Robert Lagerberg
Biographic Data
| ID | 5983485 |
|---|---|
| NAME | Robert Lagerberg |
| GIVEN NAMES | Robert |
| FAMILY NAME | Lagerberg |
| SIGNATURE | LAGERBERG R |
| AFFILIATIONS | The University of Melbourne |
| ORCID | 0000-0001-7358-165X |
| VERIFIED | Yes |
| TOTAL WORKS | 10 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 10 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1994 |
| LATEST PUBLICATION YEAR | 2018 |
| H-INDEX | 0 |
The Fragility of Domestic Space within Corruptive NonPlace in Andrei Zviagintsev’s Leviathan
In this article the authors analyse Andrei Zvyagintsev’s feature film Leviathan (2014) from the perspective of domestic space using Marc Augé’s theory of nonplaces. As in Zvyagintsev’s film Elena, the film uses a framing technique, placing the domestic space in question, in this case the site of Nikolai’s house, in the film’s central role. From the outset the house is depicted as somehow fragile and unprotected from the outside world, and, as the…
Aspirations of Home in Post-Soviet Russia
This article analyses the role of domestic living space and its connection with identity in the Russian feature film Elena (Andrey Zvyagintsev, 2011), winner of the Grand Jury Prize at the 2011 Cannes Film Festival. The film uses a spatially symmetrical structure based on two separate apartments frequented by the film’s eponymous heroine, both of which represent distinct socioeconomic and historical aspects of Soviet and Post-Soviet life. The fir…
Inside the outside
This article examines the claims of truth and authenticity that accompanied the 2009 release of the Australian film Cedar Boys (Caradee, 2009) in its representation of Lebanese-Australian youth as a cultural minority group in Australia. Critical responses in Australia were enthusiastic about what was interpreted as a positive representation of a cultural minority group that is often maligned in mainstream Australian media, particularly since the …
The Stress of Russian Adjectives Containingthe Suffix -чатый
Towards a comprehensive account of the stress of russian verbs containing the suffix
Towards a Comprehensive Account of the Stress of Russian Nouns Containing the Combining Form -лог
Tamyúpoвamь or Tamyupoвámь? Towards a Comprehensive Account of the Stress of Russian Verbs Containing the Suffix -Upoвamь
Stress and Suffixation in Modern Russian. The Developments of Uniform Syllable Stress
The Stress of Russian Nouns Containing the Suffix -anin/-čanin
Stress and affixation in Russian
No prominent works on this page.
Stress and affixation in Russian
The Stress of Russian Nouns Containing the Suffix -anin/-čanin
Stress and Suffixation in Modern Russian. The Developments of Uniform Syllable Stress
Tamyúpoвamь or Tamyupoвámь? Towards a Comprehensive Account of the Stress of Russian Verbs Containing the Suffix -Upoвamь
Towards a comprehensive account of the stress of russian verbs containing the suffix
Towards a Comprehensive Account of the Stress of Russian Nouns Containing the Combining Form -лог
The Stress of Russian Adjectives Containingthe Suffix -чатый
Inside the outside
This article examines the claims of truth and authenticity that accompanied the 2009 release of the Australian film Cedar Boys (Caradee, 2009) in its representation of Lebanese-Australian youth as a cultural minority group in Australia. Critical responses in Australia were enthusiastic about what was interpreted as a positive representation of a cultural minority group that is often maligned in mainstream Australian media, particularly since the …
Aspirations of Home in Post-Soviet Russia
This article analyses the role of domestic living space and its connection with identity in the Russian feature film Elena (Andrey Zvyagintsev, 2011), winner of the Grand Jury Prize at the 2011 Cannes Film Festival. The film uses a spatially symmetrical structure based on two separate apartments frequented by the film’s eponymous heroine, both of which represent distinct socioeconomic and historical aspects of Soviet and Post-Soviet life. The fir…
The Fragility of Domestic Space within Corruptive NonPlace in Andrei Zviagintsev’s Leviathan
In this article the authors analyse Andrei Zvyagintsev’s feature film Leviathan (2014) from the perspective of domestic space using Marc Augé’s theory of nonplaces. As in Zvyagintsev’s film Elena, the film uses a framing technique, placing the domestic space in question, in this case the site of Nikolai’s house, in the film’s central role. From the outset the house is depicted as somehow fragile and unprotected from the outside world, and, as the…
Linguistics (7 works) · Philosophy (7 works) · Historical linguistics (6 works) · History (6 works) · Syntax (6 works) · Discourse Analysis and Cultural Communication (4 works) · Law (3 works) · Phonetics and Phonology Research (3 works) · Political science (3 works) · Suffix (3 works)