Tomi Huttunen
Biographic Data
| ID | 5937464 |
|---|---|
| NAME | Tomi Huttunen |
| GIVEN NAMES | Tomi |
| FAMILY NAME | Huttunen |
| SIGNATURE | HUTTUNEN T |
| AFFILIATIONS | University of Helsinki |
| ORCID | 0000-0001-5054-8080 |
| VERIFIED | Yes |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 6 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2000 |
| LATEST PUBLICATION YEAR | 2020 |
| H-INDEX | 0 |
La réception de la poésie révolutionnaire russe en Finlande
Poetry of the Bolshevist days in translation. The article examines the reception of Russian modernist poetry in Finland and its translations with a concentration on the immediate post-revolutionary publications. Both Finnish and Swedish translations and reception are discussed. General opinion as well as earlier research maintains that Russian modernist literature was practically unknown in Finland during the first decades of the twentieth centur…
Zakhar Prilepin, the National Bolshevik Movement and Catachrestic Politics
This article examines the Russian writer and publicist Zakhar Prilepin, a visible representative of Russiaʼs patriotic currents since 2014, and a well-known activist of the radical oppositional National Bolshevik Party ( nbp ) since 2006. We argue that Prilepinʼs public views point at particular catachrestic political activism. Catachresis is understood here as a socio-semantic misuse of conventional concepts as well as a practice in which politi…
Preface. Montage principle and the semiotics of culture
Montage in Russian Imaginism
The article discusses the concept of montage as used by the Russian Imaginist poetic group: the montage principle in their poetry, theoretical writings and theatre articles. The leading Imaginist figures Vadim Shershenevich and Anatolij Mariengof were active both in theorizing and practising montage in their oeuvre at the beginning of the 1920s. Shershenevich’s application of the principle in poetry was called “image catalogue”, a radical poetic …
On the semiotic description of autogenesis in culture
The article is devoted to the notion of autogenesis and mechanism of unpredictable emergence in culture. The notion is treated in the context of the semiotics of culture and the theory of semiosphere. The examples are drawn mainly from Russian avant-garde culture
От "словообразов" к "главокадрам
From "word-images' to "chapter-shots": The imaginist montage of Anatolij Mariengof. The article discusses the three dominant imaginist principles of Anatolij Mariengofs (1897-1962) poetic technique, as they are translated into prose in his first fictional novel Cynics (1928). These principles include the "catalogue of images", a genre introduced by Vadim Shershenevich, i.e. poetry formed of nouns, which Mariengof makes use of in his longer imagin…
No prominent works on this page.
От "словообразов" к "главокадрам
From "word-images' to "chapter-shots": The imaginist montage of Anatolij Mariengof. The article discusses the three dominant imaginist principles of Anatolij Mariengofs (1897-1962) poetic technique, as they are translated into prose in his first fictional novel Cynics (1928). These principles include the "catalogue of images", a genre introduced by Vadim Shershenevich, i.e. poetry formed of nouns, which Mariengof makes use of in his longer imagin…
On the semiotic description of autogenesis in culture
The article is devoted to the notion of autogenesis and mechanism of unpredictable emergence in culture. The notion is treated in the context of the semiotics of culture and the theory of semiosphere. The examples are drawn mainly from Russian avant-garde culture
Preface. Montage principle and the semiotics of culture
Montage in Russian Imaginism
The article discusses the concept of montage as used by the Russian Imaginist poetic group: the montage principle in their poetry, theoretical writings and theatre articles. The leading Imaginist figures Vadim Shershenevich and Anatolij Mariengof were active both in theorizing and practising montage in their oeuvre at the beginning of the 1920s. Shershenevich’s application of the principle in poetry was called “image catalogue”, a radical poetic …
Zakhar Prilepin, the National Bolshevik Movement and Catachrestic Politics
This article examines the Russian writer and publicist Zakhar Prilepin, a visible representative of Russiaʼs patriotic currents since 2014, and a well-known activist of the radical oppositional National Bolshevik Party ( nbp ) since 2006. We argue that Prilepinʼs public views point at particular catachrestic political activism. Catachresis is understood here as a socio-semantic misuse of conventional concepts as well as a practice in which politi…
La réception de la poésie révolutionnaire russe en Finlande
Poetry of the Bolshevist days in translation. The article examines the reception of Russian modernist poetry in Finland and its translations with a concentration on the immediate post-revolutionary publications. Both Finnish and Swedish translations and reception are discussed. General opinion as well as earlier research maintains that Russian modernist literature was practically unknown in Finland during the first decades of the twentieth centur…
Art (4 works) · Philosophy (4 works) · Philosophy (4 works) · Linguistics (3 works) · Sociology (3 works) · Aesthetics (2 works) · Art history (2 works) · Epistemology (2 works) · Literature (2 works) · Poetics (2 works)