Margot E Fassler
Biographic Data
| ID | 5987259 |
|---|---|
| NAME | Margot E Fassler |
| GIVEN NAMES | Margot E |
| FAMILY NAME | Fassler |
| SIGNATURE | FASSLER M E |
| VERIFIED | No |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 5 |
| WORKS AS EDITOR | 1 |
| FIRST PUBLICATION YEAR | 1987 |
| LATEST PUBLICATION YEAR | 2019 |
| H-INDEX | 1 |
Women and Their Sequences
Previous articleNext article FreeWomen and Their Sequences: An Overview and a Case StudyMargot E. FasslerMargot E. FasslerMargot E. Fassler is Keough-Hesburgh Professor of Music History and Liturgy and Director of the Program in Sacred Music at the University of Notre Dame, Notre Dame, IN ([email protected]).PDFPDF PLUSFull Text Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinked InRedditEmailQR Code …
The Virgin of Chartres
Medieval Christians knew the past primarily through what they saw and heard. History was reenacted every year in ritual observances particular to each place and region and rooted in the legends of local saints.This richly illustrated book explores the layers of history found in the cult of the Virgin of Chartres as it developed in the eleventh and twelfth centuries. Focusing on the major relic of Chartres Cathedral, the Virgin’s gown, and the Fea…
Medieval Cantors and Their Craft
Chartres
Adam of St Victor
The Role of the Parisian Sequence in the Evolution of Notre-Dame Polyphony
Women and Their Sequences
Previous articleNext article FreeWomen and Their Sequences: An Overview and a Case StudyMargot E. FasslerMargot E. FasslerMargot E. Fassler is Keough-Hesburgh Professor of Music History and Liturgy and Director of the Program in Sacred Music at the University of Notre Dame, Notre Dame, IN ([email protected]).PDFPDF PLUSFull Text Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinked InRedditEmailQR Code …
The Role of the Parisian Sequence in the Evolution of Notre-Dame Polyphony
Chartres
Adam of St Victor
The Virgin of Chartres
Medieval Christians knew the past primarily through what they saw and heard. History was reenacted every year in ritual observances particular to each place and region and rooted in the legends of local saints.This richly illustrated book explores the layers of history found in the cult of the Virgin of Chartres as it developed in the eleventh and twelfth centuries. Focusing on the major relic of Chartres Cathedral, the Virgin’s gown, and the Fea…
Medieval Cantors and Their Craft
Women and Their Sequences
Previous articleNext article FreeWomen and Their Sequences: An Overview and a Case StudyMargot E. FasslerMargot E. FasslerMargot E. Fassler is Keough-Hesburgh Professor of Music History and Liturgy and Director of the Program in Sacred Music at the University of Notre Dame, Notre Dame, IN ([email protected]).PDFPDF PLUSFull Text Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinked InRedditEmailQR Code …
Art (5 works) · History (4 works) · Medieval Literature and History (4 works) · Art history (3 works) · Classics (3 works) · Computer Science (3 works) · Literature (3 works) · Visual arts (3 works) · Church history (2 works) · Liturgy (2 works)