Stephen C Hutchings

Biographic Data

ID5957274
NAMEStephen C Hutchings
GIVEN NAMESStephen C
FAMILY NAMEHutchings
SIGNATUREHUTCHINGS S C
VERIFIEDNo
TOTAL WORKS12
TOTAL CITATIONS8
AUTHOR COUNT12
EDITOR COUNT0
FIRST PUBLICATION YEAR1990
LATEST PUBLICATION YEAR2013
H-INDEX1

  • The gypsy as vanishing mediator in Russian television coverage of interethnic tension

    Open AccessStephen C Hutching, Stephen C HutchingsARTICLENationalities Papers2013References: 13

    The article addresses the representation of gypsies in Russian television news bulletins and popular drama series over a 15-month period. It seeks first to explain the prominence of the media image of the gypsy relative to the size of the Roma population and second to account for the relationship between fictional and non-fictional modes of representation. Situating itself within the broader field of post-Soviet Russian identity studies and apply…

  • The Post-Soviet Russian Media: Conflicting Signals

    Stephen C Hutchings, Birgit Beumers et al.BOOKThe post-Soviet Russian media2008

    Introduction Birgit Beumers, Stephen Hutchings and Natalia Rulyova Part One: Media, Politics and State 1. Free to get rich and fool around Ivan Zassoursky 2. Where did it all go wrong? Russian television in the Putin era John A. Dunn 3. Shifting media and the failure of political communication in Russia Samuel A. Greene 4. The end of independent television? Elite conflict and the reconstructing the Russian television landscape Tina Burrett Part 2…

  • Russian and Soviet Film Adaptations of Literature, 1900-2001: Screening the Word

    Stephen C Hutchings, Anat Vernitski et al.BOOKRussian and Soviet Film…2004

    Introduction: The Importance of the Ekranizatsiia in 20th Century Russian and Soviet Culture Stephen Hutchings and Anat Vernitski Part 1 Soviet Film Adaptations under Lenin and Stalin: Manufacturing the myth 1. Popular Literature in Film Adaptations of the NEP Period Ian Christie 2. Moving Images and Eye-deologies: Visuality and the political in the soviet screen adaptation of literature Helen Goscilo 3. National Historical Mythologies on the Sov…

  • Photographic Eye as Poetic I: Maiakovskii's and Rodchenko's Pro eto project (1923)

    Stephen C Hutching, Stephen C HutchingsARTICLEHistory of Photography2000

    Early in Dostoevskii's The Idiot, the hero is transfixed by a photoportrait of Nastasia Filippovna, whose face is to haunt him thereafter: ‘On the portrait a woman of truly unusual beauty was represented. She was photographed in a black silk dress ... her eyes were dark and deepset, her brow pensive’.1 The face, as we later learn, bears the imprint of a knowledge too terrible to contemplate, knowledge of the tragic end to Nastasia's own life; and…

  • Russian Modernism: The Transfiguration of the Everyday

    David Wells, Stephen C Hutching et al.ARTICLEThe Slavic and East European…1999

  • Making Sense of the Sensual in Pavel Florenskii's Aesthetics: The Dialectics of Finite Being

    Open AccessStephen C Hutching, Stephen C HutchingsARTICLESlavic Review1999References: 4

    A boundary is not that at which something stops, but...that from which something begins its presencing.-Martin Heidegger,Poetry, Language, ThoughtPersonhood is a living contradiction-between private and social, form and content, finite and infinite, freedom and fate. Personhood would be lost if the boundaries and the forms that contain it were to disappear, if it were to dissolve into cosmic infinity. But personhood would not be the image and lik…

  • Russian Modernism: The Transfiguration of the Everyday

    Open AccessStephen C Hutching, Stephen C HutchingsBOOKRussian Modernism1997

    This book explores the unique way in which Russian culture constructs the notion of everyday life, or byt, and offers the first unified reading of Silver-age narrative which it repositions at the centre of Russian modernism. Drawing on semiotics and theology, Stephen C. Hutchings argues that byt emerged from a dialogue between two traditions, one reflected in western representational aesthetics for which daily existence figures as neutral and nor…

  • After the Future: The Paradoxes of Postmodernism and Contemporary Russian Culture

    Stephen C Hutching, Stephen C Hutchings et al.ARTICLEThe Russian Review1996Cited by: 8

  • Jakobsonian Poetics and Slavic Narrative: From Pushkin to Solzhenitsyn

    Stephen C Hutching, Stephen C Hutchings et al.ARTICLEThe Slavic and East European…1994

  • Breaking the Circle of the Self: Domestication, Alienation and the Question of Discourse Type in Rozanov's Late Writings

    Open AccessStephen C Hutching, Stephen C HutchingsARTICLESlavic Review1993

    It is often the mark of a writer's sophistication and innovative powers that certain of his/her key works present difficulties in the area of genre. Pushkin's Evgenii Onegin, Dostoevskii's Diary of a Writer, Tolstoi's War and Peace and Belyi's Kotik Letaev serve as instructive examples from Russian literature. To this list one could certainly add the late writings of Vasilii Rozanov. The genre of Rozanov's trilogy Solitaria, Fallen Leaves and Apo…

  • Russian Folk Belief

    Stephen C Hutching, Stephen C Hutchings et al.ARTICLEThe Russian Review1991

  • Framing, Time-Shifts and Mirrors in Brjusov's Ognennyj Angel

    Stephen C Hutching, Stephen C HutchingsARTICLEThe Slavic and East European…1990