Amir Sedaghat
Biographic Data
| ID | 5978829 |
|---|---|
| NAME | Amir Sedaghat |
| GIVEN NAMES | Amir |
| FAMILY NAME | Sedaghat |
| SIGNATURE | SEDAGHAT A |
| AFFILIATIONS | University of Toronto |
| ORCID | 0000-0002-3558-0506 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2020 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 0 |
Semiotic hybridization in Persian poetry and Iranian music
This article demonstrates how Iranian classical music and Persian medieval poetry, taken as separate semiotic systems, form together, in certain contexts, a single hybrid semiotic system with overlapping structural features and shared aesthetic principles. Hjelmslev’s description of connotative semiotic systems serves as a theoretical framework to show the modalities of this hybridization. This phenomenon can be observed through comparative analy…
Rūmī’s Verse at the Crossroads of Language and Music
This article demonstrates how Rūmī has made use of the Iranian musical system and Persian classical prosody, two separate semiotic systems with overlapping forms and aesthetic principles, in order to create a hybrid semiotic system in his poetry. His poetic feat can be observed through a comparative analysis of the linguistic and musical components of his poems in the Divān-e Shams-e Tabrizi , used extensively in the sacred tradition of samāʿ as …
No prominent works on this page.
Rūmī’s Verse at the Crossroads of Language and Music
This article demonstrates how Rūmī has made use of the Iranian musical system and Persian classical prosody, two separate semiotic systems with overlapping forms and aesthetic principles, in order to create a hybrid semiotic system in his poetry. His poetic feat can be observed through a comparative analysis of the linguistic and musical components of his poems in the Divān-e Shams-e Tabrizi , used extensively in the sacred tradition of samāʿ as …
Semiotic hybridization in Persian poetry and Iranian music
This article demonstrates how Iranian classical music and Persian medieval poetry, taken as separate semiotic systems, form together, in certain contexts, a single hybrid semiotic system with overlapping structural features and shared aesthetic principles. Hjelmslev’s description of connotative semiotic systems serves as a theoretical framework to show the modalities of this hybridization. This phenomenon can be observed through comparative analy…
Art (2 works) · Islamic Studies and History (2 works) · Linguistics (2 works) · Literature (2 works) · Musical (2 works) · Philosophy (2 works) · Poetry (2 works) · Semiotics (2 works) · Computer Science (1 work) · Dialectic (1 work)