Olga Meerson
Biographic Data
| ID | 5980546 |
|---|---|
| NAME | Olga Meerson |
| GIVEN NAMES | Olga |
| FAMILY NAME | Meerson |
| SIGNATURE | MEERSON O |
| ORCID | 0000-0003-1543-5229 |
| VERIFIED | Yes |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 7 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1992 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
Truth Versus Truth in Context in Dostoevsky. Polyphony vs Relativism. The Case of a Conversation Between Father and Son Over the Brandy
The article juxtaposes the semantic difference of usage for the word “truth” (“istina”) in Christian vs. secular contexts in Fyodor Dostoevsky’s “The Brothers Karamazov”. The author reveals an infinite multiplicity of conflicting receptive “mirrors” as they diverge from the Christian conceptualization of the notion of Truth, a notion most important for Dostoevsky, viewed by him as inalienable from the image of Christ. The author dwells on various…
Sobesedniki na piru
Dostoevksy's Taboos
Po tu storonu Sambationa
Ivolgin and Holbein
The Brothers Karamazov. Worlds of the Novel
Old Testament Lamentation in the Underground Man's Monologue
Olga Meerson, Old Testament Lamentation in the Underground Man's Monologue: A Refutation of the Existentialist Reading of Notes from the Underground, The Slavic and East European Journal, Vol. 36, No. 3 (Autumn, 1992), pp. 317-322
No prominent works on this page.
Old Testament Lamentation in the Underground Man's Monologue
Olga Meerson, Old Testament Lamentation in the Underground Man's Monologue: A Refutation of the Existentialist Reading of Notes from the Underground, The Slavic and East European Journal, Vol. 36, No. 3 (Autumn, 1992), pp. 317-322
The Brothers Karamazov. Worlds of the Novel
Ivolgin and Holbein
Po tu storonu Sambationa
Dostoevksy's Taboos
Sobesedniki na piru
Truth Versus Truth in Context in Dostoevsky. Polyphony vs Relativism. The Case of a Conversation Between Father and Son Over the Brandy
The article juxtaposes the semantic difference of usage for the word “truth” (“istina”) in Christian vs. secular contexts in Fyodor Dostoevsky’s “The Brothers Karamazov”. The author reveals an infinite multiplicity of conflicting receptive “mirrors” as they diverge from the Christian conceptualization of the notion of Truth, a notion most important for Dostoevsky, viewed by him as inalienable from the image of Christ. The author dwells on various…
Art (5 works) · Philosophy (3 works) · Epistemology (2 works) · Linguistics (2 works) · Literature (2 works) · Archaeology (1 work) · Biblical Studies and Interpretation (1 work) · Biology (1 work) · Cell Biology (1 work) · Cell Biology (1 work)