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Kalina Stefanova

Biographic Data

ID5981596
NAMEKalina Stefanova
GIVEN NAMESKalina
FAMILY NAMEStefanova
SIGNATURESTEFANOVA K
AFFILIATIONSNational Academy for Theatre and Film Arts
ORCID0000-0001-7558-1629
VERIFIEDYes
TOTAL WORKS8
TOTAL CITATIONS0
WORKS AS AUTHOR7
WORKS AS EDITOR1
FIRST PUBLICATION YEAR2000
LATEST PUBLICATION YEAR2024
H-INDEX0
  • Jan Kott i Szekspir jako życiowy przewodnik

    Open Access•Kalina Stefanova•ARTICLE•Litteraria Copernicana•2024

  • Hristo Bojczew, czyli bułgarski dramaturg, który sprawia, że absurd staje się nadzieją

    Open Access•Kalina Stefanova•ARTICLE•Litteraria Copernicana•2024

  • Absurd(yzm) w bałkańskim stylu. Wprowadzenie

    Open Access•Kalina Stefanova•ARTICLE•Litteraria Copernicana•2024

    Whe n, in the 1980s and 1990s, the plays by Stanislav Stratiev -one of the most prominent Bulgarian playwrights -were finally translated into a host of languages and staged in many countries, critics tried to explain the popularity by comparing him with playwrights who had to do with different faces of the absurd or with borderlands, like the phantasmagoria and the grotesque.Here is, for instance, what Edward J. Czerwinski of Slavic and East Euro…

  • And All Men and Women Are Critics or Criticism in a Mirage-Universe

    Kalina Stefanova•ARTICLE•Theatrical Colloquia•2022

    This text/speech is an attempt to provoke discussion or at least thoughts regarding the increasing omnipresence of the false in our reality – something which results in sort of a theatricality in a negative connotation of the word. A theatricality that has always accompanied imposters and surrounded the production of copycats/fake stuff, both in life and in art, especially in comedy. Yet, the false pretending so masterfully to stand for the genui…

  • Eastern European Theatre After the Iron Curtain

    Kalina Stefanova•EDITOR•BOOK•Eastern European Theatre after…•2014

    An important new survey of Eastern European theater after the collapse of the Soviet Union. Explores all aspects of theater, from playwriting, directing and acting, to repertoire creation and theatre management. Uses material never previously published on theatre life during the Communist years. Compares theater before and after the political changes in Albania, Bulgaria, Czech Republic, Hungary, Latvia, Lithuania, Moldova, Poland,Romania, Russia…

  • Eastern European Theater after the Iron Curtain

    Melissa J Sokol, Kalina Stefanova•ARTICLE•The Slavic and East European…•2002

  • Eastern European theatre

    Kalina Stefanova•ARTICLE•South African Theatre Journal•2000

  • Falling in love with South African theatre (a true story)

    Kalina Stefanova•ARTICLE•South African Theatre Journal•2000

No prominent works on this page.

  • Eastern European theatre

    Kalina Stefanova•ARTICLE•South African Theatre Journal•2000

  • Falling in love with South African theatre (a true story)

    Kalina Stefanova•ARTICLE•South African Theatre Journal•2000

  • Eastern European Theater after the Iron Curtain

    Melissa J Sokol, Kalina Stefanova•ARTICLE•The Slavic and East European…•2002

  • Eastern European Theatre After the Iron Curtain

    Kalina Stefanova•EDITOR•BOOK•Eastern European Theatre after…•2014

    An important new survey of Eastern European theater after the collapse of the Soviet Union. Explores all aspects of theater, from playwriting, directing and acting, to repertoire creation and theatre management. Uses material never previously published on theatre life during the Communist years. Compares theater before and after the political changes in Albania, Bulgaria, Czech Republic, Hungary, Latvia, Lithuania, Moldova, Poland,Romania, Russia…

  • And All Men and Women Are Critics or Criticism in a Mirage-Universe

    Kalina Stefanova•ARTICLE•Theatrical Colloquia•2022

    This text/speech is an attempt to provoke discussion or at least thoughts regarding the increasing omnipresence of the false in our reality – something which results in sort of a theatricality in a negative connotation of the word. A theatricality that has always accompanied imposters and surrounded the production of copycats/fake stuff, both in life and in art, especially in comedy. Yet, the false pretending so masterfully to stand for the genui…

  • Jan Kott i Szekspir jako życiowy przewodnik

    Open Access•Kalina Stefanova•ARTICLE•Litteraria Copernicana•2024

  • Hristo Bojczew, czyli bułgarski dramaturg, który sprawia, że absurd staje się nadzieją

    Open Access•Kalina Stefanova•ARTICLE•Litteraria Copernicana•2024

  • Absurd(yzm) w bałkańskim stylu. Wprowadzenie

    Open Access•Kalina Stefanova•ARTICLE•Litteraria Copernicana•2024

    Whe n, in the 1980s and 1990s, the plays by Stanislav Stratiev -one of the most prominent Bulgarian playwrights -were finally translated into a host of languages and staged in many countries, critics tried to explain the popularity by comparing him with playwrights who had to do with different faces of the absurd or with borderlands, like the phantasmagoria and the grotesque.Here is, for instance, what Edward J. Czerwinski of Slavic and East Euro…

Art (6 works) · Eastern European Communism and Reforms (3 works) · History (3 works) · Language and Culture (3 works) · Philosophy (3 works) · Visual arts (3 works) · Cold war (2 works) · Historical and Cultural Studies of Poland (2 works) · Historical Geopolitical and Social Dynamics (2 works) · Iron Curtain (2 works)

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