ZSUZSA BAROSS
Biographic Data
| ID | 5979271 |
|---|---|
| NAME | ZSUZSA BAROSS |
| GIVEN NAMES | ZSUZSA |
| FAMILY NAME | BAROSS |
| SIGNATURE | BAROSS Z |
| AFFILIATIONS | a Trent University , Cultural Studies Program, Peterborough, Ontario K9J 7B8, Canada E-mail |
| VERIFIED | No |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 7 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1981 |
| LATEST PUBLICATION YEAR | 2009 |
| H-INDEX | 1 |
Lessons to Live (2)
Part of a series on the question of what is the good life, the essay is structured as a montage. Part 1 contests the received notion that death is exterior to the work of Deleuze. To this end, it gathers together a telegraphic collection of examples – ‘corpses’ in his corpus – that invariably show up whenever the question is raised. Part 2 attempts a Deleuzian move: it puts death to work. If death is not nothing, it argues, it must be productive …
The future of the past
It is foolish to talk about the death of the cinema because cinema is still at the beginning [début] of its investigations ... Yes, the cinema if it is not killed by a violent death guards the power of a beginning [un commencement]. Deleuze, “Preface,” The Time-ImageFootnote1
Noli Me Tangere
Noli Me Tangere
Deleuze and Derrida, by Way of Blanchot - An Interview
The (False) Gifts of Writing
New Literary History - Volume 31, Number 3, Summer 2000
Kiss-ass talk’
The (False) Gifts of Writing
New Literary History - Volume 31, Number 3, Summer 2000
Kiss-ass talk’
Deleuze and Derrida, by Way of Blanchot - An Interview
The (False) Gifts of Writing
New Literary History - Volume 31, Number 3, Summer 2000
Noli Me Tangere
Noli Me Tangere
The future of the past
It is foolish to talk about the death of the cinema because cinema is still at the beginning [début] of its investigations ... Yes, the cinema if it is not killed by a violent death guards the power of a beginning [un commencement]. Deleuze, “Preface,” The Time-ImageFootnote1
Lessons to Live (2)
Part of a series on the question of what is the good life, the essay is structured as a montage. Part 1 contests the received notion that death is exterior to the work of Deleuze. To this end, it gathers together a telegraphic collection of examples – ‘corpses’ in his corpus – that invariably show up whenever the question is raised. Part 2 attempts a Deleuzian move: it puts death to work. If death is not nothing, it argues, it must be productive …
Philosophy (6 works) · Psychology (4 works) · Philosophy, Ethics, and Existentialism (3 works) · Aesthetics (2 works) · Art (2 works) · Epistemology (2 works) · Hannah Arendt's Political Philosophy (2 works) · Language-game (2 works) · Linguistics (2 works) · Psychoanalysis (2 works)