John T Edelman
Biographic Data
| ID | 5966384 |
|---|---|
| NAME | John T Edelman |
| GIVEN NAMES | John T |
| FAMILY NAME | Edelman |
| SIGNATURE | EDELMAN J T |
| AFFILIATIONS | Nazareth College |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1992 |
| LATEST PUBLICATION YEAR | 2019 |
| H-INDEX | 0 |
Pilgrim Readers
In the context of undergraduate education, "Teaching Dante" often means reading selected cantos from the Divine Comedy, most, if not all of them, taken from the Inferno. I suggest, however, that Dante's aims in the Divine Comedy, as well as the particular experiences related in the Inferno itself, cannot be understood from any perspective offered by the Inferno alone. In spelling out my reasons for saying this I offer an approach to the text that…
An Audience for Moral Philosophy
Journal Article Book Reviews Get access An Audience for Moral Philosophy? By John T. Edelman. (Basingstoke: Macmillan, 1990. Pp. viii + 128. Price £29.50.) S. E. Marshall S. E. Marshall University of Stirling Search for other works by this author on: Oxford Academic Google Scholar The Philosophical Quarterly, Volume 42, Issue 169, October 1992, Pages 513–514, https://doi.org/10.2307/2220299 Published: 01 October 1992
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An Audience for Moral Philosophy
Journal Article Book Reviews Get access An Audience for Moral Philosophy? By John T. Edelman. (Basingstoke: Macmillan, 1990. Pp. viii + 128. Price £29.50.) S. E. Marshall S. E. Marshall University of Stirling Search for other works by this author on: Oxford Academic Google Scholar The Philosophical Quarterly, Volume 42, Issue 169, October 1992, Pages 513–514, https://doi.org/10.2307/2220299 Published: 01 October 1992
Pilgrim Readers
In the context of undergraduate education, "Teaching Dante" often means reading selected cantos from the Divine Comedy, most, if not all of them, taken from the Inferno. I suggest, however, that Dante's aims in the Divine Comedy, as well as the particular experiences related in the Inferno itself, cannot be understood from any perspective offered by the Inferno alone. In spelling out my reasons for saying this I offer an approach to the text that…
Philosophy (2 works) · Art (1 work) · Comedy (1 work) · Comics (1 work) · Divine comedy (1 work) · Epistemology (1 work) · History (1 work) · Linguistics (1 work) · Literature (1 work) · Media studies (1 work)