Derek Hillard
Biographic Data
| ID | 5936375 |
|---|---|
| NAME | Derek Hillard |
| GIVEN NAMES | Derek |
| FAMILY NAME | Hillard |
| SIGNATURE | HILLARD D |
| AFFILIATIONS | Kansas State University |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2001 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
Noise as Atmospheric Interference
Drawing on atmospherological theory and accounts of embodied affectivity, this paper explores how noise functions by destabilizing habitual responses to environmental affordances, producing performative effects within artistic practices. In the case of Dada poetry, nonsensical vocal sounds are analyzed as a form of acoustic disturbance that disrupts semantic expectations and foregrounds noise as a reconfiguration of meaning. Through the analysis …
Are There Painful Images? Ernst Jünger and Beholding Pain in Photography
In his essay “Uber den Schmerz” (On Pain, 1934), Ernst Junger attempted to use pain as a vehicle for characterizing both modern life and the medium of photography as a means for detaching from pain. Junger was one of the most divisive writers of the twentieth century, and his essay has been deemed puzzling and “idiosyncratic” (Meyer 226). “Uber den Schmerz” shares many concerns with writers associated with the “Conservative Revolution” in Germany…
History as a Dual Process
Etude de la conception de l'histoire developpee par Nietzsche a partir de l'interaction entre echange et puissance, domination et eradication, qui regule l'ensemble de l'activite humaine, de la pensee a la morale. Examinant le theme du credit, de la dette et de la culpabilite dans la «Genealogie de la morale», l'A. montre que Nietzsche considere l'economie comme la structure meme du discours, d'une part, et que la figure messianique de Zarathoust…
Den Acheron durchquert ich
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Den Acheron durchquert ich
History as a Dual Process
Etude de la conception de l'histoire developpee par Nietzsche a partir de l'interaction entre echange et puissance, domination et eradication, qui regule l'ensemble de l'activite humaine, de la pensee a la morale. Examinant le theme du credit, de la dette et de la culpabilite dans la «Genealogie de la morale», l'A. montre que Nietzsche considere l'economie comme la structure meme du discours, d'une part, et que la figure messianique de Zarathoust…
Are There Painful Images? Ernst Jünger and Beholding Pain in Photography
In his essay “Uber den Schmerz” (On Pain, 1934), Ernst Junger attempted to use pain as a vehicle for characterizing both modern life and the medium of photography as a means for detaching from pain. Junger was one of the most divisive writers of the twentieth century, and his essay has been deemed puzzling and “idiosyncratic” (Meyer 226). “Uber den Schmerz” shares many concerns with writers associated with the “Conservative Revolution” in Germany…
Noise as Atmospheric Interference
Drawing on atmospherological theory and accounts of embodied affectivity, this paper explores how noise functions by destabilizing habitual responses to environmental affordances, producing performative effects within artistic practices. In the case of Dada poetry, nonsensical vocal sounds are analyzed as a form of acoustic disturbance that disrupts semantic expectations and foregrounds noise as a reconfiguration of meaning. Through the analysis …
Philosophy (3 works) · Art (2 works) · Philosophy (2 works) · Aesthetics (1 work) · Art history (1 work) · Art, Aesthetics, and Perception (1 work) · Certainty (1 work) · Diverse Musicological Studies (1 work) · Embodied cognition (1 work) · Epistemology (1 work)