James J Blasina
Biographic Data
| ID | 5960180 |
|---|---|
| NAME | James J Blasina |
| GIVEN NAMES | James J |
| FAMILY NAME | Blasina |
| SIGNATURE | BLASINA J J |
| AFFILIATIONS | Swarthmore College, PA, USA |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2022 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
Where Sight Meets Sound
Emily Zazulia’s Where Sight Meets Sound is a virtuosic investigation of the relationship between music as sound and music as text. At the heart of Zazulia’s study is the corpus of polyphonic motets and cyclic masses of the long fifteenth century that applied various schematic transformations to pre-existing musical material in order to “[complicate] the relationship between what is seen and what is heard” (p. 3). These transformations could be in…
Music, Liturgy, and Confraternity Devotions in Paris and Tournai, 1300–1550 Sarah Ann Long
Scholarship on late mediaeval composition and liturgical creation in northern Europe has largely orbited around important cathedrals, monasteries, or courts, and has consequently overlooked the music of confraternities. Members of these voluntary communities, centred on shared spirituality and often trade-based, regularly gathered for communal prayer and were important sponsors of the music required for services. Sarah Ann Long’s fascinating Musi…
No prominent works on this page.
Music, Liturgy, and Confraternity Devotions in Paris and Tournai, 1300–1550 Sarah Ann Long
Scholarship on late mediaeval composition and liturgical creation in northern Europe has largely orbited around important cathedrals, monasteries, or courts, and has consequently overlooked the music of confraternities. Members of these voluntary communities, centred on shared spirituality and often trade-based, regularly gathered for communal prayer and were important sponsors of the music required for services. Sarah Ann Long’s fascinating Musi…
Where Sight Meets Sound
Emily Zazulia’s Where Sight Meets Sound is a virtuosic investigation of the relationship between music as sound and music as text. At the heart of Zazulia’s study is the corpus of polyphonic motets and cyclic masses of the long fifteenth century that applied various schematic transformations to pre-existing musical material in order to “[complicate] the relationship between what is seen and what is heard” (p. 3). These transformations could be in…
Art (2 works) · Medieval Literature and History (2 works) · Reformation and Early Modern Christianity (2 works) · Acoustics (1 work) · Art history (1 work) · Astronomy (1 work) · Classics (1 work) · Creativity (1 work) · Diverse Musicological Studies (1 work) · Historical Studies and Socio-cultural Analysis (1 work)