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Sarah Wasserman

Dados Biográficos

ID5964265
NOMESarah Wasserman
PRENOMESSarah
SOBRENOMEWasserman
ASSINATURAWASSERMAN S
AFILIAÇÕESUniversity of Delaware
VERIFICADONão
TOTAL DE OBRAS4
TOTAL DE CITAÇÕES2
TOTAL COMO AUTOR4
TOTAL COMO EDITOR0
PRIMEIRO ANO DE PUBLICAÇÃO2017
ANO MAIS RECENTE DE PUBLICAÇÃO2025
ÍNDICE H1
  • The Institutionalist

    Sarah Wasserman•ARTICLE•NOVEL A Forum on Fiction•2025

    In a chapter so expertly woven together that you cannot help but envy the mind capable of doing the weaving, Alexander Manshel shares an anecdote about teaching the novels of Colson Whitehead. Having shown convincingly how Whitehead's novels are shaped by the “structures, institutions, and forms of labor” surrounding their writing, Manshel tells us that “the most common typo in my students’ essays on Whitehead, the misspelling of the title of his…

  • The End of the World as We Know It

    Sarah Wasserman•ARTICLE•NOVEL A Forum on Fiction•2023

    Depending on your disposition, it's either a very good or a very bad time to read about apocalypse. Good if you're looking for a literary path through the flaming hellscape of coronavirus, climate change, border wars, white supremacy, and incipient fascism; bad if you'd prefer some escapist fare. Curiously, Mark Payne's Flowers of Time: On Postapocalyptic Fiction satisfies both impulses. Although it is indeed an examination of postapocalyptic fic…

  • Dead-and-dying platforms

    Muira McCammon, Diami Virgilio et al.•ARTICLE•Internet Histories•2022•Citada por: 2•Referências: 3

    This roundtable, which unfolded over many months in 2021, brought fourteen technologists and scholars together for a full-fledged discussion of platforms and death as a metaphor. The discussion proceeds with each person responding to the previous question and then posing one of their own. Some contributors discuss the ethical quandaries that await researchers attempting to exhume digital lifeworlds of the past. Others contemplate who gets a say i…

  • The Contemporary

    Open Access•Emily Hyde, Sarah Wasserman•ARTICLE•Literature Compass•2017•Referências: 18

    If “the contemporary” is the heading under which scholars study recent literary, artistic, and cultural forms, what exactly is it? Is it a period? A style? A type of content – networks, finance, or climate change – that feels diagnostic of the present? For literary scholars, the contemporary is a persistently moving target. Rather than stating when it is, we consider critical methods of reading the contemporary alongside the objects they favor an…

  • Dead-and-dying platforms

    Muira McCammon, Diami Virgilio et al.•ARTICLE•Internet Histories•2022•Citada por: 2•Referências: 3

    This roundtable, which unfolded over many months in 2021, brought fourteen technologists and scholars together for a full-fledged discussion of platforms and death as a metaphor. The discussion proceeds with each person responding to the previous question and then posing one of their own. Some contributors discuss the ethical quandaries that await researchers attempting to exhume digital lifeworlds of the past. Others contemplate who gets a say i…

  • The Contemporary

    Open Access•Emily Hyde, Sarah Wasserman•ARTICLE•Literature Compass•2017•Referências: 18

    If “the contemporary” is the heading under which scholars study recent literary, artistic, and cultural forms, what exactly is it? Is it a period? A style? A type of content – networks, finance, or climate change – that feels diagnostic of the present? For literary scholars, the contemporary is a persistently moving target. Rather than stating when it is, we consider critical methods of reading the contemporary alongside the objects they favor an…

  • Dead-and-dying platforms

    Muira McCammon, Diami Virgilio et al.•ARTICLE•Internet Histories•2022•Citada por: 2•Referências: 3

    This roundtable, which unfolded over many months in 2021, brought fourteen technologists and scholars together for a full-fledged discussion of platforms and death as a metaphor. The discussion proceeds with each person responding to the previous question and then posing one of their own. Some contributors discuss the ethical quandaries that await researchers attempting to exhume digital lifeworlds of the past. Others contemplate who gets a say i…

  • The End of the World as We Know It

    Sarah Wasserman•ARTICLE•NOVEL A Forum on Fiction•2023

    Depending on your disposition, it's either a very good or a very bad time to read about apocalypse. Good if you're looking for a literary path through the flaming hellscape of coronavirus, climate change, border wars, white supremacy, and incipient fascism; bad if you'd prefer some escapist fare. Curiously, Mark Payne's Flowers of Time: On Postapocalyptic Fiction satisfies both impulses. Although it is indeed an examination of postapocalyptic fic…

  • The Institutionalist

    Sarah Wasserman•ARTICLE•NOVEL A Forum on Fiction•2025

    In a chapter so expertly woven together that you cannot help but envy the mind capable of doing the weaving, Alexander Manshel shares an anecdote about teaching the novels of Colson Whitehead. Having shown convincingly how Whitehead's novels are shaped by the “structures, institutions, and forms of labor” surrounding their writing, Manshel tells us that “the most common typo in my students’ essays on Whitehead, the misspelling of the title of his…

Art (3 obras) · Philosophy (3 obras) · Sociology (3 obras) · Aesthetics (2 obras) · History (2 obras) · Law (2 obras) · Law (2 obras) · Literature (2 obras) · Philosophy (2 obras) · Political science (2 obras)

Ethnos_APP • Projeto Open Source • Licença MIT • Frontend v2.0.0 • Privacidade e Cookies • Documentação da API: api.ethnos.app/docs • Código da API: GitHub • DOI: 10.5281/zenodo.17049435 • Código do Frontend: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae