Anne M White
Biographic Data
| ID | 5954748 |
|---|---|
| NAME | Anne M White |
| GIVEN NAMES | Anne M |
| FAMILY NAME | White |
| SIGNATURE | WHITE A M |
| AFFILIATIONS | University of Bradford |
| ORCID | 0000-0001-9115-220X |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 2 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2003 |
| LATEST PUBLICATION YEAR | 2003 |
| H-INDEX | 0 |
Seeing double? The remaking of Alejandro's Amenbar's Abre los ojos as Cameron Crowe's Vanilla Sky
This article begins by examining in general terms the remaking of European films by Hollywood and considers the reasons for the growth in this cultural phenomenon. It goes onto argue that analysis of this process has much to tell us about intertextuality: how texts are read and transformed. Focusing on Vanilla Sky (US 2002), the Hollywood remake by Cameron Crowe of Alejandro Amenbar's film, Abre los ojos (Spain 1997), it explores the similarities…
Unnatural History? Deconstructing the Walking with Dinosaurs Phenomenon
In their book, Remediation: Understanding New Media, Jay David Bolter and Richard Grusin argue that digital visual media can best be understood by examining the ways in which they relate to earlier technologies of representation, a relationship that is a complex mix of homage, critique and revision. They also suggest that this process, referred to as `remediation' takes two main forms: immediacy, in which the presence of the medium is downplayed …
No prominent works on this page.
Seeing double? The remaking of Alejandro's Amenbar's Abre los ojos as Cameron Crowe's Vanilla Sky
This article begins by examining in general terms the remaking of European films by Hollywood and considers the reasons for the growth in this cultural phenomenon. It goes onto argue that analysis of this process has much to tell us about intertextuality: how texts are read and transformed. Focusing on Vanilla Sky (US 2002), the Hollywood remake by Cameron Crowe of Alejandro Amenbar's film, Abre los ojos (Spain 1997), it explores the similarities…
Unnatural History? Deconstructing the Walking with Dinosaurs Phenomenon
In their book, Remediation: Understanding New Media, Jay David Bolter and Richard Grusin argue that digital visual media can best be understood by examining the ways in which they relate to earlier technologies of representation, a relationship that is a complex mix of homage, critique and revision. They also suggest that this process, referred to as `remediation' takes two main forms: immediacy, in which the presence of the medium is downplayed …
Art (2 works) · Cinema and Media Studies (2 works) · Aesthetics (1 works) · Art history (1 works) · Artificiality (1 works) · Cinema History and Criticism (1 works) · Computer Science (1 works) · Digital media (1 works) · Epistemology (1 works) · Hollywood (1 works)