Vladimir Feshchenko
Biographic Data
| ID | 5978732 |
|---|---|
| NAME | Vladimir Feshchenko |
| GIVEN NAMES | Vladimir |
| FAMILY NAME | Feshchenko |
| SIGNATURE | FESHCHENKO V |
| AFFILIATIONS | Russian Federation |
| VERIFIED | No |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 4 |
| AUTHOR COUNT | 5 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2015 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 2 |
“Spaces of Silence” and “Secret Music of the Word”
Two major poets of the Russian Neo-Avant-Garde—Gennady Aygi and Elizaveta Mnatsakanova—created textual works that transgressed the limits of language and the borders between the arts. Each pursued their own method of the visualization and musicalization of verbal matter, yet both share a particular musical sensibility, which guarantees the integrity of the linguistic structure of their verse, despite the fragmentation and logical incoherence of i…
Artistic communication as an object of semiotics and linguistic aesthetics
The paper addresses the concept of artistic communication as a type of semiotic interaction in the discourses of art. Semiotic methodologies for modelling the sign and the communicative act, developed in the works of Gottlob Frege, Gustav Shpet, Jan Mukařovský, Roman Jakobson, Juri Lotman, Umberto Eco, Suren Zolyan, and some other semioticians, are discussed with a focus on the models of aesthetic sign and the corresponding models of semiosis in …
Voice and bodily deixis as manifestation of performativity in written texts
This article deals with voice and bodily deixis as manifestations of performativity in written texts. A speech act of origin presents as both vocal and performative events. Ritual matrixes of culture contain performative complexes, as suggested by Austin. Such performative nuclei are neither true nor false, that is, their negation cannot be logically inferred from true premises. The term deixis describes the performative moment of the utterance, …
R. Jakobson as Mediator of Cultural Transfer between Linguistics and Literary Experiments
The article analyzes one of the forms of nomadism in the intellectual world, which is called cultural transfers. One of the directions in the study of cultural transfers is the migration of concepts and notions between scientific knowledge (in this case linguistic) and literary experience (mainly experimental). The article is devoted to one of such migration trajectory from the perspective of interdiscourse methodology. We discuss the works of on…
Gustav Shpet's deep semiotics
The article examines the implicit tradition of deep semiotics in Russia initiated by Gustav Shpet, a Russian philosopher of language. Shpet’s semiotic approach was developed synchronously with the major lines of European and American semiotics (Saussurian and Peircean), but has not been sufficiently known or studied. The recent publication of previously unknown papers by Shpet makes this Russian philosopher an advanced figure on the Russian semio…
Artistic communication as an object of semiotics and linguistic aesthetics
The paper addresses the concept of artistic communication as a type of semiotic interaction in the discourses of art. Semiotic methodologies for modelling the sign and the communicative act, developed in the works of Gottlob Frege, Gustav Shpet, Jan Mukařovský, Roman Jakobson, Juri Lotman, Umberto Eco, Suren Zolyan, and some other semioticians, are discussed with a focus on the models of aesthetic sign and the corresponding models of semiosis in …
Gustav Shpet's deep semiotics
The article examines the implicit tradition of deep semiotics in Russia initiated by Gustav Shpet, a Russian philosopher of language. Shpet’s semiotic approach was developed synchronously with the major lines of European and American semiotics (Saussurian and Peircean), but has not been sufficiently known or studied. The recent publication of previously unknown papers by Shpet makes this Russian philosopher an advanced figure on the Russian semio…
Gustav Shpet's deep semiotics
The article examines the implicit tradition of deep semiotics in Russia initiated by Gustav Shpet, a Russian philosopher of language. Shpet’s semiotic approach was developed synchronously with the major lines of European and American semiotics (Saussurian and Peircean), but has not been sufficiently known or studied. The recent publication of previously unknown papers by Shpet makes this Russian philosopher an advanced figure on the Russian semio…
R. Jakobson as Mediator of Cultural Transfer between Linguistics and Literary Experiments
The article analyzes one of the forms of nomadism in the intellectual world, which is called cultural transfers. One of the directions in the study of cultural transfers is the migration of concepts and notions between scientific knowledge (in this case linguistic) and literary experience (mainly experimental). The article is devoted to one of such migration trajectory from the perspective of interdiscourse methodology. We discuss the works of on…
Voice and bodily deixis as manifestation of performativity in written texts
This article deals with voice and bodily deixis as manifestations of performativity in written texts. A speech act of origin presents as both vocal and performative events. Ritual matrixes of culture contain performative complexes, as suggested by Austin. Such performative nuclei are neither true nor false, that is, their negation cannot be logically inferred from true premises. The term deixis describes the performative moment of the utterance, …
Artistic communication as an object of semiotics and linguistic aesthetics
The paper addresses the concept of artistic communication as a type of semiotic interaction in the discourses of art. Semiotic methodologies for modelling the sign and the communicative act, developed in the works of Gottlob Frege, Gustav Shpet, Jan Mukařovský, Roman Jakobson, Juri Lotman, Umberto Eco, Suren Zolyan, and some other semioticians, are discussed with a focus on the models of aesthetic sign and the corresponding models of semiosis in …
“Spaces of Silence” and “Secret Music of the Word”
Two major poets of the Russian Neo-Avant-Garde—Gennady Aygi and Elizaveta Mnatsakanova—created textual works that transgressed the limits of language and the borders between the arts. Each pursued their own method of the visualization and musicalization of verbal matter, yet both share a particular musical sensibility, which guarantees the integrity of the linguistic structure of their verse, despite the fragmentation and logical incoherence of i…
Art (4 works) · Literature (4 works) · Linguistics (3 works) · Philosophy (3 works) · Sociology (3 works) · Aesthetics (2 works) · Computer Science (2 works) · Discourse Analysis and Cultural Communication (2 works) · Epistemology (2 works) · Language, Communication, and Linguistic Studies (2 works)