Manon van de Water
Biographic Data
| ID | 5982000 |
|---|---|
| NAME | Manon van de Water |
| GIVEN NAMES | Manon |
| FAMILY NAME | van de Water |
| SIGNATURE | VAN DE WATER M |
| AFFILIATIONS | University of Wisconsin–Madison |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 1 |
| FIRST PUBLICATION YEAR | 2004 |
| LATEST PUBLICATION YEAR | 2020 |
| H-INDEX | 0 |
Theatre for Young People in Soviet Russia, 1918-1939
This essay discusses the rise of professional theatre by adults for children and youth in Soviet Russia from 1918 to 1939, the Interwar Years. Focusing on the two cultural capitals, I demonstrate how the agents in the field in Russia constructed the field as an artistic phenomenon, geared towards young people’s aesthetic and cultural education, and how it became coopted as an ideological instrument of the totalitarian regime in the late 1920s and…
TYA, Culture, Society
Book chapter
Moscow Theatres for Young People
Russian drama and theatre in education
Russian theatre for young audiences has had a long tradition of professional, state subsidised theatre, with a strong educational function specifically for young people. The primary task of the tiuz (teatr iunogo zritelia, theatre of the young spectator) was to contribute to the ideological and aesthetic education for future Soviet citizens. To that end, each theatre consisted of an artistic and an education division, which, ideally, shared the p…
No prominent works on this page.
Russian drama and theatre in education
Russian theatre for young audiences has had a long tradition of professional, state subsidised theatre, with a strong educational function specifically for young people. The primary task of the tiuz (teatr iunogo zritelia, theatre of the young spectator) was to contribute to the ideological and aesthetic education for future Soviet citizens. To that end, each theatre consisted of an artistic and an education division, which, ideally, shared the p…
Moscow Theatres for Young People
TYA, Culture, Society
Book chapter
Theatre for Young People in Soviet Russia, 1918-1939
This essay discusses the rise of professional theatre by adults for children and youth in Soviet Russia from 1918 to 1939, the Interwar Years. Focusing on the two cultural capitals, I demonstrate how the agents in the field in Russia constructed the field as an artistic phenomenon, geared towards young people’s aesthetic and cultural education, and how it became coopted as an ideological instrument of the totalitarian regime in the late 1920s and…
Art (3 works) · Ideology (3 works) · Law (3 works) · Political science (3 works) · Politics (3 works) · Sociology (3 works) · Theatre and Performance Studies (3 works) · Aesthetics (2 works) · Gender Studies (2 works) · Philosophy (2 works)