Brian Locke
Biographic Data
| ID | 5937193 |
|---|---|
| NAME | Brian Locke |
| GIVEN NAMES | Brian |
| FAMILY NAME | Locke |
| SIGNATURE | LOCKE B |
| AFFILIATIONS | Western Illinois University |
| ORCID | 0000-0003-0527-1945 |
| VERIFIED | Yes |
| TOTAL WORKS | 10 |
| TOTAL CITATIONS | 3 |
| WORKS AS AUTHOR | 10 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1998 |
| LATEST PUBLICATION YEAR | 2019 |
| H-INDEX | 1 |
Dvorský, Rudolf Antonín
Traxler, Jiří
Zemánková, Inka
Běhounek, Kamil
Vlach, Karel
The White Man’s Bruce Lee”
“The White Man’s Bruce Lee”Race and the Construction of White Masculinity in David Fincher’s Fight Club (1999) Brian Locke (bio) Born theoretically white, we are permitted to pass our childhood as imaginary Indians, our adolescence as imaginary Negroes, and only then are expected to settle down to being what we really are: white once more. —Leslie A. Fiedler There is something at least a little bit odd about the representation of Asian American m…
Opera and Ideology in Prague
This study presents a history and analysis of the Prague musical community from 1900 until the end of democracy in 1938. 'Opera and Ideology in Prague' not only narrates the fascinating history of a local musical community but also reveals much about music and culture in Europe. The fin-de-siècle period was dominated by the musicologist Zdenek Nejedly's polemics regarding the competing 'legacies' of Smetana and Dvorák and the merits of modernism.…
Strange Fruit
The World War II combat film Bataan depicts the Japanese "yellow peril" enemy not only as hostile to both white and black Americans, but as even more racist to blacks than white Americans, displacing the history of white racism towards blacks onto the Asian enemy
Opera and Ideology in Prague
This study presents a history and analysis of the Prague musical community from 1900 until the end of democracy in 1938. 'Opera and Ideology in Prague' not only narrates the fascinating history of a local musical community but also reveals much about music and culture in Europe. The fin-de-siècle period was dominated by the musicologist Zdenek Nejedly's polemics regarding the competing 'legacies' of Smetana and Dvorák and the merits of modernism.…
Top Dog,” “Black Threat,” and “Japanese Cats”
The White Man’s Bruce Lee”
“The White Man’s Bruce Lee”Race and the Construction of White Masculinity in David Fincher’s Fight Club (1999) Brian Locke (bio) Born theoretically white, we are permitted to pass our childhood as imaginary Indians, our adolescence as imaginary Negroes, and only then are expected to settle down to being what we really are: white once more. —Leslie A. Fiedler There is something at least a little bit odd about the representation of Asian American m…
Top Dog,” “Black Threat,” and “Japanese Cats”
Opera and Ideology in Prague
This study presents a history and analysis of the Prague musical community from 1900 until the end of democracy in 1938. 'Opera and Ideology in Prague' not only narrates the fascinating history of a local musical community but also reveals much about music and culture in Europe. The fin-de-siècle period was dominated by the musicologist Zdenek Nejedly's polemics regarding the competing 'legacies' of Smetana and Dvorák and the merits of modernism.…
Strange Fruit
The World War II combat film Bataan depicts the Japanese "yellow peril" enemy not only as hostile to both white and black Americans, but as even more racist to blacks than white Americans, displacing the history of white racism towards blacks onto the Asian enemy
Opera and Ideology in Prague
This study presents a history and analysis of the Prague musical community from 1900 until the end of democracy in 1938. 'Opera and Ideology in Prague' not only narrates the fascinating history of a local musical community but also reveals much about music and culture in Europe. The fin-de-siècle period was dominated by the musicologist Zdenek Nejedly's polemics regarding the competing 'legacies' of Smetana and Dvorák and the merits of modernism.…
The White Man’s Bruce Lee”
“The White Man’s Bruce Lee”Race and the Construction of White Masculinity in David Fincher’s Fight Club (1999) Brian Locke (bio) Born theoretically white, we are permitted to pass our childhood as imaginary Indians, our adolescence as imaginary Negroes, and only then are expected to settle down to being what we really are: white once more. —Leslie A. Fiedler There is something at least a little bit odd about the representation of Asian American m…
Zemánková, Inka
Běhounek, Kamil
Vlach, Karel
Dvorský, Rudolf Antonín
Traxler, Jiří
Art (4 works) · Education, Psychology, and Social Research (4 works) · Art history (3 works) · Computer Science (3 works) · History (3 works) · Aesthetics (2 works) · History (2 works) · Ideology (2 works) · Law (2 works) · Medicine (2 works)