Jennifer Hansen‐Glucklich
Biographic Data
| ID | 5936713 |
|---|---|
| NAME | Jennifer Hansen‐Glucklich |
| GIVEN NAMES | Jennifer |
| FAMILY NAME | Hansen‐Glucklich |
| SIGNATURE | GLUCKLICH J H |
| AFFILIATIONS | University of Mary Washington |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 4 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2010 |
| LATEST PUBLICATION YEAR | 2016 |
| H-INDEX | 1 |
Süß im Licht, Wach im Wind”
This essay argues that Rainer Maria Rilke creates alternative realms evocative of an earlier time and sensibility in select poems of the Neue Gedichte in an attempt to overcome certain disturbing aspects of the Großstadt. In these alternative realms, which reveal traces of a vanished world, Rilke draws on the topos dimension of landscape and stages theatrical scenes within the Parisian cityscape. Here, exotic places and objects triumph over ordin…
Dreaming of Michelangelo
‘See to it I do not return to me’ [‘fate c’a me stesso più non torni’]. These words, written by Michelangelo in a madrigal to a late lover, emerge as a leitmotif in Asher Biemann’s new book. They express the idea of love as an encounter with an other that both alters the relation of one to oneself and is an act of self-constitution. This is an apt refrain, for the story that Biemann will tell in the following pages is a story of love—of cultural …
Weimar Film and Modern Jewish Identity
Beginning with the intriguing tale of Alexander Bessel, the eponymous hero of Jewish filmmaker Richard Oswald’s 1927 film The Transformation of Dr. Bessel, Ofer Ashkenazi’s Weimar Film and Modern Jewish Identity sets out to explore what the author describes as ‘one of the most prevailing, yet neglected, phenomena in the German film of the pre-Nazi era’, namely, the idea that Weimar ‘genre film’ offers an opportunity for discovering the ‘intricaci…
Evoking the Sacred
This essay examines how Yad Vashem: The Holocaust Martyrs’ and Heroes’ Remembrance Authority in Jerusalem and The Jewish Museum in Berlin move beyond the usual informative and communicative functions of museum exhibits to visually evoke sacred feelings in regard to Holocaust memory. Ideas and images of the sacred vary in the two museums, reflecting two very different memorial cultures and commemorative goals, and these contrasting contexts frame …
Evoking the Sacred
This essay examines how Yad Vashem: The Holocaust Martyrs’ and Heroes’ Remembrance Authority in Jerusalem and The Jewish Museum in Berlin move beyond the usual informative and communicative functions of museum exhibits to visually evoke sacred feelings in regard to Holocaust memory. Ideas and images of the sacred vary in the two museums, reflecting two very different memorial cultures and commemorative goals, and these contrasting contexts frame …
Evoking the Sacred
This essay examines how Yad Vashem: The Holocaust Martyrs’ and Heroes’ Remembrance Authority in Jerusalem and The Jewish Museum in Berlin move beyond the usual informative and communicative functions of museum exhibits to visually evoke sacred feelings in regard to Holocaust memory. Ideas and images of the sacred vary in the two museums, reflecting two very different memorial cultures and commemorative goals, and these contrasting contexts frame …
Weimar Film and Modern Jewish Identity
Beginning with the intriguing tale of Alexander Bessel, the eponymous hero of Jewish filmmaker Richard Oswald’s 1927 film The Transformation of Dr. Bessel, Ofer Ashkenazi’s Weimar Film and Modern Jewish Identity sets out to explore what the author describes as ‘one of the most prevailing, yet neglected, phenomena in the German film of the pre-Nazi era’, namely, the idea that Weimar ‘genre film’ offers an opportunity for discovering the ‘intricaci…
Dreaming of Michelangelo
‘See to it I do not return to me’ [‘fate c’a me stesso più non torni’]. These words, written by Michelangelo in a madrigal to a late lover, emerge as a leitmotif in Asher Biemann’s new book. They express the idea of love as an encounter with an other that both alters the relation of one to oneself and is an act of self-constitution. This is an apt refrain, for the story that Biemann will tell in the following pages is a story of love—of cultural …
Süß im Licht, Wach im Wind”
This essay argues that Rainer Maria Rilke creates alternative realms evocative of an earlier time and sensibility in select poems of the Neue Gedichte in an attempt to overcome certain disturbing aspects of the Großstadt. In these alternative realms, which reveal traces of a vanished world, Rilke draws on the topos dimension of landscape and stages theatrical scenes within the Parisian cityscape. Here, exotic places and objects triumph over ordin…
Art (4 works) · Literature (4 works) · Aesthetics (3 works) · Archaeology (3 works) · History (3 works) · Judaism (3 works) · Art history (2 works) · Art, Aesthetics, and Perception (2 works) · German (2 works) · German Literature and Culture Studies (2 works)