Douglas W Shadle
Biographic Data
| ID | 5960692 |
|---|---|
| NAME | Douglas W Shadle |
| GIVEN NAMES | Douglas W |
| FAMILY NAME | Shadle |
| SIGNATURE | SHADLE D W |
| AFFILIATIONS | Vanderbilt University |
| VERIFIED | No |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 7 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2011 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 0 |
The Cambridge Companion to Amy Beach
Amy Beach was a pathbreaking composer and pianist who transcended the restrictions of nineteenth-century Boston to become America's most famous turn-of-the-century female composer and, later in her career, a prominent performing artist and promoter of music education. The Cambridge Companion to Amy Beach makes her life and music accessible to a new generation of listeners. It outlines her remarkable talent as a child prodigy, her marriage to a pr…
A Leap of Faith with Dr. Guthrie Ramsey
Reading Guthrie Ramsey's Who Hears Here?, a wave of memories pulled me back to the spring semester of 2005, my first year of graduate school at the University of North Carolina at Chapel Hill. Professor David García led an ethnomusicology seminar on music of the African diaspora, and I was one of four students. Our reading list covered a lot of terrain, from classics by J. H. Kwabena Nketia, Paul Berliner, and Samuel Floyd to recent material by R…
Sounding Together
Sounding Together: Collaborative Perspectives on U.S. Music in the 21st Century, edited by Charles Hiroshi Garrett and Carol J. Oja, is easily one of the most rewarding essay collections I have ever read. In the introduction, Garrett and Oja make two complementary claims. First, they present the virtues (and potential pitfalls) of collaborative research and writing, arguing that working in teams “opens up new research vistas, enabling scholars to…
Capitalism and the Future of American Classical Music Scholarship
Perhaps no historical composer has sparked more public interest in recent memory than Florence Price (1888–1953). Since 2018, when Alex Ross of the New Yorker and musicologist Micaela Baranello reported on the world premiere recording of Price's two violin concertos in expansive contextual essays, global performances of her music have skyrocketed, even despite the COVID-19 pandemic. As one scholar among many endeavoring to build on biographical w…
Making Music American
E. Douglas Bomberger’s Making Music American is a highly engaging and deftly researched account of American musical activities in the year 1917. This specific year is worthy of book-length treatment, he argues, because two pivotal events—the release of the first jazz record and the US government’s declaration of war—left indelible marks on American musical culture. Echoing the narrative structure of Hugh MacDonald’s Music in 1853: The Biography o…
Damrosch family
Louis Moreau Gottschalk’s Pan-American Symphonic Ideal
Research Article| December 01 2011 Louis Moreau Gottschalk's Pan-American Symphonic Ideal Douglas Shadle Douglas Shadle Search for other works by this author on: This Site Google American Music (2011) 29 (4): 443–471. https://doi.org/10.5406/americanmusic.29.4.0443 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Douglas Shadle; Louis Moreau Gottschalk's Pan-American Symphonic Ideal. American Music 1 January 2011; 29 (4): …
No prominent works on this page.
Louis Moreau Gottschalk’s Pan-American Symphonic Ideal
Research Article| December 01 2011 Louis Moreau Gottschalk's Pan-American Symphonic Ideal Douglas Shadle Douglas Shadle Search for other works by this author on: This Site Google American Music (2011) 29 (4): 443–471. https://doi.org/10.5406/americanmusic.29.4.0443 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Douglas Shadle; Louis Moreau Gottschalk's Pan-American Symphonic Ideal. American Music 1 January 2011; 29 (4): …
Damrosch family
Making Music American
E. Douglas Bomberger’s Making Music American is a highly engaging and deftly researched account of American musical activities in the year 1917. This specific year is worthy of book-length treatment, he argues, because two pivotal events—the release of the first jazz record and the US government’s declaration of war—left indelible marks on American musical culture. Echoing the narrative structure of Hugh MacDonald’s Music in 1853: The Biography o…
Sounding Together
Sounding Together: Collaborative Perspectives on U.S. Music in the 21st Century, edited by Charles Hiroshi Garrett and Carol J. Oja, is easily one of the most rewarding essay collections I have ever read. In the introduction, Garrett and Oja make two complementary claims. First, they present the virtues (and potential pitfalls) of collaborative research and writing, arguing that working in teams “opens up new research vistas, enabling scholars to…
Capitalism and the Future of American Classical Music Scholarship
Perhaps no historical composer has sparked more public interest in recent memory than Florence Price (1888–1953). Since 2018, when Alex Ross of the New Yorker and musicologist Micaela Baranello reported on the world premiere recording of Price's two violin concertos in expansive contextual essays, global performances of her music have skyrocketed, even despite the COVID-19 pandemic. As one scholar among many endeavoring to build on biographical w…
The Cambridge Companion to Amy Beach
Amy Beach was a pathbreaking composer and pianist who transcended the restrictions of nineteenth-century Boston to become America's most famous turn-of-the-century female composer and, later in her career, a prominent performing artist and promoter of music education. The Cambridge Companion to Amy Beach makes her life and music accessible to a new generation of listeners. It outlines her remarkable talent as a child prodigy, her marriage to a pr…
A Leap of Faith with Dr. Guthrie Ramsey
Reading Guthrie Ramsey's Who Hears Here?, a wave of memories pulled me back to the spring semester of 2005, my first year of graduate school at the University of North Carolina at Chapel Hill. Professor David García led an ethnomusicology seminar on music of the African diaspora, and I was one of four students. Our reading list covered a lot of terrain, from classics by J. H. Kwabena Nketia, Paul Berliner, and Samuel Floyd to recent material by R…
Art (6 works) · Art history (5 works) · History (5 works) · Music History and Culture (5 works) · Musicology and Musical Analysis (4 works) · Computer Science (3 works) · Literature (3 works) · Musical (3 works) · Symphony (3 works) · Citation (2 works)