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Sven Spieker

Biographic Data

ID5937185
NAMESven Spieker
GIVEN NAMESSven
FAMILY NAMESpieker
SIGNATURESPIEKER S
AFFILIATIONSUniversity of California, Santa Barbara
VERIFIEDNo
TOTAL WORKS12
TOTAL CITATIONS0
WORKS AS AUTHOR12
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1990
LATEST PUBLICATION YEAR2026
H-INDEX0
  • “And What About Class?”

    Angela Harutyunyan, Sven Spieker et al.•ARTICLE•ARTMargins•2026

    This roundtable focuses on the connections between art or culture and class, and on the multiple forms this connection takes today. Even as class distinctions have evolved over the years, and even as the role played by social class in contemporary struggles for social justice and recognition has been obscured, class remains formative of late capitalist subjectivity and continues to have a significant, if mostly unacknowledged, impact on our lives…

  • Brushing the Archive Against the Grain

    Sven Spieker•ARTICLE•Comparative Literature Studies•2026

    Cristina Vatulescu and Anke Pinkert’s studies join a growing body of art and scholarship that read Cold War police archives against the grain by connecting them with protest and dissent, complicating the traditional view of the archive as an institution that perpetuates the interests of state power. Both authors focus on the changes in Eastern Europe at the end of the 1980s, including the large-scale opening of secret police archives, even as the…

  • Some Notes on the Use of Foreign or Minority Languages in Eastern European Art

    Sven Spieker•ARTICLE•Art In Translation•2024

    The article considers foreign language use by artists from Eastern Europe during the Cold War, both for interpersonal communication, in art production, and as a means for an artist to place themselves in minority and/or transnational contexts. Additionally, the article demonstrates that an artist’s choice of a foreign idiom may show their attitude towards his or her own idiom, in some cases “provincializing” it, and in others, elevating it to the…

  • The Heresy of Didactic Art

    Sven Spieker, Tom Holert•ARTICLE•ARTMargins•2022

    In the special issue, we are interested in the multiple, and often strategic, connections between art and alternative, radical pedagogies. Of course, the confluence of art and radical pedagogy is nothing particularly new. The past twenty years, especially, have witnessed a resurgence of all manner of debates and initiatives that attend to the role that contemporary art plays or could play in the development of critical education and pedagogy. Bel…

  • Embedding Constructivism

    Sven Spieker•ARTICLE•Art Journal•2020

  • Am Nullpunkt

    Sven Spieker, Boris Groys et al.•ARTICLE•The Slavic and East European…•2007

  • Gogol

    Melissa Frazier, Sven Spieker•ARTICLE•The Slavic and East European…•2001

  • Figures of Memory and Forgetting in Andrej Bitov's Prose

    Кевин М Ф Платт, Kevin Platt et al.•ARTICLE•The Slavic and East European…•1998

    Contents: Postmodernism in the Soviet Union - History and its representation in modernist, socialist realist, and postmodern aesthetics - Different models of mnemonic representation and their applicability in the Soviet context - Andrej Bitov as a postmodernist - Bitov's attitude towards modernism and socialist realism

  • Stumps Folded into a Fist”

    Open Access•Sven Spieker•ARTICLE•East European Politics and…•1997

    Il y a hasard quand ce qui est possible se produit au détriment de ce qui est probable. A la place de l'attendu, autre chose paraît qui nous apprend ainsi qu'elle pouvait être. Paul Valéry

  • Gogol and the Baroque

    Sven Spieker, Gavriel Shapiro et al.•ARTICLE•The Slavic and East European…•1995

  • Gedachtnis und Literatur. Intertextualitat in der russischen Moderne

    Sven Spieker, R Lachmann•ARTICLE•The Slavic and East European…•1992

  • Intertextualitat und Interpretierbarkeit des Texts. Zur fruhen Prosa Boris Pasternaks

    Sven Spieker, Erika Greber•ARTICLE•The Slavic and East European…•1990

No prominent works on this page.

  • Intertextualitat und Interpretierbarkeit des Texts. Zur fruhen Prosa Boris Pasternaks

    Sven Spieker, Erika Greber•ARTICLE•The Slavic and East European…•1990

  • Gedachtnis und Literatur. Intertextualitat in der russischen Moderne

    Sven Spieker, R Lachmann•ARTICLE•The Slavic and East European…•1992

  • Gogol and the Baroque

    Sven Spieker, Gavriel Shapiro et al.•ARTICLE•The Slavic and East European…•1995

  • Stumps Folded into a Fist”

    Open Access•Sven Spieker•ARTICLE•East European Politics and…•1997

    Il y a hasard quand ce qui est possible se produit au détriment de ce qui est probable. A la place de l'attendu, autre chose paraît qui nous apprend ainsi qu'elle pouvait être. Paul Valéry

  • Figures of Memory and Forgetting in Andrej Bitov's Prose

    Кевин М Ф Платт, Kevin Platt et al.•ARTICLE•The Slavic and East European…•1998

    Contents: Postmodernism in the Soviet Union - History and its representation in modernist, socialist realist, and postmodern aesthetics - Different models of mnemonic representation and their applicability in the Soviet context - Andrej Bitov as a postmodernist - Bitov's attitude towards modernism and socialist realism

  • Gogol

    Melissa Frazier, Sven Spieker•ARTICLE•The Slavic and East European…•2001

  • Am Nullpunkt

    Sven Spieker, Boris Groys et al.•ARTICLE•The Slavic and East European…•2007

  • Embedding Constructivism

    Sven Spieker•ARTICLE•Art Journal•2020

  • The Heresy of Didactic Art

    Sven Spieker, Tom Holert•ARTICLE•ARTMargins•2022

    In the special issue, we are interested in the multiple, and often strategic, connections between art and alternative, radical pedagogies. Of course, the confluence of art and radical pedagogy is nothing particularly new. The past twenty years, especially, have witnessed a resurgence of all manner of debates and initiatives that attend to the role that contemporary art plays or could play in the development of critical education and pedagogy. Bel…

  • Some Notes on the Use of Foreign or Minority Languages in Eastern European Art

    Sven Spieker•ARTICLE•Art In Translation•2024

    The article considers foreign language use by artists from Eastern Europe during the Cold War, both for interpersonal communication, in art production, and as a means for an artist to place themselves in minority and/or transnational contexts. Additionally, the article demonstrates that an artist’s choice of a foreign idiom may show their attitude towards his or her own idiom, in some cases “provincializing” it, and in others, elevating it to the…

  • “And What About Class?”

    Angela Harutyunyan, Sven Spieker et al.•ARTICLE•ARTMargins•2026

    This roundtable focuses on the connections between art or culture and class, and on the multiple forms this connection takes today. Even as class distinctions have evolved over the years, and even as the role played by social class in contemporary struggles for social justice and recognition has been obscured, class remains formative of late capitalist subjectivity and continues to have a significant, if mostly unacknowledged, impact on our lives…

  • Brushing the Archive Against the Grain

    Sven Spieker•ARTICLE•Comparative Literature Studies•2026

    Cristina Vatulescu and Anke Pinkert’s studies join a growing body of art and scholarship that read Cold War police archives against the grain by connecting them with protest and dissent, complicating the traditional view of the archive as an institution that perpetuates the interests of state power. Both authors focus on the changes in Eastern Europe at the end of the 1980s, including the large-scale opening of secret police archives, even as the…

Art (9 works) · Literature (3 works) · Philosophy (3 works) · Art, Politics, and Modernism (2 works) · Eastern European Communism and Reforms (2 works) · European Cultural and National Identity (2 works) · German Literature and Culture Studies (2 works) · History (2 works) · Psychology (2 works) · Russian Literature and Bakhtin Studies (2 works)

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