Colleen Ruth Rosenfeld
Biographic Data
| ID | 5958976 |
|---|---|
| NAME | Colleen Ruth Rosenfeld |
| GIVEN NAMES | Colleen Ruth |
| FAMILY NAME | Rosenfeld |
| SIGNATURE | ROSENFELD C R |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 2 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2009 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 1 |
Supposing: On Variation in Picasso’s Las Meninas (after Velázquez) and Shakespeare’s Sonnets
Reading Pablo Picasso’s suite of paintings, Las Meninas (after Velázquez) (1957), alongside William Shakespeare’s Sonnets (1609), this essay asks: What can Picasso’s variations on Las Meninas teach us about aesthetic form in the Renaissance that Michel Foucault did not in his charismatic reading at the opening of The Order of Things? With particular attention to Picasso’s rearrangement of the Infanta’s face, I suggest that the interlocking, doubl…
Wroth's Clause
Wroth's Clause Colleen Ruth Rosenfeld I. "And" Finishing The First Part of the Countess of Montgomery's Urania is a strange experience: "Pamphilia is the Queene of all content; Amphilanthus joying worthily in her; And [.]"1 The most apparent source of this strangeness—because it introduces blank space rather than a continuative clause—is "the dangling 'And'" with which the volume ends.2 Although incompletion is not unfamiliar to the Sidney circle…
Wroth's Clause
Wroth's Clause Colleen Ruth Rosenfeld I. "And" Finishing The First Part of the Countess of Montgomery's Urania is a strange experience: "Pamphilia is the Queene of all content; Amphilanthus joying worthily in her; And [.]"1 The most apparent source of this strangeness—because it introduces blank space rather than a continuative clause—is "the dangling 'And'" with which the volume ends.2 Although incompletion is not unfamiliar to the Sidney circle…
Wroth's Clause
Wroth's Clause Colleen Ruth Rosenfeld I. "And" Finishing The First Part of the Countess of Montgomery's Urania is a strange experience: "Pamphilia is the Queene of all content; Amphilanthus joying worthily in her; And [.]"1 The most apparent source of this strangeness—because it introduces blank space rather than a continuative clause—is "the dangling 'And'" with which the volume ends.2 Although incompletion is not unfamiliar to the Sidney circle…
Supposing: On Variation in Picasso’s Las Meninas (after Velázquez) and Shakespeare’s Sonnets
Reading Pablo Picasso’s suite of paintings, Las Meninas (after Velázquez) (1957), alongside William Shakespeare’s Sonnets (1609), this essay asks: What can Picasso’s variations on Las Meninas teach us about aesthetic form in the Renaissance that Michel Foucault did not in his charismatic reading at the opening of The Order of Things? With particular attention to Picasso’s rearrangement of the Infanta’s face, I suggest that the interlocking, doubl…
Aesthetics (1 works) · Arcadia (1 works) · Art (1 works) · Art History and Market Analysis (1 works) · Art, Politics, and Modernism (1 works) · Contingency (1 works) · Criticism (1 works) · Focus (optics (1 works) · Historical Art and Culture Studies (1 works) · History (1 works)