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Pim Verhulst

Biographic Data

ID5945569
NAMEPim Verhulst
GIVEN NAMESPim
FAMILY NAMEVerhulst
SIGNATUREVERHULST P
AFFILIATIONSUniversity of Oxford
ORCID0000-0002-8944-5908
VERIFIEDYes
TOTAL WORKS5
TOTAL CITATIONS0
WORKS AS AUTHOR5
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2010
LATEST PUBLICATION YEAR2024
H-INDEX0
  • Radio drama and adaptation studies

    Pim Verhulst, Andrea Smith•ARTICLE•Journal of Adaptation in Film &…•2024

    The introduction to this Special Issue discusses some of the key issues in radio drama adaptation and its place within the wider field of adaptation studies. These are primarily focused on the textual and the visual, rather than the aural. Little has been published on radio adaptation and that which is available mainly consists of scattered journal articles and chapters in edited collections. The critical work that does exist often discusses radi…

  • Visualizing the unseen

    Pim Verhulst•ARTICLE•Journal of Adaptation in Film &…•2024

    Samuel Beckett’s radio play All That Fall (1957) has been adapted for different media. In order to understand the challenges it poses for any form of visual representation, this article will first show how the radio play exploits the acousmatic nature of the medium and its so-called ‘blindness’. In a next step, it will discuss how the various stage performances of All That Fall have dealt with these difficulties, in light of the author’s reservat…

  • Reconstructing collaborative (self-)translations from the archive

    Open Access•Pim Verhulst, Olga Beloborodova et al.•ARTICLE•Meta Journal des traducteurs•2021•References: 21

    When literary authors translate their own work, they sometimes collaborate with other writer-translators. While such “collaboration” is often acknowledged on the title pages of the resulting publications, the nature of each joint venture is typically very different in practice. Surviving archival traces often allow for a more detailed reconstruction of the varying working methods that were adopted for every co-translation, but it would be naïve t…

  • Undoing time

    Pim Verhulst•ARTICLE•Irish Studies Review•2016

    Though published by Irish Academic Press, Undoing Time by Jennifer Birkett – Emeritus Professor of French Studies at the University of Birmingham – is not a reappraisal of Samuel Beckett’s life and

  • Samuel Beckett and the problem of Irishness

    Pim Verhulst•ARTICLE•Irish Studies Review•2010

No prominent works on this page.

  • Samuel Beckett and the problem of Irishness

    Pim Verhulst•ARTICLE•Irish Studies Review•2010

  • Undoing time

    Pim Verhulst•ARTICLE•Irish Studies Review•2016

    Though published by Irish Academic Press, Undoing Time by Jennifer Birkett – Emeritus Professor of French Studies at the University of Birmingham – is not a reappraisal of Samuel Beckett’s life and

  • Reconstructing collaborative (self-)translations from the archive

    Open Access•Pim Verhulst, Olga Beloborodova et al.•ARTICLE•Meta Journal des traducteurs•2021•References: 21

    When literary authors translate their own work, they sometimes collaborate with other writer-translators. While such “collaboration” is often acknowledged on the title pages of the resulting publications, the nature of each joint venture is typically very different in practice. Surviving archival traces often allow for a more detailed reconstruction of the varying working methods that were adopted for every co-translation, but it would be naïve t…

  • Radio drama and adaptation studies

    Pim Verhulst, Andrea Smith•ARTICLE•Journal of Adaptation in Film &…•2024

    The introduction to this Special Issue discusses some of the key issues in radio drama adaptation and its place within the wider field of adaptation studies. These are primarily focused on the textual and the visual, rather than the aural. Little has been published on radio adaptation and that which is available mainly consists of scattered journal articles and chapters in edited collections. The critical work that does exist often discusses radi…

  • Visualizing the unseen

    Pim Verhulst•ARTICLE•Journal of Adaptation in Film &…•2024

    Samuel Beckett’s radio play All That Fall (1957) has been adapted for different media. In order to understand the challenges it poses for any form of visual representation, this article will first show how the radio play exploits the acousmatic nature of the medium and its so-called ‘blindness’. In a next step, it will discuss how the various stage performances of All That Fall have dealt with these difficulties, in light of the author’s reservat…

Art (4 works) · Samuel Beckett and Modernism (4 works) · Sociology (4 works) · Philosophy (3 works) · Psychology (3 works) · History (2 works) · History (2 works) · Irish (2 works) · Linguistics (2 works) · Neuroscience (2 works)

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