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Giuseppe Fidotta

Biographic Data

ID596726
NAMEGiuseppe Fidotta
GIVEN NAMESGiuseppe
FAMILY NAMEFidotta
SIGNATUREFIDOTTA G
AFFILIATIONSUniversity of Groningen
ORCID0000-0002-7437-7324
VERIFIEDYes
TOTAL WORKS4
TOTAL CITATIONS0
WORKS AS AUTHOR4
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2015
LATEST PUBLICATION YEAR2024
H-INDEX0
  • The Empire Symphony Film

    Open Access•Giuseppe Fidotta•ARTICLE•Historical Journal Of Film Radio…•2024

    The article focuses on Corrado D’Errico’s The Path of Our Heroes (Il cammino degli eroi), a 1936 compilation documentary comprising footage shot by the Istituto Luce’s East Africa Film Unit operators. By reconstructing the production history of the film, it draws attention to the integration of cinema into the Second Italian-Ethiopian war (and later the empire) and the influence of cinematic and artistic avant-gardes in the making of the imperial…

  • Technics

    Anna Rogers, Iain Christie et al.•BOOK•Technics•2024•References: 28

    The Key Debates series was launched in 2010 with the aim of revisiting "the central issues that continue to animate thinking about film and audiovisual media," which we have now done across ten volumes.All of these have followed a pattern of reexamining foundational texts and issues, while also investigating new lines of transmission and interpretation.Our book series' dual interest in foundations and novel lines of inquiry is demonstrated by the…

  • The labour of authenticity

    Open Access•Giuseppe Fidotta•ARTICLE•Screen•2021

    On a late afternoon in May, the crew rushed to get the last shot of the day done before the sun set.1 The shabby square in the popular neighbourhood of La Kalsa, Palermo, had been filled with props and cordoned off by the production team, assigned to keep the gathered onlookers away from the set. The scene being recorded is a flashback, set in the early 1980s, depicting a slaughter committed by future mafia2 leaders Totò Riina and Bernardo Proven…

  • La grande guerra sul grande schermo

    Open Access•Giuseppe Fidotta•ARTICLE•Aniki Revista Portuguesa da…•2015•References: 1

    The exhibition “La grande guerra sul grande schermo” hosted at Le Gallerie in Trento constitutes a remarkable attempt to evaluate the functions of cinema as a means of representing the war. The review focuses on experience and memory as the means of analysing the relation between WWI and cinema

No prominent works on this page.

  • La grande guerra sul grande schermo

    Open Access•Giuseppe Fidotta•ARTICLE•Aniki Revista Portuguesa da…•2015•References: 1

    The exhibition “La grande guerra sul grande schermo” hosted at Le Gallerie in Trento constitutes a remarkable attempt to evaluate the functions of cinema as a means of representing the war. The review focuses on experience and memory as the means of analysing the relation between WWI and cinema

  • The labour of authenticity

    Open Access•Giuseppe Fidotta•ARTICLE•Screen•2021

    On a late afternoon in May, the crew rushed to get the last shot of the day done before the sun set.1 The shabby square in the popular neighbourhood of La Kalsa, Palermo, had been filled with props and cordoned off by the production team, assigned to keep the gathered onlookers away from the set. The scene being recorded is a flashback, set in the early 1980s, depicting a slaughter committed by future mafia2 leaders Totò Riina and Bernardo Proven…

  • The Empire Symphony Film

    Open Access•Giuseppe Fidotta•ARTICLE•Historical Journal Of Film Radio…•2024

    The article focuses on Corrado D’Errico’s The Path of Our Heroes (Il cammino degli eroi), a 1936 compilation documentary comprising footage shot by the Istituto Luce’s East Africa Film Unit operators. By reconstructing the production history of the film, it draws attention to the integration of cinema into the Second Italian-Ethiopian war (and later the empire) and the influence of cinematic and artistic avant-gardes in the making of the imperial…

  • Technics

    Anna Rogers, Iain Christie et al.•BOOK•Technics•2024•References: 28

    The Key Debates series was launched in 2010 with the aim of revisiting "the central issues that continue to animate thinking about film and audiovisual media," which we have now done across ten volumes.All of these have followed a pattern of reexamining foundational texts and issues, while also investigating new lines of transmission and interpretation.Our book series' dual interest in foundations and novel lines of inquiry is demonstrated by the…

Art (3 works) · Art history (3 works) · History (3 works) · Italian Fascism and Post-war Society (3 works) · Visual arts (3 works) · Cinema and Media Studies (2 works) · Computer Science (2 works) · European history and politics (2 works) · History (2 works) · Movie theater (2 works)

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