Paul Cornelius
Biographic Data
| ID | 5952011 |
|---|---|
| NAME | Paul Cornelius |
| GIVEN NAMES | Paul |
| FAMILY NAME | Cornelius |
| SIGNATURE | CORNELIUS P |
| AFFILIATIONS | Mahidol University International College, Thailand |
| VERIFIED | No |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 5 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2019 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
Liminality, Niche Television Programming, and the Adventure Drama Series
This article focuses on how expatriate adventure drama series on early 1960s American television served as harbingers of change in network television’s content. Through examination of the context leading to those series and an in-depth analysis of two series, Adventures in Paradise and Hong Kong, it demonstrates how American expatriates served as liminal and transitional figures in geographic settings that themselves were also liminal. As such th…
Liminality in The Naked Prey and Run for the Sun
Liminality and the End of Empire in The 7 th Dawn
This article reassesses the impact of The 7 th Dawn, a British adventure drama from 1964 about the Malayan Emergency. Using a contextual methodology, it examines the film as a product of the Cold War and against the background of previous British films made about the Emergency. Key to understanding the film is its representation of Malaya as a liminal space undergoing a transition to independence and a reflection of that political and physical st…
‘Of course it is idealised’
This article examines Lindsay Anderson's 1957 documentary, Every Day Except Christmas, as a distinct product of British post-war culture that also contributed significantly to the development of Anderson's own film aesthetic. It also sets Every Day Except Christmas against the background of Anderson's influential documentary made a year earlier, O Dreamland. The article combines formal and contextual analysis of Christmas with a review of contemp…
Fifty Years On
Appearing in 1968, Lindsay Anderson's milestone feature release, If..., seemingly reflected the cultural currents of the Western world at that time. A reaction to the demands for a stifling conformity in society, If... presented an alternative vision of life in which an anarchic revolt against authority reached through the institutions of politics, religion, and education and finally found a place to thrive in that most subversive of all places, …
No prominent works on this page.
Fifty Years On
Appearing in 1968, Lindsay Anderson's milestone feature release, If..., seemingly reflected the cultural currents of the Western world at that time. A reaction to the demands for a stifling conformity in society, If... presented an alternative vision of life in which an anarchic revolt against authority reached through the institutions of politics, religion, and education and finally found a place to thrive in that most subversive of all places, …
‘Of course it is idealised’
This article examines Lindsay Anderson's 1957 documentary, Every Day Except Christmas, as a distinct product of British post-war culture that also contributed significantly to the development of Anderson's own film aesthetic. It also sets Every Day Except Christmas against the background of Anderson's influential documentary made a year earlier, O Dreamland. The article combines formal and contextual analysis of Christmas with a review of contemp…
Liminality and the End of Empire in The 7 th Dawn
This article reassesses the impact of The 7 th Dawn, a British adventure drama from 1964 about the Malayan Emergency. Using a contextual methodology, it examines the film as a product of the Cold War and against the background of previous British films made about the Emergency. Key to understanding the film is its representation of Malaya as a liminal space undergoing a transition to independence and a reflection of that political and physical st…
Liminality, Niche Television Programming, and the Adventure Drama Series
This article focuses on how expatriate adventure drama series on early 1960s American television served as harbingers of change in network television’s content. Through examination of the context leading to those series and an in-depth analysis of two series, Adventures in Paradise and Hong Kong, it demonstrates how American expatriates served as liminal and transitional figures in geographic settings that themselves were also liminal. As such th…
Liminality in The Naked Prey and Run for the Sun
Art (5 works) · Sociology (4 works) · Aesthetics (3 works) · Art history (3 works) · Gender Studies (3 works) · History (3 works) · Liminality (3 works) · Adventure (2 works) · Drama (2 works) · Law (2 works)