reception of literary fictions as life-imperatives or as specific models for self-comprehension. They are literally hypnotized by their books and subsequently engage in the most bizarre attempts to alter their reality, and bring their lives into closer correspondence with the fictions they re…

  • Dichterberuf im burgerlichen Zeitalter

    Gail K Hart, Rolf Selbmann•ARTICLE•The German Quarterly•1985

No prominent works on this page.

  • Dichterberuf im burgerlichen Zeitalter

    Gail K Hart, Rolf Selbmann•ARTICLE•The German Quarterly•1985

  • Sexualitat im Gedicht

    Gail K Hart, Irene Guy•ARTICLE•The German Quarterly•1986

  • The Functions of Fictions

    Gail K Hart•ARTICLE•The German Quarterly•1986

    Heroes and heroines of novels are notorious readers. They tend to practice a kind of misreading rarely encountered outside of fiction, namely the uncritical reception of literary fictions as life-imperatives or as specific models for self-comprehension. They are literally hypnotized by their books and subsequently engage in the most bizarre attempts to alter their reality, and bring their lives into closer correspondence with the fictions they re…

  • Gotthelf im Zeitgeflecht

    Gail K Hart, Hanns Peter Holl•ARTICLE•The German Quarterly•1987

  • Keller's Fictional Readers

    Gail K Hart•ARTICLE•Seminar A Journal of Germanic…•1987

    Nearly all of Keller's fiction issues from a single basic situation: an ordinary person, seized by extraordinary ideals or aspirations, constructs an alternative world of the imagination and lives according to its values until he is enlightened of eliminated by the `reality he has chosen to ignore. Indeed, Keller's novels and novellas are so singlemindedly dedicated to themes of illusion and error that the idea of an `errant' or `deluded' Keller …

  • Karl May

    Gail K Hart, Helmut Schmiedt•ARTICLE•The German Quarterly•1989

  • Im Banne der Melusine

    Gail K Hart, Wolfgang Paulsen•ARTICLE•The German Quarterly•1990

  • Readers and Their Fictions in the Novels and Novellas of Gottfried Keller

    Brent O Peterson, Gottfried Keller et al.•ARTICLE•South Atlantic Review•1990

    This study seeks to alter our understanding of Keller’s realism by problematizing the act of reading within fiction. The story of reading in Keller’s fiction is a self-conscious meditation on the schism between life and its literary representation—and it emphasizes the incapacity of that representation to actually and substantially influence the life it is based on. This has consequences for the didactic writer. The act of reading here generally …

  • The Facts of Fiction

    Gail K Hart•ARTICLE•Seminar A Journal of Germanic…•1990

    As a self-conscious purveyor of realistic fictions or lies'' that resemble truth, Conrad Ferdinand Meyer typically altered the conventional relations between (understood as facticity) and its opposite (that which is contrary to fact) in his fiction. This fictional revision of the (empiricist) truefalse opposition consists in the fact that for Meyer's fiction the ontological status of a given fact often depends entirely on the determination of the…

  • Readers and Their Fictions in the Novels and Novellas of Gottfried Keller

    Robert Weninger, Robert K Weninger et al.•ARTICLE•German Studies Review•1991

    does not validate these pious and perhaps interested statements-many of them are addressed to well-placed correspondents who wanted to hear exactly that.In short, I believed I saw in his work as a whole a denial of direct social utility and an affirmation of a more complex aesthetic endeavor.Keller's stock was not particularly high in US German graduate programs in the 1980s, and many colleagues were confused at my interest in what they considere…

  • Words Chiseled into Marble

    Gail K Hart, Ferdinand Meyer et al.•ARTICLE•The German Quarterly•1993

    Contents: Meyer's means of representing artworks in verbal narratives are analyzed narratologically. His art-historical realism, his stance as translator, and his ambivalence towards the cultic function of the arts are studied

  • The Feminization of Dr. Faustus

    Gail K Hart, Helga Druxes•ARTICLE•The German Quarterly•1995

  • The Smell of Books

    Gail K Hart, Hans J Rindisbacher•ARTICLE•The German Quarterly•1996

  • Der imaginierte Findling

    Gail K Hart, Ulrich Struve•ARTICLE•The German Quarterly•1997

  • Tragedy in Paradise

    Sharon M DiFino, Gail K Hart•ARTICLE•South Atlantic Review•1997

  • Tragedy in Paradise

    Karin A Wurst, Gail K Hart•ARTICLE•German Studies Review•1997

  • The Stage and the State

    Gail K Hart•ARTICLE•Seminar A Journal of Germanic…•1999

    There is considerable evidence in Schiller's theoretical writings that he viewed his theatrical domain as a counter-position to the absolutist state, inasmuch as the theatre was a realm where politics and morality were not estranged from one another. ' The theatre, for Schiller, observed higher and more complex standards of law and order and had more enlightened methods of dealing with human vice or human weakness. In his impassioned defense of t…

  • Schiller's Wallenstein, Maria Stuart, and Die Jungfrau von Orleans

    Gail K Hart, Kathy Saranpa•ARTICLE•The German Quarterly•2002

    The legacy of the Enlightenment - criticism by Schiller's contemporaries Hegel, Herder and Ranke - Schiller during the century of historicism the metaphysical crisis, World War II and the aftermath Schiller's late historical plays and the Third Reich Schiller from the left - early leftist criticism and criticism in the German Democratic Republic the Federal Republic of Germany and post-(re)unification criticism

  • Robbers, Readers, and Security

    Gail K Hart, Gail Hart•ARTICLE•Seminar A Journal of Germanic…•2008•References: 2

  • Jeremias Gotthelf’s Business

    Gail K Hart, Gail Hart•ARTICLE•Seminar A Journal of Germanic…•2012

  • The Nanking Massacre on Gum Cards

    Open Access•Gail K Hart•ARTICLE•The Journal of American Culture•2018•References: 3

Art (19 works) · Philosophy (11 works) · Literature (10 works) · German Literature and Culture Studies (9 works) · Art history (6 works) · History (6 works) · Law (5 works) · Political science (5 works) · Law (4 works) · Philosophy (4 works)

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