Andrew Ginger
Biographic Data
| ID | 5953198 |
|---|---|
| NAME | Andrew Ginger |
| GIVEN NAMES | Andrew |
| FAMILY NAME | Ginger |
| SIGNATURE | GINGER A |
| AFFILIATIONS | Schlumberger (Ireland) |
| ORCID | 0000-0002-2562-5504 |
| VERIFIED | Yes |
| TOTAL WORKS | 14 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 13 |
| EDITOR COUNT | 1 |
| FIRST PUBLICATION YEAR | 1998 |
| LATEST PUBLICATION YEAR | 2017 |
| H-INDEX | 0 |
Writing Wrongdoing in Spain, 1800-1936
Universal Language and Cultural Translation in Nineteenth-century Photography and Geometry
This essay attempts to reconstruct the thinking behind the use of geometry as a universal language and mode of visual cultural translation in the nineteenth century
End of a Century
In the wake of 1808, writers struggled to imagine an extensive, meaningful narrative of Spanish history that would explain the continual crises the nation experienced, and point a way beyond them. But as such recurrent problems indicated, this very narrative was always already at the point of collapse. The problem intensified with the brief establishment of a republic (1873–1874). This essay explores a 'literature of the First Republic', constitu…
The Spirit of the Age in Literature and Liberalism
This is the introductory essay of a special issue for the bicentenary of the Spanish uprising of 1808. The essay reconsiders the interpretation of nineteenth-century culture and historicism in the light of post-revisionist understandings of history and especially in relation to revaluations of the Romantic and Post-Romantic periods
The Estranged Self of Spain
Space, Time, Desire, and the Atlantic in Three Spanish Films of the 1920s
This article looks at the relationship between Hollywood and Spanish cinema of the 1920s. The central issue is the impact on the representation of space and time, both of Hollywood film structures, and of the elision between 'Spanish' and 'North American' space. The problem of boundaries and elision between these two spaces hinges on the definition of sexual and gender roles
Cultural Modernity and Atlantic Perspectives
This article presents an Atlantic perspective on the origins of cultural modernism in the mid-nineteenth century, through a consideration of the Argentine Estanislao del Campo's poem Fausto and its links and parallels with French culture. The article considers in particular the role of “fresh seeing,” “absorption,” and reflexive self-awareness of the medium on both sides of the Atlantic. The Atlantic perspective calls significantly into question …
Spanish modernity revisited
Some Cultural Consequences in Spain of the Spanish Invasion of Morocco 1859–60
This article argues is a contribution to the study of interrelationships between colonialism, art, and literature in the nineteenth century. The article argues that the Spanish invasion of Morocco in 1859 led to contradictions and tensions within liberal nationalism, not least because of concerns about the tensions between the need for military reassertion of Spain and the respect for the independence of nations. This led to some reconfiguration …
Modernity, Representation, and Personality in Antonio Flores's Ayer, Hoy, y Mañana (1863–64)
dibujados a la pluma por D
The Qualification of Collective Absolutes and the Individuality of Persons and Events in Mid‐nineteenth‐century Spain
This article argues, on the basis of intellectual, literary, and art history, against the view that mid-nineteenth-century notions of individuality in Spain were products of a social structure based around a bourgeoisie, or, in other accounts, based around a failed effort to establish a bourgeoisie. Instead, it argues that an emphasis on individuality could take radically different forms, that there was no core shared idea of 'individuality'. The…
Españoles sobre todo? Eusebio Asquerino y la Guerra de Sucesión
The article considers three plays written in the 1840s by the republican dramatist Eusebio Asquerino and his collaborators. The plays are all about the War of the Spanish Succession. This article argues that Españoles sobre todo (1844), and its two sister dramas (Españoles sobre todo: Segunda parte (1847), and Las guerras civiles (1849)) are not just political propaganda, but an attempt to address potentially irresolvable moral and psychological …
Españoles sobre todo? Eusebio Asquerino y la Guerra de Sucesión
The article considers three plays written in the 1840s by the republican dramatist Eusebio Asquerino and his collaborators. The plays are all about the War of the Spanish Succession. This article argues that Españoles sobre todo (1844), and its two sister dramas (Españoles sobre todo: Segunda parte (1847), and Las guerras civiles (1849)) are not just political propaganda, but an attempt to address potentially irresolvable moral and psychological …
The Problem with Writing in Goytisolo's Campos de Níjar (1960)
No prominent works on this page.
The Problem with Writing in Goytisolo's Campos de Níjar (1960)
Españoles sobre todo? Eusebio Asquerino y la Guerra de Sucesión
The article considers three plays written in the 1840s by the republican dramatist Eusebio Asquerino and his collaborators. The plays are all about the War of the Spanish Succession. This article argues that Españoles sobre todo (1844), and its two sister dramas (Españoles sobre todo: Segunda parte (1847), and Las guerras civiles (1849)) are not just political propaganda, but an attempt to address potentially irresolvable moral and psychological …
Españoles sobre todo? Eusebio Asquerino y la Guerra de Sucesión
The article considers three plays written in the 1840s by the republican dramatist Eusebio Asquerino and his collaborators. The plays are all about the War of the Spanish Succession. This article argues that Españoles sobre todo (1844), and its two sister dramas (Españoles sobre todo: Segunda parte (1847), and Las guerras civiles (1849)) are not just political propaganda, but an attempt to address potentially irresolvable moral and psychological …
The Qualification of Collective Absolutes and the Individuality of Persons and Events in Mid‐nineteenth‐century Spain
This article argues, on the basis of intellectual, literary, and art history, against the view that mid-nineteenth-century notions of individuality in Spain were products of a social structure based around a bourgeoisie, or, in other accounts, based around a failed effort to establish a bourgeoisie. Instead, it argues that an emphasis on individuality could take radically different forms, that there was no core shared idea of 'individuality'. The…
Modernity, Representation, and Personality in Antonio Flores's Ayer, Hoy, y Mañana (1863–64)
dibujados a la pluma por D
Some Cultural Consequences in Spain of the Spanish Invasion of Morocco 1859–60
This article argues is a contribution to the study of interrelationships between colonialism, art, and literature in the nineteenth century. The article argues that the Spanish invasion of Morocco in 1859 led to contradictions and tensions within liberal nationalism, not least because of concerns about the tensions between the need for military reassertion of Spain and the respect for the independence of nations. This led to some reconfiguration …
Space, Time, Desire, and the Atlantic in Three Spanish Films of the 1920s
This article looks at the relationship between Hollywood and Spanish cinema of the 1920s. The central issue is the impact on the representation of space and time, both of Hollywood film structures, and of the elision between 'Spanish' and 'North American' space. The problem of boundaries and elision between these two spaces hinges on the definition of sexual and gender roles
Cultural Modernity and Atlantic Perspectives
This article presents an Atlantic perspective on the origins of cultural modernism in the mid-nineteenth century, through a consideration of the Argentine Estanislao del Campo's poem Fausto and its links and parallels with French culture. The article considers in particular the role of “fresh seeing,” “absorption,” and reflexive self-awareness of the medium on both sides of the Atlantic. The Atlantic perspective calls significantly into question …
Spanish modernity revisited
The Estranged Self of Spain
End of a Century
In the wake of 1808, writers struggled to imagine an extensive, meaningful narrative of Spanish history that would explain the continual crises the nation experienced, and point a way beyond them. But as such recurrent problems indicated, this very narrative was always already at the point of collapse. The problem intensified with the brief establishment of a republic (1873–1874). This essay explores a 'literature of the First Republic', constitu…
The Spirit of the Age in Literature and Liberalism
This is the introductory essay of a special issue for the bicentenary of the Spanish uprising of 1808. The essay reconsiders the interpretation of nineteenth-century culture and historicism in the light of post-revisionist understandings of history and especially in relation to revaluations of the Romantic and Post-Romantic periods
Universal Language and Cultural Translation in Nineteenth-century Photography and Geometry
This essay attempts to reconstruct the thinking behind the use of geometry as a universal language and mode of visual cultural translation in the nineteenth century
Writing Wrongdoing in Spain, 1800-1936
Art (11 works) · Law (9 works) · Philosophy (9 works) · Political science (9 works) · History (8 works) · Law (7 works) · Philosophy (7 works) · Sociology (7 works) · History (6 works) · Literature (6 works)