Kylie Giblett
Biographic Data
| ID | 5936526 |
|---|---|
| NAME | Kylie Giblett |
| GIVEN NAMES | Kylie |
| FAMILY NAME | Giblett |
| SIGNATURE | GIBLETT K |
| AFFILIATIONS | University of Sydney, Sydney, Australia |
| ORCID | 0000-0001-9298-9191 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2023 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Contested memories
“Das Recht ist kein Kreißsaal für die Gerechtigkeit”
Juli Zeh has been described as “eine Schriftstellerin, Juristin und Gegenwartsseziererin,” and it is rare that a discussion of her literary oeuvre does not also reference her legal work (Zeh, “Warum”). Literature, law, and a critical stance toward many developments in German contemporary politics are three strands that have wound their way through Zeh's fiction and non-fiction work. Her political activism was recently on display in her response t…
Geschichte ist machbar
This article explores the role of literature in shaping the cultural memory of 1968 in the twenty-first century, as the aging of the 68ers heralds the approaching end of the communicative memory of the student revolution. Using Uwe Timm’s Rot (2001) and Bernhard Schlink’s Das Wochenende (2008) as individual expressions of a wider generational reassessment of 1968, I first analyze the novels as works of historiographic metafiction that reflect ove…
No prominent works on this page.
“Das Recht ist kein Kreißsaal für die Gerechtigkeit”
Juli Zeh has been described as “eine Schriftstellerin, Juristin und Gegenwartsseziererin,” and it is rare that a discussion of her literary oeuvre does not also reference her legal work (Zeh, “Warum”). Literature, law, and a critical stance toward many developments in German contemporary politics are three strands that have wound their way through Zeh's fiction and non-fiction work. Her political activism was recently on display in her response t…
Geschichte ist machbar
This article explores the role of literature in shaping the cultural memory of 1968 in the twenty-first century, as the aging of the 68ers heralds the approaching end of the communicative memory of the student revolution. Using Uwe Timm’s Rot (2001) and Bernhard Schlink’s Das Wochenende (2008) as individual expressions of a wider generational reassessment of 1968, I first analyze the novels as works of historiographic metafiction that reflect ove…
Contested memories
German History and Society (2 works) · Memory, History, Trauma, Identity (2 works) · Sociology (2 works) · Anthropology (1 work) · Art (1 work) · Comparative law (1 work) · Criminal Law and Policy (1 work) · Critical legal studies (1 work) · Criticism (1 work) · Cultural memory (1 work)