Michael Lydon
Biographic Data
| ID | 5943166 |
|---|---|
| NAME | Michael Lydon |
| GIVEN NAMES | Michael |
| FAMILY NAME | Lydon |
| SIGNATURE | LYDON M |
| AFFILIATIONS | Centre of Irish Studies, National University of Ireland, Galway |
| VERIFIED | No |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 5 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1976 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 0 |
Irish Popular Music and Noise as an Intangible Signifier of Cultural Heritage
In this article, I consider the use of acoustic noise by Irish popular musicians during the digital and post-digital age as an intangible signifier of Irish cultural heritage. In the history of sound recording noise was always there, permeating, masking, even ruining, the enjoyment of a particular recording. The history of popular music is thus haunted by noise, with it inadvertently becoming a significant intangible artifact of popular cultural …
Chuck Berry
My article on Chuck Berry is a profile of the singer, songwriter, guitarist, and electrifying performer whose music set the tone, the style, and the rebellious social comment that defined the first wave of rock ‘n’ roll music in the 1950s.
U2 above, across, and beyond
U2 above, across, and beyond: interdisciplinary assessments." Irish Studies Review, 25(1), pp. 130–131
How the Beatles Got to Me and How I Got to the Beatles
Famous Black Entertainers of Today
No prominent works on this page.
Famous Black Entertainers of Today
How the Beatles Got to Me and How I Got to the Beatles
U2 above, across, and beyond
U2 above, across, and beyond: interdisciplinary assessments." Irish Studies Review, 25(1), pp. 130–131
Chuck Berry
My article on Chuck Berry is a profile of the singer, songwriter, guitarist, and electrifying performer whose music set the tone, the style, and the rebellious social comment that defined the first wave of rock ‘n’ roll music in the 1950s.
Irish Popular Music and Noise as an Intangible Signifier of Cultural Heritage
In this article, I consider the use of acoustic noise by Irish popular musicians during the digital and post-digital age as an intangible signifier of Irish cultural heritage. In the history of sound recording noise was always there, permeating, masking, even ruining, the enjoyment of a particular recording. The history of popular music is thus haunted by noise, with it inadvertently becoming a significant intangible artifact of popular cultural …
Music History and Culture (4 works) · Art (3 works) · Art history (2 works) · Irish (2 works) · Linguistics (2 works) · Philosophy (2 works) · Sociology (2 works) · Visual arts (2 works) · Acoustics (1 work) · Aesthetics (1 work)