Giuliana Pieri
Biographic Data
| ID | 5957574 |
|---|---|
| NAME | Giuliana Pieri |
| GIVEN NAMES | Giuliana |
| FAMILY NAME | Pieri |
| SIGNATURE | PIERI G |
| AFFILIATIONS | Royal Holloway University of London |
| VERIFIED | No |
| TOTAL WORKS | 10 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 10 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2007 |
| LATEST PUBLICATION YEAR | 2020 |
| H-INDEX | 1 |
Key Directions in Italian Studies
The four quarterly numbers of Italian Studies that will be published in 2020 mark the seventy-fifth issue of the journal. To mark the occasion, the Senior Editors decided to commission a set of col
Italian Visual Cultures
This article explores how ‘Visual Culture Studies’ has emerged since the 1990s as a productively unstable cluster of research concerns and practices, extending beyond the sectorial bounds of traditional visually-oriented disciplines such as art history or architecture. The two areas of screen studies and photography are explored as case studies that demonstrate how Visual Cultures approaches have expanded research horizons and enhanced teaching a…
Ketty La Rocca: Word, Image, Body
From her early collaboration with the visual poets of the Florentine Gruppo 70, to her later conceptual art that brought her to the attention of leading international feminist critics and practitioners, Italian visual poet and artist Ketty La Rocca (1938–1976) has left behind a body of work that spanned media (linear and visual poetry, collage, performance, photography, video and conceptual art) and genres. This article focuses on the hybrid natu…
Open Works: Italy’s Creative Intermediality
Technological Poetry: Interconnections between Impegno , Media and Gender in Gruppo 70 (1963–1968)
Gruppo 70 was an Italian neo-avant-gardist group of artists and critics, including Lamberto Pignotti, Eugenio Miccini, Lucia Marcucci, Luciano Ori, Ketty La Rocca, Giuseppe Chiari, Emilio Isgrò, Roberto Malquori, and Michele Perfetti, which opened up the genre of poetry to the performative and visual languages of mass communication. In this article we focus on some of the key debates revolving around the Gruppo 70, in order to explore what form o…
Italian Studies: An Interdisciplinary Perspective
Our article maps the increasing prominence of interartistic and intermedial methodologies in modern and contemporary Italy, and advocates the advantages of an interdisciplinary approach for Italian Studies. We map some current trends in cultural, visual and comparative studies and explore the influence of these fields on the development of Italian Studies. We suggest that the future of our discipline is best understood in terms of an ‘interdiscip…
Gabriele d’Annunzio and the self-fashioning of a national icon
This article charts the rise to fame of Gabriele D’Annunzio by focusing on a number of key moments in his life and the strategies he employed to shape his public image. The Roman years and the 1890s saw the writer’s first iconic transformation into Italy’s aesthete par excellence , a myth and related iconography that still shapes our view of the poet. The years in Florence, spent at the Villa Capponcina, coincided with the time in which d’Annunzi…
Murder Made in Italy. Homicide, Media, and Contemporary Italian Culture
Ellen Nerenberg opens her excellent volume Murder Made in Italy by telling us that what we have in front of us are two books in one: there is the book that will satisfy both scholars and the cultur
Special issue: The cult of Mussolini in twentieth-century Italy: Introduction
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Gabriele D'Annunzio and the Italian Fin-De-Siècle Interior
This essay challenges the traditional critical focus on D'Annunzio's fictional interiors as autobiographical reflections of the poet's own taste for interior decoration. By looking at D'Annunzio's early novels (Il piacere, L'innocente, and Trionfo della morte) and in particular their descriptions of interiors and the careful staging of objects and evocation of spaces, it argues that the relationship of both female and male characters with their d…
Gabriele d’Annunzio and the self-fashioning of a national icon
This article charts the rise to fame of Gabriele D’Annunzio by focusing on a number of key moments in his life and the strategies he employed to shape his public image. The Roman years and the 1890s saw the writer’s first iconic transformation into Italy’s aesthete par excellence , a myth and related iconography that still shapes our view of the poet. The years in Florence, spent at the Villa Capponcina, coincided with the time in which d’Annunzi…
Gabriele D'Annunzio and the Italian Fin-De-Siècle Interior
This essay challenges the traditional critical focus on D'Annunzio's fictional interiors as autobiographical reflections of the poet's own taste for interior decoration. By looking at D'Annunzio's early novels (Il piacere, L'innocente, and Trionfo della morte) and in particular their descriptions of interiors and the careful staging of objects and evocation of spaces, it argues that the relationship of both female and male characters with their d…
Special issue: The cult of Mussolini in twentieth-century Italy: Introduction
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Murder Made in Italy. Homicide, Media, and Contemporary Italian Culture
Ellen Nerenberg opens her excellent volume Murder Made in Italy by telling us that what we have in front of us are two books in one: there is the book that will satisfy both scholars and the cultur
Gabriele d’Annunzio and the self-fashioning of a national icon
This article charts the rise to fame of Gabriele D’Annunzio by focusing on a number of key moments in his life and the strategies he employed to shape his public image. The Roman years and the 1890s saw the writer’s first iconic transformation into Italy’s aesthete par excellence , a myth and related iconography that still shapes our view of the poet. The years in Florence, spent at the Villa Capponcina, coincided with the time in which d’Annunzi…
Technological Poetry: Interconnections between Impegno , Media and Gender in Gruppo 70 (1963–1968)
Gruppo 70 was an Italian neo-avant-gardist group of artists and critics, including Lamberto Pignotti, Eugenio Miccini, Lucia Marcucci, Luciano Ori, Ketty La Rocca, Giuseppe Chiari, Emilio Isgrò, Roberto Malquori, and Michele Perfetti, which opened up the genre of poetry to the performative and visual languages of mass communication. In this article we focus on some of the key debates revolving around the Gruppo 70, in order to explore what form o…
Italian Studies: An Interdisciplinary Perspective
Our article maps the increasing prominence of interartistic and intermedial methodologies in modern and contemporary Italy, and advocates the advantages of an interdisciplinary approach for Italian Studies. We map some current trends in cultural, visual and comparative studies and explore the influence of these fields on the development of Italian Studies. We suggest that the future of our discipline is best understood in terms of an ‘interdiscip…
Ketty La Rocca: Word, Image, Body
From her early collaboration with the visual poets of the Florentine Gruppo 70, to her later conceptual art that brought her to the attention of leading international feminist critics and practitioners, Italian visual poet and artist Ketty La Rocca (1938–1976) has left behind a body of work that spanned media (linear and visual poetry, collage, performance, photography, video and conceptual art) and genres. This article focuses on the hybrid natu…
Open Works: Italy’s Creative Intermediality
Key Directions in Italian Studies
The four quarterly numbers of Italian Studies that will be published in 2020 mark the seventy-fifth issue of the journal. To mark the occasion, the Senior Editors decided to commission a set of col
Italian Visual Cultures
This article explores how ‘Visual Culture Studies’ has emerged since the 1990s as a productively unstable cluster of research concerns and practices, extending beyond the sectorial bounds of traditional visually-oriented disciplines such as art history or architecture. The two areas of screen studies and photography are explored as case studies that demonstrate how Visual Cultures approaches have expanded research horizons and enhanced teaching a…
Italian Fascism and Post-war Society (9 works) · Art (8 works) · Literature (5 works) · Political science (5 works) · Sociology (5 works) · Visual arts (5 works) · History (4 works) · History (4 works) · Aesthetics (3 works) · Art, Politics, and Modernism (2 works)