Christina M Fitzgerald
Biographic Data
| ID | 5987355 |
|---|---|
| NAME | Christina M Fitzgerald |
| GIVEN NAMES | Christina M |
| FAMILY NAME | Fitzgerald |
| SIGNATURE | FITZGERALD C M |
| AFFILIATIONS | University of Toledo |
| VERIFIED | No |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 6 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2003 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 1 |
Cultures of Witnessing
Emma Lipton's excellent new book, Cultures of Witnessing: Law and the York Plays, focuses on the York Corpus Christi cycle, but will interest many scholars of late medieval England and its literature. Lipton's title, Cultures of Witnessing, names a broad late medieval orientation to concepts and practices of witnessing, speech, and neighborliness that expand from legal courts to civic, social, and personal contexts addressed in a range of texts, …
Copying Couplets
A late medieval, middle class, masculine, social self is performed in the content and prosodic, rhetorical, and textual form of moral poetry consisting of exchangeable, aphoristic couplets of advice, voiced from man to man, which reappear over a large range of poems in manuscripts owned or compiled by men. Manuscripts discussed are: Bodleian, MS Laud Misc. 108; Oxford, MS Balliol 354 (Richard Hill’s Book); BL, MS Harley 2252 (John Colyns’s Book);…
Performance Anxiety and the Passion in the Croxton Play of the Sacrament
The Croxton Play of the Sacrament paradoxically enacts anxieties about the propriety of Passion drama. Framing the play's central action—the Jews' testing of the Communion wafer in a parody of the Passion—with the story of a Christian merchant who enables or even sponsors those acts, the Croxton play provides critical distance on the very performance it enacts. Ultimately, it replaces the Passion play with, and judges it inferior to, a more decor…
Mapping the Medieval City
Modern Mysteries
Manning the Ark in York and Chester
Manning the Ark in York and Chester
Modern Mysteries
Mapping the Medieval City
Performance Anxiety and the Passion in the Croxton Play of the Sacrament
The Croxton Play of the Sacrament paradoxically enacts anxieties about the propriety of Passion drama. Framing the play's central action—the Jews' testing of the Communion wafer in a parody of the Passion—with the story of a Christian merchant who enables or even sponsors those acts, the Croxton play provides critical distance on the very performance it enacts. Ultimately, it replaces the Passion play with, and judges it inferior to, a more decor…
Copying Couplets
A late medieval, middle class, masculine, social self is performed in the content and prosodic, rhetorical, and textual form of moral poetry consisting of exchangeable, aphoristic couplets of advice, voiced from man to man, which reappear over a large range of poems in manuscripts owned or compiled by men. Manuscripts discussed are: Bodleian, MS Laud Misc. 108; Oxford, MS Balliol 354 (Richard Hill’s Book); BL, MS Harley 2252 (John Colyns’s Book);…
Cultures of Witnessing
Emma Lipton's excellent new book, Cultures of Witnessing: Law and the York Plays, focuses on the York Corpus Christi cycle, but will interest many scholars of late medieval England and its literature. Lipton's title, Cultures of Witnessing, names a broad late medieval orientation to concepts and practices of witnessing, speech, and neighborliness that expand from legal courts to civic, social, and personal contexts addressed in a range of texts, …
History (5 works) · Art (4 works) · History (4 works) · Literature (3 works) · Medieval Literature and History (3 works) · Aesthetics (2 works) · Archaeology (2 works) · Classics (2 works) · Classics (2 works) · Law (2 works)