Shani Tobias
Biographic Data
| ID | 5946101 |
|---|---|
| NAME | Shani Tobias |
| GIVEN NAMES | Shani |
| FAMILY NAME | Tobias |
| SIGNATURE | TOBIAS S |
| AFFILIATIONS | Monash University, Melbourne, Australia |
| VERIFIED | No |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 3 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 1 |
| FIRST PUBLICATION YEAR | 2015 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 1 |
Translating hierarchy in Hideo Yokoyama’s The Third Deadline
Crime fiction is a genre that commonly incorporates important sociocultural dimensions. When crime fiction works are translated within the framework of world literature, new audiences are able to expand their knowledge of different cultures and societies, as well as be entertained by the plots and characters. It can thus be a challenge, for translators, to ensure that sociocultural aspects are effectively conveyed. For example, the translation in…
Encountering China’s Past
Translation as Defamiliarization
Keijirō Suga coins the term “translational poetics” to describe the essential similarities between literary translation and creative writing, since both perform a linguistic revolution or transformation. Japanese-German writer, Yoko Tawada, exhibits a literary style that exemplifies this transformative and interactive potential of language, deriving from her self-described existence in the “poetic ravine” or border zone between languages and iden…
Translating hierarchy in Hideo Yokoyama’s Six Four
Within the framework of world literature, crime fiction can be translated, read, and studied by new target audiences to expand their knowledge of different cultures. The translation of Japanese crime fiction into English poses many challenges, especially regarding the socio-cultural aspects. The representation of Japanese social and organisational hierarchy through socio-linguistic features in the character interactions is particularly complex fo…
Tawada Yōko
The notion of literary translation as a process of directional transfer from one language into another, from original to translated text, from source to target risks giving rise to the assumptions that languages and texts are fixed and stable entities and that writers occupy one side (the ‘source’) while translators ‘belong’ to the opposite side (the ‘target’). The deconstruction of these assumptions leads to important implications for the role o…
Translating hierarchy in Hideo Yokoyama’s Six Four
Within the framework of world literature, crime fiction can be translated, read, and studied by new target audiences to expand their knowledge of different cultures. The translation of Japanese crime fiction into English poses many challenges, especially regarding the socio-cultural aspects. The representation of Japanese social and organisational hierarchy through socio-linguistic features in the character interactions is particularly complex fo…
Tawada Yōko
The notion of literary translation as a process of directional transfer from one language into another, from original to translated text, from source to target risks giving rise to the assumptions that languages and texts are fixed and stable entities and that writers occupy one side (the ‘source’) while translators ‘belong’ to the opposite side (the ‘target’). The deconstruction of these assumptions leads to important implications for the role o…
Tawada Yōko
The notion of literary translation as a process of directional transfer from one language into another, from original to translated text, from source to target risks giving rise to the assumptions that languages and texts are fixed and stable entities and that writers occupy one side (the ‘source’) while translators ‘belong’ to the opposite side (the ‘target’). The deconstruction of these assumptions leads to important implications for the role o…
Translation as Defamiliarization
Keijirō Suga coins the term “translational poetics” to describe the essential similarities between literary translation and creative writing, since both perform a linguistic revolution or transformation. Japanese-German writer, Yoko Tawada, exhibits a literary style that exemplifies this transformative and interactive potential of language, deriving from her self-described existence in the “poetic ravine” or border zone between languages and iden…
Translating hierarchy in Hideo Yokoyama’s Six Four
Within the framework of world literature, crime fiction can be translated, read, and studied by new target audiences to expand their knowledge of different cultures. The translation of Japanese crime fiction into English poses many challenges, especially regarding the socio-cultural aspects. The representation of Japanese social and organisational hierarchy through socio-linguistic features in the character interactions is particularly complex fo…
Encountering China’s Past
Translating hierarchy in Hideo Yokoyama’s The Third Deadline
Crime fiction is a genre that commonly incorporates important sociocultural dimensions. When crime fiction works are translated within the framework of world literature, new audiences are able to expand their knowledge of different cultures and societies, as well as be entertained by the plots and characters. It can thus be a challenge, for translators, to ensure that sociocultural aspects are effectively conveyed. For example, the translation in…
Translation Studies and Practices (4 works) · Art (3 works) · Computer Science (3 works) · History (3 works) · Linguistics (3 works) · Political science (3 works) · Discourse Analysis in Language Studies (2 works) · Hierarchy (2 works) · Law (2 works) · Literature (2 works)