Elizabeth Coatsworth
Biographic Data
| ID | 5987292 |
|---|---|
| NAME | Elizabeth Coatsworth |
| GIVEN NAMES | Elizabeth |
| FAMILY NAME | Coatsworth |
| SIGNATURE | COATSWORTH E |
| AFFILIATIONS | Manchester Metropolitan University |
| VERIFIED | No |
| TOTAL WORKS | 8 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 8 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1947 |
| LATEST PUBLICATION YEAR | 2005 |
| H-INDEX | 1 |
Theorizing Anglo-Saxon Stone Sculpture . Catherine E. Karkov , Fred Orton
Naked before God
The Art of the Anglo-Saxon Goldsmith
Anglo-Saxon Textiles in the Mayer/Faussett Collection
The 19th-century Mayer Collection of Anglo-Saxon material in the Liverpool Museum, which includes finds from Kent excavated by Faussett in the 18th century, was re-examined in 1998 by the Manchester Medieval Textiles Project to test the usefulness of investigating such early archaeological collections for vestiges of textiles. Faussett had noted and commented on textile evidence, thus providing records against which the present situation can be a…
The ‘robed Christ’ in pre-Conquest sculptures of the Crucifixion
In the nineteenth century, John Romilly Allen confidently claimed that the iconography of the Crucifixion with the robed or ‘fully draped’ Christ was a phenomenon of Celtic art, found in Scotland, Ireland and Wales, distinguishable from the ‘Saxon’ type in which Christ wore a loin-cloth. Other features of the Saxon type were the presence of the sun and moon above the arms of the cross, instead of angels as in Ireland; and the figures of the Virgi…
Anglo-Saxon Textiles from Cleatham, Humberside
Excavation of the Anglo-Saxon cemetery of Cleatham, England, which was discovered in 1856, occurred between 1979 and 1989. The site has major significance as a cremation cemetery, with 1,016 cremation burials identified to date. Some of the inhumation graves, which go back to the 5th century, preserve textiles that reflect pre-Christian practices of burying grave goods with the dead. Contact with metal grave goods such as brooches, buckles, and w…
South Shore Town
Along the Maine Coast
The ‘robed Christ’ in pre-Conquest sculptures of the Crucifixion
In the nineteenth century, John Romilly Allen confidently claimed that the iconography of the Crucifixion with the robed or ‘fully draped’ Christ was a phenomenon of Celtic art, found in Scotland, Ireland and Wales, distinguishable from the ‘Saxon’ type in which Christ wore a loin-cloth. Other features of the Saxon type were the presence of the sun and moon above the arms of the cross, instead of angels as in Ireland; and the figures of the Virgi…
Along the Maine Coast
South Shore Town
Anglo-Saxon Textiles from Cleatham, Humberside
Excavation of the Anglo-Saxon cemetery of Cleatham, England, which was discovered in 1856, occurred between 1979 and 1989. The site has major significance as a cremation cemetery, with 1,016 cremation burials identified to date. Some of the inhumation graves, which go back to the 5th century, preserve textiles that reflect pre-Christian practices of burying grave goods with the dead. Contact with metal grave goods such as brooches, buckles, and w…
The ‘robed Christ’ in pre-Conquest sculptures of the Crucifixion
In the nineteenth century, John Romilly Allen confidently claimed that the iconography of the Crucifixion with the robed or ‘fully draped’ Christ was a phenomenon of Celtic art, found in Scotland, Ireland and Wales, distinguishable from the ‘Saxon’ type in which Christ wore a loin-cloth. Other features of the Saxon type were the presence of the sun and moon above the arms of the cross, instead of angels as in Ireland; and the figures of the Virgi…
Anglo-Saxon Textiles in the Mayer/Faussett Collection
The 19th-century Mayer Collection of Anglo-Saxon material in the Liverpool Museum, which includes finds from Kent excavated by Faussett in the 18th century, was re-examined in 1998 by the Manchester Medieval Textiles Project to test the usefulness of investigating such early archaeological collections for vestiges of textiles. Faussett had noted and commented on textile evidence, thus providing records against which the present situation can be a…
The Art of the Anglo-Saxon Goldsmith
Theorizing Anglo-Saxon Stone Sculpture . Catherine E. Karkov , Fred Orton
Naked before God
History (7 works) · Archaeology (6 works) · History (6 works) · Art (5 works) · Art history (4 works) · Historical and Cultural Archaeology Studies (4 works) · Archaeology and ancient environmental studies (3 works) · Classics (3 works) · Medieval Literature and History (3 works) · American History and Culture (2 works)