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Georgina Bartlett

Biographic Data

ID5961474
NAMEGeorgina Bartlett
GIVEN NAMESGeorgina
FAMILY NAMEBartlett
SIGNATUREBARTLETT G
AFFILIATIONSLondon South Bank University
ORCID0000-0003-1573-9556
VERIFIEDYes
TOTAL WORKS5
TOTAL CITATIONS0
AUTHOR COUNT5
EDITOR COUNT0
FIRST PUBLICATION YEAR2022
LATEST PUBLICATION YEAR2025
H-INDEX0
  • Navigating social networks in breast cancer recovery

    Open Access•Amelia Moore, Amelia E B Moore et al.•ARTICLE•Social Sciences & Humanities Open•2025

    Breast cancer remains the most common cancer affecting women globally. In the UK, many women with breast cancer must navigate self-management of their recovery, often relying on social networks for support. Young Black women face distinct challenges, including cultural stigma, racialised interactions, and feelings of marginalisation in predominantly white support spaces. This qualitative study explored the experiences of young Black women, specif…

  • Disney’s “Jungle Sound”

    Open Access•Georgina Bartlett•ARTICLE•Popular Music & Society•2024•References: 1

    From the 1950s to the 2000s, Walt Disney Animation Studios have used jazz to import specific sociocultural meanings into their films. Through an examination of the feature-length animated Disney films that incorporate "jazz" idioms—namely Lady and the Tramp (1955), One Hundred and One Dalmatians (1961), The Jungle Book (1967), The Aristocats (1970), and The Princess and the Frog (2009)—this article will explore how Disney has consistently used ja…

  • Stage, Street, Garden, or Parlour

    Open Access•Georgina Bartlett•ARTICLE•Popular Music & Society•2023•References: 2

    This article explores the ubiquity of popular songs across print traditions, performance venues, and social classes in England during the late Georgian era. It examines the formatting and presentation of an eighteenth-century chapbook, contextualizing it within contemporaneous print cultures before exploring how the songs in this item of cheap literature relate to music from English comic operas, pleasure garden entertainments, and domestic space…

  • Individual differences in selective attentional bias for healthy and unhealthy food-related stimuli and social identity as a vegan/vegetarian dissociate “healthy” and “unhealthy” orthorexia nervosa

    Open Access•Ian P Albery, Emma Shove et al.•ARTICLE•Appetite•2022•References: 61

    Previous work identified the operation of an attentional bias (AB) towards healthy food related stimuli among those with increasing tendencies towards orthorexia nervosa (ON) using a modified Stroop task. The current work aimed to replicate and extend our understanding of this effect by incorporating alternative measures of AB (i.e., the dot probe task) and ON (i.e., the Teruel Orthorexia Scale [ToS]) in a sample of self-defined vegans/vegetarian…

  • Transformation or Conformation? The English Broadside Ballad and the Playhouse, 1797–1844

    Open Access•Georgina Bartlett•ARTICLE•Music and Letters•2022

    This article considers the migration of theatre music into the English broadside ballad tradition from 1797 to 1844, the most prolific era of the broadside during which the fierce professional competitors John Pitts (active 1797–1844) and James Catnach (active 1813–41) operated their presses in the Seven Dials, near London’s patent theatres. The discussion is based on the findings of a database that was constructed systematically to cross-referen…

No prominent works on this page.

  • Individual differences in selective attentional bias for healthy and unhealthy food-related stimuli and social identity as a vegan/vegetarian dissociate “healthy” and “unhealthy” orthorexia nervosa

    Open Access•Ian P Albery, Emma Shove et al.•ARTICLE•Appetite•2022•References: 61

    Previous work identified the operation of an attentional bias (AB) towards healthy food related stimuli among those with increasing tendencies towards orthorexia nervosa (ON) using a modified Stroop task. The current work aimed to replicate and extend our understanding of this effect by incorporating alternative measures of AB (i.e., the dot probe task) and ON (i.e., the Teruel Orthorexia Scale [ToS]) in a sample of self-defined vegans/vegetarian…

  • Transformation or Conformation? The English Broadside Ballad and the Playhouse, 1797–1844

    Open Access•Georgina Bartlett•ARTICLE•Music and Letters•2022

    This article considers the migration of theatre music into the English broadside ballad tradition from 1797 to 1844, the most prolific era of the broadside during which the fierce professional competitors John Pitts (active 1797–1844) and James Catnach (active 1813–41) operated their presses in the Seven Dials, near London’s patent theatres. The discussion is based on the findings of a database that was constructed systematically to cross-referen…

  • Stage, Street, Garden, or Parlour

    Open Access•Georgina Bartlett•ARTICLE•Popular Music & Society•2023•References: 2

    This article explores the ubiquity of popular songs across print traditions, performance venues, and social classes in England during the late Georgian era. It examines the formatting and presentation of an eighteenth-century chapbook, contextualizing it within contemporaneous print cultures before exploring how the songs in this item of cheap literature relate to music from English comic operas, pleasure garden entertainments, and domestic space…

  • Disney’s “Jungle Sound”

    Open Access•Georgina Bartlett•ARTICLE•Popular Music & Society•2024•References: 1

    From the 1950s to the 2000s, Walt Disney Animation Studios have used jazz to import specific sociocultural meanings into their films. Through an examination of the feature-length animated Disney films that incorporate "jazz" idioms—namely Lady and the Tramp (1955), One Hundred and One Dalmatians (1961), The Jungle Book (1967), The Aristocats (1970), and The Princess and the Frog (2009)—this article will explore how Disney has consistently used ja…

  • Navigating social networks in breast cancer recovery

    Open Access•Amelia Moore, Amelia E B Moore et al.•ARTICLE•Social Sciences & Humanities Open•2025

    Breast cancer remains the most common cancer affecting women globally. In the UK, many women with breast cancer must navigate self-management of their recovery, often relying on social networks for support. Young Black women face distinct challenges, including cultural stigma, racialised interactions, and feelings of marginalisation in predominantly white support spaces. This qualitative study explored the experiences of young Black women, specif…

Art (3 works) · Visual arts (3 works) · Financial Crisis of the 21st Century (2 works) · History (2 works) · History (2 works) · Literature (2 works) · Political science (2 works) · Psychology (2 works) · Acoustics (1 work) · Aesthetics (1 work)

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