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Tuija Hautala-Hirvioja

Biographic Data

ID5970164
NAMETuija Hautala-Hirvioja
GIVEN NAMESTuija
FAMILY NAMEHautala-Hirvioja
SIGNATUREHAUTALA-HIRVIOJA T
AFFILIATIONSUniversity of Lapland
VERIFIEDNo
TOTAL WORKS5
TOTAL CITATIONS1
WORKS AS AUTHOR5
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2006
LATEST PUBLICATION YEAR2022
H-INDEX1
  • Johdanto

    Open Access•Tuija Hautala-Hirvioja, Hanna Kyläniemi et al.•ARTICLE•Matkailututkimus•2022

    The Faculty of Arts and Design at the University of Lapland in Rovaniemi Finland, and the Regional Museum of Lapland organized an international conference Souvenirs in Motion: Cultural and Historical Perspectives on the Souvenir as a Research Object with the support of the Finnish Cultural Foundation. The reason for organizing the conference was the observation that there is very few research on souvenirs in Finland. There are many souvenirs rela…

  • The Opportunities for and Limitations on a Finnish Female Artist in Lapland before the Second World War

    Tuija Hautala-Hirvioja•ARTICLE•Journal of Finnish Studies•2022

    Since the 1840s in Finland, there have been equal possibilities for men and women to study art. This article examines the possibilities and limitations that women had to take into account to study fine arts. To understand the situation in Finland during the 1920s and 1930s, I use as a case the life and art of Maija Kellokumpu (1892–1935). She was an exceptional individual who lived in Lapland, the northernmost region of Finland. Her home village,…

  • Koti sydämessä

    Open Access•Tuija Hautala-Hirvioja•ARTICLE•Tahiti•2021

    Artikkelissani tarkastelen pääasiassa runoistaan ja musiikistaan tunnetun saamelaistaiteilijan Nils-Aslak Valkeapään (1943–2001) myöhempää 1980- ja 1990-luvun kuvataidetta. Tutkimukseni on monitieteinen, ja rakennan analyysikehikkoni taidehistorian tutkimusperinteen sekä saamen- ja alkuperäiskansatutkimuksen pohjalta. Esitän, että erityisesti intertekstuaalisuus tarjoaa oivan taustan pohtia materiaalisuutta ja immateriaalisuutta sekä niiden merki…

  • Frontier Landscape – Lapland in the Tradition of Finnish Landscape Painting

    Tuija Hautala-Hirvioja•ARTICLE•Acta Borealia•2011•References: 1

    Finnish artists depicted Lapland as a frontier. The position of the Lappish landscape as a part of the Finnish landscape painting tradition is explored through a framework based on art and cultural history as well as humanistic and cultural geography. Paintings from three historical periods are analyzed: the early and later period of Finland as an autonomous Russian Grand Duchy (1809–1917), the first decades after the independence of Finland (191…

  • The Image of the Sámi in Finnish Visual Arts before the Second World War

    Tuija Hautala-Hirvioja•ARTICLE•Acta Borealia•2006•Cited by: 1

    This article examines how Finnish artists depicted the Sámi people in their paintings from the beginning of the nineteenth century to the Second World War. In the first paintings that represented the Sámi, the attitude was very romantic and artists were not interested in knowing the Sámi culture or even in encountering the Sámi people. In the nineteenth century, nationalism required building an image of the Finns, thus most Finnish artists were n…

  • The Image of the Sámi in Finnish Visual Arts before the Second World War

    Tuija Hautala-Hirvioja•ARTICLE•Acta Borealia•2006•Cited by: 1

    This article examines how Finnish artists depicted the Sámi people in their paintings from the beginning of the nineteenth century to the Second World War. In the first paintings that represented the Sámi, the attitude was very romantic and artists were not interested in knowing the Sámi culture or even in encountering the Sámi people. In the nineteenth century, nationalism required building an image of the Finns, thus most Finnish artists were n…

  • The Image of the Sámi in Finnish Visual Arts before the Second World War

    Tuija Hautala-Hirvioja•ARTICLE•Acta Borealia•2006•Cited by: 1

    This article examines how Finnish artists depicted the Sámi people in their paintings from the beginning of the nineteenth century to the Second World War. In the first paintings that represented the Sámi, the attitude was very romantic and artists were not interested in knowing the Sámi culture or even in encountering the Sámi people. In the nineteenth century, nationalism required building an image of the Finns, thus most Finnish artists were n…

  • Frontier Landscape – Lapland in the Tradition of Finnish Landscape Painting

    Tuija Hautala-Hirvioja•ARTICLE•Acta Borealia•2011•References: 1

    Finnish artists depicted Lapland as a frontier. The position of the Lappish landscape as a part of the Finnish landscape painting tradition is explored through a framework based on art and cultural history as well as humanistic and cultural geography. Paintings from three historical periods are analyzed: the early and later period of Finland as an autonomous Russian Grand Duchy (1809–1917), the first decades after the independence of Finland (191…

  • Koti sydämessä

    Open Access•Tuija Hautala-Hirvioja•ARTICLE•Tahiti•2021

    Artikkelissani tarkastelen pääasiassa runoistaan ja musiikistaan tunnetun saamelaistaiteilijan Nils-Aslak Valkeapään (1943–2001) myöhempää 1980- ja 1990-luvun kuvataidetta. Tutkimukseni on monitieteinen, ja rakennan analyysikehikkoni taidehistorian tutkimusperinteen sekä saamen- ja alkuperäiskansatutkimuksen pohjalta. Esitän, että erityisesti intertekstuaalisuus tarjoaa oivan taustan pohtia materiaalisuutta ja immateriaalisuutta sekä niiden merki…

  • Johdanto

    Open Access•Tuija Hautala-Hirvioja, Hanna Kyläniemi et al.•ARTICLE•Matkailututkimus•2022

    The Faculty of Arts and Design at the University of Lapland in Rovaniemi Finland, and the Regional Museum of Lapland organized an international conference Souvenirs in Motion: Cultural and Historical Perspectives on the Souvenir as a Research Object with the support of the Finnish Cultural Foundation. The reason for organizing the conference was the observation that there is very few research on souvenirs in Finland. There are many souvenirs rela…

  • The Opportunities for and Limitations on a Finnish Female Artist in Lapland before the Second World War

    Tuija Hautala-Hirvioja•ARTICLE•Journal of Finnish Studies•2022

    Since the 1840s in Finland, there have been equal possibilities for men and women to study art. This article examines the possibilities and limitations that women had to take into account to study fine arts. To understand the situation in Finland during the 1920s and 1930s, I use as a case the life and art of Maija Kellokumpu (1892–1935). She was an exceptional individual who lived in Lapland, the northernmost region of Finland. Her home village,…

Art (5 works) · Archaeology (3 works) · History (3 works) · Law (3 works) · Law (3 works) · Political science (3 works) · The arts (3 works) · Visual arts (3 works) · Art history (2 works) · Geography (2 works)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae