Ula Lukszo Klein
Biographic Data
| ID | 5983065 |
|---|---|
| NAME | Ula Lukszo Klein |
| GIVEN NAMES | Ula Lukszo |
| FAMILY NAME | Klein |
| SIGNATURE | KLEIN U L |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2013 |
| LATEST PUBLICATION YEAR | 2020 |
| H-INDEX | 0 |
Introduction
In raising the topic of Jonathan Swift and queerness, we might just as plausibly ask: what is not queer about Swift? From the strangely erotic spectacle of libidinous Yahoos in Gulliver's Travels (1726) to his gruesome suggestion to cannibalise Irish children in A Modest Proposal (1729), Swift's satire singularly bristles with queer potential. The six articles in this supplement variously offer queer theoretical and pedagogical engagements with S…
Swift's Queer Camp
While many have read Swift's poems as displaying misogyny against women and against the tools women use for beautification, this article argues that Swift's dressing‐room poems offer a more nuanced reading of this process and the women involved. This article contends that ‘The Progress of Beauty’ (1719), ‘A Beautiful Young Nymph Going to Bed’ (1731) and ‘The Lady’s Dressing Room’ (1732) are poems of feminine decomposition which are ultimately abo…
Beyond the Fishnets
"The Orientalist's Gaze in Mariusz Wilk's "Wołoka
No prominent works on this page.
"The Orientalist's Gaze in Mariusz Wilk's "Wołoka
Beyond the Fishnets
Introduction
In raising the topic of Jonathan Swift and queerness, we might just as plausibly ask: what is not queer about Swift? From the strangely erotic spectacle of libidinous Yahoos in Gulliver's Travels (1726) to his gruesome suggestion to cannibalise Irish children in A Modest Proposal (1729), Swift's satire singularly bristles with queer potential. The six articles in this supplement variously offer queer theoretical and pedagogical engagements with S…
Swift's Queer Camp
While many have read Swift's poems as displaying misogyny against women and against the tools women use for beautification, this article argues that Swift's dressing‐room poems offer a more nuanced reading of this process and the women involved. This article contends that ‘The Progress of Beauty’ (1719), ‘A Beautiful Young Nymph Going to Bed’ (1731) and ‘The Lady’s Dressing Room’ (1732) are poems of feminine decomposition which are ultimately abo…
Art (3 works) · Gender Studies (3 works) · Literature (3 works) · Sociology (3 works) · Diversity and Impact of Dance (2 works) · Law (2 works) · Philosophy (2 works) · Political science (2 works) · Psychology (2 works) · Queer (2 works)