MICHAEL RUSS
Biographic Data
| ID | 5960139 |
|---|---|
| NAME | MICHAEL RUSS |
| GIVEN NAMES | MICHAEL |
| FAMILY NAME | RUSS |
| SIGNATURE | RUSS M |
| AFFILIATIONS | University of Huddersfield |
| VERIFIED | No |
| TOTAL WORKS | 9 |
| TOTAL CITATIONS | 3 |
| WORKS AS AUTHOR | 9 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1989 |
| LATEST PUBLICATION YEAR | 2012 |
| H-INDEX | 1 |
Bartók, Beethoven and the Sonata for Two Pianos and Percussion
The first movement of Bartók's Sonata for Two Pianos and Percussion (1937) has been noted for its Beethovenian use of sonata form and shares a number of features with the ‘Waldstein’ Sonata. This article examines the relationship between these two composers and these two works, starting with an examination of Bartók's use of sonata form. It attempts to establish whether Bartók borrowed gratefully from his predecessor in an attempt to ‘synthesize’…
Understanding the Transition from School to University in Music and Music Technology
This article considers the transition from school to university in Music and Music Technology, continuing the discussion of transitional issues which began in Volume 2 of Arts and Humanities in Higher Education. The focus of the article is a survey of undergraduates, examining areas that were key to their first experience of studying for a degree, such as entry qualifications, course choice, career prospects, difficult aspects of the course and a…
Some Observations on Pm,n Relations within Set Classes
It is well known (from Riemann, Lewin, Cohn and others) that two voices of a triad (set class 3-11) may be held and one moved 'parsimoniously' by a tone or semitone to produce another triad; or two voices of a dominant and half-diminished seventh (set class 4-27) may be held while two voices are displaced by a semitone to produce another dominant or half-diminished seventh (Lewin's 'DOUTH2' relation). This article takes 4-27 as its starting point…
Fishing in the Right Place’
Accounting and Mediating
Functions, Scales, Abstract Systems and Contextual Hierarchies in the Music of Bartók
Journal Article FUNCTIONS, SCALES, ABSTRACT SYSTEMS AND CONTEXTUAL HIERARCHIES IN THE MUSIC OF BARTÓK Get access MICHAEL RUSS MICHAEL RUSS Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume 75, Issue 3, August 1994, Pages 401–425, https://doi.org/10.1093/ml/75.3.401 Published: 01 August 1994
On Schenkerism
Therefore, TIM3 exerts its inhibitory effect on NK cells and participates in the immune pathogenesis of SAA. Low expression of TIM3 contributes to the enhancement of NK cell activity which in turn inhibits the immune activation state of SAA and improves the disease state. Our research may aid the development of new therapeutic strategies based on TIM3-NK cells infusion for the treatment of SAA
The Mysterious Thread in Musorgsky's 'Nursery
Michael Russ Responds
Understanding the Transition from School to University in Music and Music Technology
This article considers the transition from school to university in Music and Music Technology, continuing the discussion of transitional issues which began in Volume 2 of Arts and Humanities in Higher Education. The focus of the article is a survey of undergraduates, examining areas that were key to their first experience of studying for a degree, such as entry qualifications, course choice, career prospects, difficult aspects of the course and a…
Some Observations on Pm,n Relations within Set Classes
It is well known (from Riemann, Lewin, Cohn and others) that two voices of a triad (set class 3-11) may be held and one moved 'parsimoniously' by a tone or semitone to produce another triad; or two voices of a dominant and half-diminished seventh (set class 4-27) may be held while two voices are displaced by a semitone to produce another dominant or half-diminished seventh (Lewin's 'DOUTH2' relation). This article takes 4-27 as its starting point…
Michael Russ Responds
The Mysterious Thread in Musorgsky's 'Nursery
On Schenkerism
Therefore, TIM3 exerts its inhibitory effect on NK cells and participates in the immune pathogenesis of SAA. Low expression of TIM3 contributes to the enhancement of NK cell activity which in turn inhibits the immune activation state of SAA and improves the disease state. Our research may aid the development of new therapeutic strategies based on TIM3-NK cells infusion for the treatment of SAA
Functions, Scales, Abstract Systems and Contextual Hierarchies in the Music of Bartók
Journal Article FUNCTIONS, SCALES, ABSTRACT SYSTEMS AND CONTEXTUAL HIERARCHIES IN THE MUSIC OF BARTÓK Get access MICHAEL RUSS MICHAEL RUSS Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume 75, Issue 3, August 1994, Pages 401–425, https://doi.org/10.1093/ml/75.3.401 Published: 01 August 1994
Accounting and Mediating
Fishing in the Right Place’
Some Observations on Pm,n Relations within Set Classes
It is well known (from Riemann, Lewin, Cohn and others) that two voices of a triad (set class 3-11) may be held and one moved 'parsimoniously' by a tone or semitone to produce another triad; or two voices of a dominant and half-diminished seventh (set class 4-27) may be held while two voices are displaced by a semitone to produce another dominant or half-diminished seventh (Lewin's 'DOUTH2' relation). This article takes 4-27 as its starting point…
Understanding the Transition from School to University in Music and Music Technology
This article considers the transition from school to university in Music and Music Technology, continuing the discussion of transitional issues which began in Volume 2 of Arts and Humanities in Higher Education. The focus of the article is a survey of undergraduates, examining areas that were key to their first experience of studying for a degree, such as entry qualifications, course choice, career prospects, difficult aspects of the course and a…
Bartók, Beethoven and the Sonata for Two Pianos and Percussion
The first movement of Bartók's Sonata for Two Pianos and Percussion (1937) has been noted for its Beethovenian use of sonata form and shares a number of features with the ‘Waldstein’ Sonata. This article examines the relationship between these two composers and these two works, starting with an examination of Bartók's use of sonata form. It attempts to establish whether Bartók borrowed gratefully from his predecessor in an attempt to ‘synthesize’…
Art (6 works) · Computer Science (6 works) · Musicology and Musical Analysis (4 works) · Diverse Musicological Studies (3 works) · Sociology (3 works) · Art history (2 works) · Citation (2 works) · Library science (2 works) · Literature (2 works) · Music and Audio Processing (2 works)