Lily Climenhaga
Biographic Data
| ID | 5936577 |
|---|---|
| NAME | Lily Climenhaga |
| GIVEN NAMES | Lily |
| FAMILY NAME | Climenhaga |
| SIGNATURE | CLIMENHAGA L |
| AFFILIATIONS | University of Ghent, Ghent, Belgium |
| ORCID | 0000-0002-6459-6742 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2023 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
Globalized Theatre | Tokenized Performance
This article examines Swiss-German theatre maker Milo Rau’s work at Nederlands Toneel Gent (NTG) and looks at Rau’s work as director and artistic director through the frame of institutional dramaturgy, migratory aesthetics, and postmigrant theatre. It first engages with Rau’s institutional critique of German public theatres by positioning the Flemish theatre as distinct from its German counterpart and exploring preceding institutional innovations…
What Must Be Re-Imagined
Between November 3 and 5, 2017, Swiss-German director Milo Rau and his production company the International Institute of Political Murder (IIPM) staged a transnational judiciary assembly of artists, activists and eye-witnesses – a symbolic institution for the future that sought to activate its delegates and audiences – under the title General Assembly. This contribution, a collaboration between dramaturg/curator/activist Kasia Wojcik and scholar/…
Protesta - Institución - Compromiso
Este artículo ofrece una visión general de diferentes corrientes de teatro y actuación políticamente comprometidos: instituciones liminales construidas y acciones de actuación basadas en protestas en el lugar, lo que se ha denominado “artivismo” (activismo + arte). Profundizando a través de las fronteras culturales y nacionales, “Protesta - Institución - Compromiso” explora diferentes formas y teorías de teatro político activo. Examina la dramatu…
No prominent works on this page.
What Must Be Re-Imagined
Between November 3 and 5, 2017, Swiss-German director Milo Rau and his production company the International Institute of Political Murder (IIPM) staged a transnational judiciary assembly of artists, activists and eye-witnesses – a symbolic institution for the future that sought to activate its delegates and audiences – under the title General Assembly. This contribution, a collaboration between dramaturg/curator/activist Kasia Wojcik and scholar/…
Protesta - Institución - Compromiso
Este artículo ofrece una visión general de diferentes corrientes de teatro y actuación políticamente comprometidos: instituciones liminales construidas y acciones de actuación basadas en protestas en el lugar, lo que se ha denominado “artivismo” (activismo + arte). Profundizando a través de las fronteras culturales y nacionales, “Protesta - Institución - Compromiso” explora diferentes formas y teorías de teatro político activo. Examina la dramatu…
Globalized Theatre | Tokenized Performance
This article examines Swiss-German theatre maker Milo Rau’s work at Nederlands Toneel Gent (NTG) and looks at Rau’s work as director and artistic director through the frame of institutional dramaturgy, migratory aesthetics, and postmigrant theatre. It first engages with Rau’s institutional critique of German public theatres by positioning the Flemish theatre as distinct from its German counterpart and exploring preceding institutional innovations…
Art (3 works) · History (2 works) · Visual arts (2 works) · Aesthetics (1 works) · Archaeology (1 works) · Architecture, Art, Education (1 works) · Arts, Culture, and Music Studies (1 works) · Drama (1 works) · European Cultural and National Identity (1 works) · Foucault, Power, and Ethics (1 works)