Nicole Grimes
Biographic Data
| ID | 5960572 |
|---|---|
| NAME | Nicole Grimes |
| GIVEN NAMES | Nicole |
| FAMILY NAME | Grimes |
| SIGNATURE | GRIMES N |
| AFFILIATIONS | Keele University |
| ORCID | 0000-0001-7379-9990 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 2 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2012 |
| LATEST PUBLICATION YEAR | 2016 |
| H-INDEX | 0 |
Brahms in the Home and the Concert Hall
Brahms in the Home and the Concert Hall: Between Public and Private Performance , edited by Katy Hamilton and Natasha Loges, began as a conference held at the Royal College of Music, London, in 2011. The book draws together various musicological strands that in recent years have preoccupied scholars of nineteenth-century music. More specifically, it concerns domestic music-making, Brahms in the home, social, cultural, and hermeneutic contexts for…
The S choenberg/ B rahms Critical Tradition Reconsidered
Current scholarship credits Schoenberg exclusively for revealing the extent of Brahms's thematic work. Certainly, both Schoenberg's Brahms lecture of 1933 and its revision as the seminal essay ‘Brahms the Progressive’ (1947) not only rescued Brahms from the conservative dead end into which the view of his music had fallen in the early twentieth century, but also inaugurated a way of explaining how his music was crafted according to the technique …
No prominent works on this page.
The S choenberg/ B rahms Critical Tradition Reconsidered
Current scholarship credits Schoenberg exclusively for revealing the extent of Brahms's thematic work. Certainly, both Schoenberg's Brahms lecture of 1933 and its revision as the seminal essay ‘Brahms the Progressive’ (1947) not only rescued Brahms from the conservative dead end into which the view of his music had fallen in the early twentieth century, but also inaugurated a way of explaining how his music was crafted according to the technique …
Brahms in the Home and the Concert Hall
Brahms in the Home and the Concert Hall: Between Public and Private Performance , edited by Katy Hamilton and Natasha Loges, began as a conference held at the Royal College of Music, London, in 2011. The book draws together various musicological strands that in recent years have preoccupied scholars of nineteenth-century music. More specifically, it concerns domestic music-making, Brahms in the home, social, cultural, and hermeneutic contexts for…
Aesthetics (2 works) · Art (2 works) · Linguistics (2 works) · Literature (2 works) · Musicology and Musical Analysis (2 works) · Philosophy (2 works) · Sociology (2 works) · Active listening (1 work) · Art history (1 work) · Communication (1 work)