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A H Reinhardt-Rutland

Biographic Data

ID5970838
NAMEA H Reinhardt-Rutland
GIVEN NAMESA H
FAMILY NAMEReinhardt-Rutland
SIGNATUREREINHARDT-RUTLAND A H
VERIFIEDNo
TOTAL WORKS16
TOTAL CITATIONS15
WORKS AS AUTHOR16
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1986
LATEST PUBLICATION YEAR2003
H-INDEX2
  • Induced Rotational Motion With Nonabutting Inducing and Induced Stimuli

    Anthony Reinhardt-Rutland, A H Reinhardt-Rutland•ARTICLE•The Journal of General Psychology•2003•References: 2

    Induced motion is the illusory motion of a static stimulus in the opposite direction to a moving stimulus. Two types of induced motion have been distinguished: (a) when the moving stimulus is distant from the static stimulus and undergoes overall displacement, and (b) when the moving stimulus is pattern viewed within fixed boundaries that abut the static stimulus. Explanations of the 1st type of induced motion refer to mediating phenomena, such a…

  • Increasing- and Decreasing-Loudness Aftereffects

    Anthony Reinhardt-Rutland, A H Reinhardt-Rutland•ARTICLE•The Journal of General Psychology•1995•References: 3

    After exposure to a tone of decreasing sound level, participants report that a steady tone increases in loudness; after exposure to an increasing sound level, they perceive a steady tone to decrease in loudness. The increasing-loudness aftereffect is the more sensitive to a difference between adapting and test frequencies, its absolute size becoming greater than that for decreasing-loudness aftereffect as frequencies are made to match. Although t…

  • Evidence for Frequency-Dependent and Frequency-Independent Components in Increasing- and Decreasing-Loudness Aftereffects

    Anthony Reinhardt-Rutland, A H Reinhardt-Rutland•ARTICLE•The Journal of General Psychology•1995•Cited by: 3

    Listening to a decreasingly intense tone leads to increasing loudness in a subsequent steady tone. Conversely, listening to an increasingly intense tone leads to decreasing loudness in a subsequent steady tone. Measurement entails a test stimulus changing in sound level to null any aftereffect, so that loudness is perceived as steady. Previous studies have shown that the aftereffects are frequency dependent: Carrier frequencies of adapting and te…

  • Radial Aftereffect of Induced Motion (Imae)

    Anthony Reinhardt-Rutland, A H Reinhardt-Rutland•ARTICLE•The Journal of General Psychology•1994•References: 1

    Radial Aftereffect of Induced Motion (IMAE): Perception during Monocular Viewing with Minimal Background Pattern." The Journal of General Psychology, 121(4), pp. 403–404

  • Detecting Slant-In-Depth of Real Trapezoidal and Rectangular Surfaces

    Anthony Reinhardt-Rutland, A H Reinhardt-Rutland•ARTICLE•The Journal of General Psychology•1993•References: 4

    Cues from binocularity and observer motion are often believed to be more important in perceiving depth than pictorial cues such as relative visual size and linear perspective. Both binocularity and motion are effective in simulated displays. However, for real stimuli evincing nonveridical pictorial cues, binocularity has been more effective than motion; sometimes motion has had an insignificant effect. This may reflect inadequate extent of motion…

  • Changing-Loudness Aftereffect Following Simulated Movement

    Anthony Reinhardt-Rutland, A H Reinhardt-Rutland•ARTICLE•The Journal of General Psychology•1992•Cited by: 1•References: 2

    Listening to a tone changing unidirectionally in sound level causes an illusion of changing loudness in a steady tone afterward. This aftereffect may indicate channels for detecting the feature of change in sound level, which would primarily concern dynamic sound localization. Three subjects, one of whom was the author, participated in this study. The author predicted that opposite adaptation of the ears (the adapting stimulus is heard to move fr…

  • Primary Depth Cues and Background Pattern in the Portrayal of Slant

    Anthony Reinhardt-Rutland, A H Reinhardt-Rutland•ARTICLE•The Journal of General Psychology•1992•Cited by: 1•References: 2

    A rectangularity postulate has been used in algorithms for the purpose of interpreting two-dimensional representations of rectilinear objects. This rectangularity postulate may affect the perception of true surfaces. In this study, rectangular surfaces and trapezoidal surfaces--the latter simulating the horizontal slant-in-depth of the rectangular surfaces--were viewed under static-monocular, moving-monocular, and static-binocular conditions, bot…

  • Spatial-Contrast Movement Aftereffect Can Be Rotary

    Anthony Reinhardt-Rutland, A H Reinhardt-Rutland•ARTICLE•The Journal of General Psychology•1991•Cited by: 1•References: 1

    The procedure for eliciting movement aftereffect (MAE) involves the subject's adapting to visual movement that subsequently stops. Conventionally, MAE is confined to the area of movement adaptation. However, Wohlgemuth (1911) demonstrated the existence of a type of MAE that had the opposite characteristics of an adjoining conventional MAE; the test area was unpatterned during adaptation and patterned during testing. This spatial-contrast MAE may …

  • Induced Rotary Movement during Eye Movements

    Anthony Reinhardt-Rutland, A H Reinhardt-Rutland•ARTICLE•The Journal of General Psychology•1991•Cited by: 2

    In my previous (Reinhardt-Rutland, 1982) study, I suggested that eye movements enhance induced rotary movement. However, low salience of absolute displacement might also explain the results, as displays were covered with large numbers of equally spaced radial pattern elements. To test these competing hypotheses in the present study, I used an unequally spaced pattern in two displays. Common to each display was an annulus: In one display, the comm…

  • Aftereffect Arising from Unidirectional Change of Sound Level in a Tone

    Anthony Reinhardt-Rutland, A H Reinhardt-Rutland•ARTICLE•The Journal of General Psychology•1990•Cited by: 2•References: 1

    Subjects adapted to square-wave adaptors, stimuli containing odd harmonics of the fundamental, and, to provide baseline data, sinusoidal adaptors matching the square-wave's fundamental. Nulls were obtained for various frequencies of the test stimulus. At any given frequency, the baseline null was subtracted from the null for square-wave adaptation. These corrected nulls indicated frequency-specific aftereffects at the third and fifth harmonics. T…

  • Detecting Orientation of a Surface

    Anthony Reinhardt-Rutland, A H Reinhardt-Rutland•ARTICLE•The Journal of General Psychology•1990•Cited by: 1•References: 1

    Computational metaphors for determining the orientation of planar surfaces represented in line drawings have exploited a postulate that often surfaces are rectangular. Previous research implies that people follow such logic with real surfaces in ecological viewing. However, this research is problematic methodologically and some research does not directly address the issue. The stimuli used in this study were rectangular and trapezoidal; the latte…

  • Induced movement in the visual modality

    Anthony Reinhardt-Rutland, A H Reinhardt-Rutland•ARTICLE•Psychological Bulletin•1988

    Induced movement, illusory movement in a stationary stimulus resulting from adjoining movement, has received steady experimental investigation over the last 70 years or so. It is observed under different viewing conditions in a wide variety of displays that differ considerably in overall size and in form of inducing and induced stimuli. Explanations have been diverse, some being based on relations within the display and others invoking mediation …

  • Induced movement in the visual modality

    Anthony Reinhardt-Rutland, A H Reinhardt-Rutland•ARTICLE•Psychological Bulletin•1988

  • Interaural Transfer of Aftereffect of Changing Sound Level in a Tone

    Anthony Reinhardt-Rutland, A H Reinhardt-Rutland•ARTICLE•The Journal of General Psychology•1988•Cited by: 4

    Monaural and interaural aftereffects of unidirectional change of sound level in a tone, were measured by a nulling procedure. The former were always much greater than the latter, demonstrating limited interaural transfer of the aftereffect. This is seen as evidence for a peripheral component in the analysis of changing sound level. Such analysis may contribute to the localization of moving sound sources. An additional, and incidental, finding was…

  • Image displacement and the movement aftereffect

    Anthony Reinhardt-Rutland, A H Reinhardt-Rutland•ARTICLE•American Psychologist•1986

  • Image displacement and the movement aftereffect

    Anthony Reinhardt-Rutland, A H Reinhardt-Rutland•ARTICLE•American Psychologist•1986

  • Interaural Transfer of Aftereffect of Changing Sound Level in a Tone

    Anthony Reinhardt-Rutland, A H Reinhardt-Rutland•ARTICLE•The Journal of General Psychology•1988•Cited by: 4

    Monaural and interaural aftereffects of unidirectional change of sound level in a tone, were measured by a nulling procedure. The former were always much greater than the latter, demonstrating limited interaural transfer of the aftereffect. This is seen as evidence for a peripheral component in the analysis of changing sound level. Such analysis may contribute to the localization of moving sound sources. An additional, and incidental, finding was…

  • Evidence for Frequency-Dependent and Frequency-Independent Components in Increasing- and Decreasing-Loudness Aftereffects

    Anthony Reinhardt-Rutland, A H Reinhardt-Rutland•ARTICLE•The Journal of General Psychology•1995•Cited by: 3

    Listening to a decreasingly intense tone leads to increasing loudness in a subsequent steady tone. Conversely, listening to an increasingly intense tone leads to decreasing loudness in a subsequent steady tone. Measurement entails a test stimulus changing in sound level to null any aftereffect, so that loudness is perceived as steady. Previous studies have shown that the aftereffects are frequency dependent: Carrier frequencies of adapting and te…

  • Induced Rotary Movement during Eye Movements

    Anthony Reinhardt-Rutland, A H Reinhardt-Rutland•ARTICLE•The Journal of General Psychology•1991•Cited by: 2

    In my previous (Reinhardt-Rutland, 1982) study, I suggested that eye movements enhance induced rotary movement. However, low salience of absolute displacement might also explain the results, as displays were covered with large numbers of equally spaced radial pattern elements. To test these competing hypotheses in the present study, I used an unequally spaced pattern in two displays. Common to each display was an annulus: In one display, the comm…

  • Aftereffect Arising from Unidirectional Change of Sound Level in a Tone

    Anthony Reinhardt-Rutland, A H Reinhardt-Rutland•ARTICLE•The Journal of General Psychology•1990•Cited by: 2•References: 1

    Subjects adapted to square-wave adaptors, stimuli containing odd harmonics of the fundamental, and, to provide baseline data, sinusoidal adaptors matching the square-wave's fundamental. Nulls were obtained for various frequencies of the test stimulus. At any given frequency, the baseline null was subtracted from the null for square-wave adaptation. These corrected nulls indicated frequency-specific aftereffects at the third and fifth harmonics. T…

  • Changing-Loudness Aftereffect Following Simulated Movement

    Anthony Reinhardt-Rutland, A H Reinhardt-Rutland•ARTICLE•The Journal of General Psychology•1992•Cited by: 1•References: 2

    Listening to a tone changing unidirectionally in sound level causes an illusion of changing loudness in a steady tone afterward. This aftereffect may indicate channels for detecting the feature of change in sound level, which would primarily concern dynamic sound localization. Three subjects, one of whom was the author, participated in this study. The author predicted that opposite adaptation of the ears (the adapting stimulus is heard to move fr…

  • Primary Depth Cues and Background Pattern in the Portrayal of Slant

    Anthony Reinhardt-Rutland, A H Reinhardt-Rutland•ARTICLE•The Journal of General Psychology•1992•Cited by: 1•References: 2

    A rectangularity postulate has been used in algorithms for the purpose of interpreting two-dimensional representations of rectilinear objects. This rectangularity postulate may affect the perception of true surfaces. In this study, rectangular surfaces and trapezoidal surfaces--the latter simulating the horizontal slant-in-depth of the rectangular surfaces--were viewed under static-monocular, moving-monocular, and static-binocular conditions, bot…

  • Spatial-Contrast Movement Aftereffect Can Be Rotary

    Anthony Reinhardt-Rutland, A H Reinhardt-Rutland•ARTICLE•The Journal of General Psychology•1991•Cited by: 1•References: 1

    The procedure for eliciting movement aftereffect (MAE) involves the subject's adapting to visual movement that subsequently stops. Conventionally, MAE is confined to the area of movement adaptation. However, Wohlgemuth (1911) demonstrated the existence of a type of MAE that had the opposite characteristics of an adjoining conventional MAE; the test area was unpatterned during adaptation and patterned during testing. This spatial-contrast MAE may …

  • Detecting Orientation of a Surface

    Anthony Reinhardt-Rutland, A H Reinhardt-Rutland•ARTICLE•The Journal of General Psychology•1990•Cited by: 1•References: 1

    Computational metaphors for determining the orientation of planar surfaces represented in line drawings have exploited a postulate that often surfaces are rectangular. Previous research implies that people follow such logic with real surfaces in ecological viewing. However, this research is problematic methodologically and some research does not directly address the issue. The stimuli used in this study were rectangular and trapezoidal; the latte…

  • Image displacement and the movement aftereffect

    Anthony Reinhardt-Rutland, A H Reinhardt-Rutland•ARTICLE•American Psychologist•1986

  • Image displacement and the movement aftereffect

    Anthony Reinhardt-Rutland, A H Reinhardt-Rutland•ARTICLE•American Psychologist•1986

  • Induced movement in the visual modality

    Anthony Reinhardt-Rutland, A H Reinhardt-Rutland•ARTICLE•Psychological Bulletin•1988

    Induced movement, illusory movement in a stationary stimulus resulting from adjoining movement, has received steady experimental investigation over the last 70 years or so. It is observed under different viewing conditions in a wide variety of displays that differ considerably in overall size and in form of inducing and induced stimuli. Explanations have been diverse, some being based on relations within the display and others invoking mediation …

  • Induced movement in the visual modality

    Anthony Reinhardt-Rutland, A H Reinhardt-Rutland•ARTICLE•Psychological Bulletin•1988

  • Interaural Transfer of Aftereffect of Changing Sound Level in a Tone

    Anthony Reinhardt-Rutland, A H Reinhardt-Rutland•ARTICLE•The Journal of General Psychology•1988•Cited by: 4

    Monaural and interaural aftereffects of unidirectional change of sound level in a tone, were measured by a nulling procedure. The former were always much greater than the latter, demonstrating limited interaural transfer of the aftereffect. This is seen as evidence for a peripheral component in the analysis of changing sound level. Such analysis may contribute to the localization of moving sound sources. An additional, and incidental, finding was…

  • Aftereffect Arising from Unidirectional Change of Sound Level in a Tone

    Anthony Reinhardt-Rutland, A H Reinhardt-Rutland•ARTICLE•The Journal of General Psychology•1990•Cited by: 2•References: 1

    Subjects adapted to square-wave adaptors, stimuli containing odd harmonics of the fundamental, and, to provide baseline data, sinusoidal adaptors matching the square-wave's fundamental. Nulls were obtained for various frequencies of the test stimulus. At any given frequency, the baseline null was subtracted from the null for square-wave adaptation. These corrected nulls indicated frequency-specific aftereffects at the third and fifth harmonics. T…

  • Detecting Orientation of a Surface

    Anthony Reinhardt-Rutland, A H Reinhardt-Rutland•ARTICLE•The Journal of General Psychology•1990•Cited by: 1•References: 1

    Computational metaphors for determining the orientation of planar surfaces represented in line drawings have exploited a postulate that often surfaces are rectangular. Previous research implies that people follow such logic with real surfaces in ecological viewing. However, this research is problematic methodologically and some research does not directly address the issue. The stimuli used in this study were rectangular and trapezoidal; the latte…

  • Spatial-Contrast Movement Aftereffect Can Be Rotary

    Anthony Reinhardt-Rutland, A H Reinhardt-Rutland•ARTICLE•The Journal of General Psychology•1991•Cited by: 1•References: 1

    The procedure for eliciting movement aftereffect (MAE) involves the subject's adapting to visual movement that subsequently stops. Conventionally, MAE is confined to the area of movement adaptation. However, Wohlgemuth (1911) demonstrated the existence of a type of MAE that had the opposite characteristics of an adjoining conventional MAE; the test area was unpatterned during adaptation and patterned during testing. This spatial-contrast MAE may …

  • Induced Rotary Movement during Eye Movements

    Anthony Reinhardt-Rutland, A H Reinhardt-Rutland•ARTICLE•The Journal of General Psychology•1991•Cited by: 2

    In my previous (Reinhardt-Rutland, 1982) study, I suggested that eye movements enhance induced rotary movement. However, low salience of absolute displacement might also explain the results, as displays were covered with large numbers of equally spaced radial pattern elements. To test these competing hypotheses in the present study, I used an unequally spaced pattern in two displays. Common to each display was an annulus: In one display, the comm…

  • Changing-Loudness Aftereffect Following Simulated Movement

    Anthony Reinhardt-Rutland, A H Reinhardt-Rutland•ARTICLE•The Journal of General Psychology•1992•Cited by: 1•References: 2

    Listening to a tone changing unidirectionally in sound level causes an illusion of changing loudness in a steady tone afterward. This aftereffect may indicate channels for detecting the feature of change in sound level, which would primarily concern dynamic sound localization. Three subjects, one of whom was the author, participated in this study. The author predicted that opposite adaptation of the ears (the adapting stimulus is heard to move fr…

  • Primary Depth Cues and Background Pattern in the Portrayal of Slant

    Anthony Reinhardt-Rutland, A H Reinhardt-Rutland•ARTICLE•The Journal of General Psychology•1992•Cited by: 1•References: 2

    A rectangularity postulate has been used in algorithms for the purpose of interpreting two-dimensional representations of rectilinear objects. This rectangularity postulate may affect the perception of true surfaces. In this study, rectangular surfaces and trapezoidal surfaces--the latter simulating the horizontal slant-in-depth of the rectangular surfaces--were viewed under static-monocular, moving-monocular, and static-binocular conditions, bot…

  • Detecting Slant-In-Depth of Real Trapezoidal and Rectangular Surfaces

    Anthony Reinhardt-Rutland, A H Reinhardt-Rutland•ARTICLE•The Journal of General Psychology•1993•References: 4

    Cues from binocularity and observer motion are often believed to be more important in perceiving depth than pictorial cues such as relative visual size and linear perspective. Both binocularity and motion are effective in simulated displays. However, for real stimuli evincing nonveridical pictorial cues, binocularity has been more effective than motion; sometimes motion has had an insignificant effect. This may reflect inadequate extent of motion…

  • Radial Aftereffect of Induced Motion (Imae)

    Anthony Reinhardt-Rutland, A H Reinhardt-Rutland•ARTICLE•The Journal of General Psychology•1994•References: 1

    Radial Aftereffect of Induced Motion (IMAE): Perception during Monocular Viewing with Minimal Background Pattern." The Journal of General Psychology, 121(4), pp. 403–404

  • Increasing- and Decreasing-Loudness Aftereffects

    Anthony Reinhardt-Rutland, A H Reinhardt-Rutland•ARTICLE•The Journal of General Psychology•1995•References: 3

    After exposure to a tone of decreasing sound level, participants report that a steady tone increases in loudness; after exposure to an increasing sound level, they perceive a steady tone to decrease in loudness. The increasing-loudness aftereffect is the more sensitive to a difference between adapting and test frequencies, its absolute size becoming greater than that for decreasing-loudness aftereffect as frequencies are made to match. Although t…

  • Evidence for Frequency-Dependent and Frequency-Independent Components in Increasing- and Decreasing-Loudness Aftereffects

    Anthony Reinhardt-Rutland, A H Reinhardt-Rutland•ARTICLE•The Journal of General Psychology•1995•Cited by: 3

    Listening to a decreasingly intense tone leads to increasing loudness in a subsequent steady tone. Conversely, listening to an increasingly intense tone leads to decreasing loudness in a subsequent steady tone. Measurement entails a test stimulus changing in sound level to null any aftereffect, so that loudness is perceived as steady. Previous studies have shown that the aftereffects are frequency dependent: Carrier frequencies of adapting and te…

  • Induced Rotational Motion With Nonabutting Inducing and Induced Stimuli

    Anthony Reinhardt-Rutland, A H Reinhardt-Rutland•ARTICLE•The Journal of General Psychology•2003•References: 2

    Induced motion is the illusory motion of a static stimulus in the opposite direction to a moving stimulus. Two types of induced motion have been distinguished: (a) when the moving stimulus is distant from the static stimulus and undergoes overall displacement, and (b) when the moving stimulus is pattern viewed within fixed boundaries that abut the static stimulus. Explanations of the 1st type of induced motion refer to mediating phenomena, such a…

Psychology (16 works) · Physics (12 works) · Computer Science (10 works) · Visual perception and processing mechanisms (10 works) · Cognitive psychology (9 works) · Artificial Intelligence (7 works) · Acoustics (6 works) · Artificial Intelligence (6 works) · Communication (6 works) · Computer vision (6 works)

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