Esti Sheinberg
Biographic Data
| ID | 5937060 |
|---|---|
| NAME | Esti Sheinberg |
| GIVEN NAMES | Esti |
| FAMILY NAME | Sheinberg |
| SIGNATURE | SHEINBERG E |
| AFFILIATIONS | University of Edinburgh |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2002 |
| LATEST PUBLICATION YEAR | 2010 |
| H-INDEX | 0 |
The Infinite Grace of Jesus
In July 1880 Tchaikovsky wrote three letters in which he described the great impression that Massenet’s oratorio Marie-Magdeleine had made on him. Deeply moved by the duet between Jesus and Mary Magdalene, he composed a Romance to words by Alexey Tolstoy. This Romance became the second number of his Seven Romances, Op. 47. What did Tchaikovsky mean when he stated that he composed it ‘under the influence’ of Massenet’s Marie-Magdeleine, and how is…
Benet Casablancas Domingo El humor en la música
Irony, Satire, Parody and the Grotesque in the Music of Shostakovich
Contents: Part 1: Introduction Part II: Irony: The concept of irony: philosophical background Incongruities as indicators of irony Part III: Satire: The structure of satire The structure of musical satire Satirizing techniques Part IV: Parody: Definitions of parody The structure of parody Historical background Techniques of parody Part V: The Grotesque: Definition, structure and content of the grotesque The satirical grotesque The grotesque at th…
No prominent works on this page.
Irony, Satire, Parody and the Grotesque in the Music of Shostakovich
Contents: Part 1: Introduction Part II: Irony: The concept of irony: philosophical background Incongruities as indicators of irony Part III: Satire: The structure of satire The structure of musical satire Satirizing techniques Part IV: Parody: Definitions of parody The structure of parody Historical background Techniques of parody Part V: The Grotesque: Definition, structure and content of the grotesque The satirical grotesque The grotesque at th…
Benet Casablancas Domingo El humor en la música
The Infinite Grace of Jesus
In July 1880 Tchaikovsky wrote three letters in which he described the great impression that Massenet’s oratorio Marie-Magdeleine had made on him. Deeply moved by the duet between Jesus and Mary Magdalene, he composed a Romance to words by Alexey Tolstoy. This Romance became the second number of his Seven Romances, Op. 47. What did Tchaikovsky mean when he stated that he composed it ‘under the influence’ of Massenet’s Marie-Magdeleine, and how is…
Art (3 works) · Literature (2 works) · Musical (2 works) · Musicology and Musical Analysis (2 works) · Aesthetics (1 work) · Citation (1 work) · Computer Science (1 work) · Diverse Musicological Studies (1 work) · Historical and Literary Studies (1 work) · Humanities (1 work)