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Frederick M Keener

Biographic Data

ID5950016
NAMEFrederick M Keener
GIVEN NAMESFrederick M
FAMILY NAMEKeener
SIGNATUREKEENER F M
VERIFIEDNo
TOTAL WORKS7
TOTAL CITATIONS0
WORKS AS AUTHOR7
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1976
LATEST PUBLICATION YEAR1989
H-INDEX0
  • Pope, Dryden, Milton, and the Poets' Secret

    Frederick M Keener•ARTICLE•ELH•1989

    My subject is a relatively unexplored area of Pope's wit, his wit as a reader. use wit in the broad eighteenth-century, Lockean sense, meaning the ability to perceive resemblances. Allusion, or something like it, may be studied in an uncustomary way, not mainly to reveal implicit augmentations of meaning, or sources, or misreadings, but to discover how well one author understands another. concentrate on how Pope read Paradise Lost. Pope may be sh…

  • Visions of Dante in English Poetry

    Frederick M Keener, Valeria Tinkler-Villani•ARTICLE•Eighteenth-Century Studies•1989

  • Pope and Horace

    Frederick M Keener, Frank Stack•ARTICLE•Eighteenth-Century Studies•1987

    Pope printed his Imitations of Horace alongside the original Horatian poems on which they were based, and to understand these works fully it is necessary to compare in detail each Imitation with its original. This is the first book to do so. Through a close analysis of each Horatian poem (translated anew, for the many readers of Pope who do not know Latin), Mr Stack explores the complex and subtle intertextual relationship between Pope's Imitatio…

  • The Open Boundary of History and Fiction

    Frederick M Keener, Suzanne Gearhart•ARTICLE•Eighteenth-Century Studies•1986

  • The Chain of Becoming

    Ronald C Rosbottom, Frederick M Keener•ARTICLE•Eighteenth-Century Studies•1985

  • Matthieu Maty and the Journal Britannique, 1750-1755

    Frederick M Keener, Uta Janssens•ARTICLE•Eighteenth-Century Studies•1977

  • An Essay on Pope

    Patricia Meyer Spacks, Frederick M Keener•ARTICLE•Eighteenth-Century Studies•1976

No prominent works on this page.

  • An Essay on Pope

    Patricia Meyer Spacks, Frederick M Keener•ARTICLE•Eighteenth-Century Studies•1976

  • Matthieu Maty and the Journal Britannique, 1750-1755

    Frederick M Keener, Uta Janssens•ARTICLE•Eighteenth-Century Studies•1977

  • The Chain of Becoming

    Ronald C Rosbottom, Frederick M Keener•ARTICLE•Eighteenth-Century Studies•1985

  • The Open Boundary of History and Fiction

    Frederick M Keener, Suzanne Gearhart•ARTICLE•Eighteenth-Century Studies•1986

  • Pope and Horace

    Frederick M Keener, Frank Stack•ARTICLE•Eighteenth-Century Studies•1987

    Pope printed his Imitations of Horace alongside the original Horatian poems on which they were based, and to understand these works fully it is necessary to compare in detail each Imitation with its original. This is the first book to do so. Through a close analysis of each Horatian poem (translated anew, for the many readers of Pope who do not know Latin), Mr Stack explores the complex and subtle intertextual relationship between Pope's Imitatio…

  • Pope, Dryden, Milton, and the Poets' Secret

    Frederick M Keener•ARTICLE•ELH•1989

    My subject is a relatively unexplored area of Pope's wit, his wit as a reader. use wit in the broad eighteenth-century, Lockean sense, meaning the ability to perceive resemblances. Allusion, or something like it, may be studied in an uncustomary way, not mainly to reveal implicit augmentations of meaning, or sources, or misreadings, but to discover how well one author understands another. concentrate on how Pope read Paradise Lost. Pope may be sh…

  • Visions of Dante in English Poetry

    Frederick M Keener, Valeria Tinkler-Villani•ARTICLE•Eighteenth-Century Studies•1989

Art (5 works) · Philosophy (5 works) · Literature (4 works) · Philosophy (4 works) · History (3 works) · History (3 works) · American Constitutional Law and Politics (2 works) · Art history (2 works) · Enlightenment (2 works) · Epistemology (2 works)

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