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Kathleen Coyne Kelly

Biographic Data

ID5987620
NAMEKathleen Coyne Kelly
GIVEN NAMESKathleen Coyne
FAMILY NAMEKelly
SIGNATUREKELLY K C
AFFILIATIONSNortheastern University
VERIFIEDNo
TOTAL WORKS8
TOTAL CITATIONS2
WORKS AS AUTHOR8
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2002
LATEST PUBLICATION YEAR2024
H-INDEX1
  • Why Did Thoreau Draw in His Journal

    Kathleen Coyne Kelly•ARTICLE•The New England Quarterly•2024

    THE first extant drawing that Thoreau made in his journal, which he began in 1837, is a depiction of a Penobscot spear made of hemlock and bone (Fig. 1).1 After visiting several Penobscot camped on the banks of the Concord River, in the journal entry for November 26, 1850, he writes: “Their spear . . . ” It warranted more than words: it insisted to be drawn. Thoreau stops to draw the tip of the spear, and then he continues writing—“very serviceab…

  • The Kelmscott Chaucer

    Kathleen Coyne Kelly•ARTICLE•Exemplaria•2021•References: 3

    William Morris’s Kelmscott Chaucer was an attempt to reproduce an “authentic” medieval artifact, albeit as a printed book rather than as a handwritten manuscript. The Kelmscott invites us to theorize about the medieval book; the medievalized book; the reproduction or facsimile of the medieval book; and the reproduction or facsimile of the medievalized book. The Kelmscott also urges us to consider practice; that is, the labor that went into all of…

  • Flea and ANT

    Open Access•Kathleen Coyne Kelly•ARTICLE•postmedieval a journal of…•2013•References: 3

  • The world is my home when I’m mobile’

    Open Access•Martin B Shichtman, Laurie Finke et al.•ARTICLE•postmedieval a journal of…•2013•References: 7

  • Hollywood Simulacrum

    Kathleen Coyne Kelly•ARTICLE•Exemplaria•2007•Cited by: 1•References: 1

    The Knights of the Round Table takes as its subject the gap between the ideal and its imitation, both as Arthurian legend and as film. The focus is on the marketing of the film as well as the marketing in the film. It is precisely a reproducible and consumable authenticity that Knights is selling—from souvenir booklets, posters, and specially-packaged candy to history, legend, and American anti-communist ideology

  • Guinevere

    Kathleen Coyne Kelly•ARTICLE•Speculum•2007

  • Performing Virginity and Testing Chastity in the Middle Ages

    Kathleen Coyne Kelly•BOOK•Performing Virginity and Testing…•2002

    This book challenges the belief that female virginity can be reliably and unambiguously defined, tested and verified. Kelly analyses a variety of medieval Western European texts - including medical treatises and their Classical antecedents - and historical and legal documents. The main focus is the representation of both male and female virgins in saints' legends and romances. The author also makes a comparative study of examples from contemporar…

  • The Writable Lesbian and Lesbian Desire in Malory’s Morte Darthur

    Kathleen Coyne Kelly•ARTICLE•Exemplaria•2002•Cited by: 1

  • Hollywood Simulacrum

    Kathleen Coyne Kelly•ARTICLE•Exemplaria•2007•Cited by: 1•References: 1

    The Knights of the Round Table takes as its subject the gap between the ideal and its imitation, both as Arthurian legend and as film. The focus is on the marketing of the film as well as the marketing in the film. It is precisely a reproducible and consumable authenticity that Knights is selling—from souvenir booklets, posters, and specially-packaged candy to history, legend, and American anti-communist ideology

  • The Writable Lesbian and Lesbian Desire in Malory’s Morte Darthur

    Kathleen Coyne Kelly•ARTICLE•Exemplaria•2002•Cited by: 1

  • Performing Virginity and Testing Chastity in the Middle Ages

    Kathleen Coyne Kelly•BOOK•Performing Virginity and Testing…•2002

    This book challenges the belief that female virginity can be reliably and unambiguously defined, tested and verified. Kelly analyses a variety of medieval Western European texts - including medical treatises and their Classical antecedents - and historical and legal documents. The main focus is the representation of both male and female virgins in saints' legends and romances. The author also makes a comparative study of examples from contemporar…

  • The Writable Lesbian and Lesbian Desire in Malory’s Morte Darthur

    Kathleen Coyne Kelly•ARTICLE•Exemplaria•2002•Cited by: 1

  • Hollywood Simulacrum

    Kathleen Coyne Kelly•ARTICLE•Exemplaria•2007•Cited by: 1•References: 1

    The Knights of the Round Table takes as its subject the gap between the ideal and its imitation, both as Arthurian legend and as film. The focus is on the marketing of the film as well as the marketing in the film. It is precisely a reproducible and consumable authenticity that Knights is selling—from souvenir booklets, posters, and specially-packaged candy to history, legend, and American anti-communist ideology

  • Guinevere

    Kathleen Coyne Kelly•ARTICLE•Speculum•2007

  • Flea and ANT

    Open Access•Kathleen Coyne Kelly•ARTICLE•postmedieval a journal of…•2013•References: 3

  • The world is my home when I’m mobile’

    Open Access•Martin B Shichtman, Laurie Finke et al.•ARTICLE•postmedieval a journal of…•2013•References: 7

  • The Kelmscott Chaucer

    Kathleen Coyne Kelly•ARTICLE•Exemplaria•2021•References: 3

    William Morris’s Kelmscott Chaucer was an attempt to reproduce an “authentic” medieval artifact, albeit as a printed book rather than as a handwritten manuscript. The Kelmscott invites us to theorize about the medieval book; the medievalized book; the reproduction or facsimile of the medieval book; and the reproduction or facsimile of the medievalized book. The Kelmscott also urges us to consider practice; that is, the labor that went into all of…

  • Why Did Thoreau Draw in His Journal

    Kathleen Coyne Kelly•ARTICLE•The New England Quarterly•2024

    THE first extant drawing that Thoreau made in his journal, which he began in 1837, is a depiction of a Penobscot spear made of hemlock and bone (Fig. 1).1 After visiting several Penobscot camped on the banks of the Concord River, in the journal entry for November 26, 1850, he writes: “Their spear . . . ” It warranted more than words: it insisted to be drawn. Thoreau stops to draw the tip of the spear, and then he continues writing—“very serviceab…

Art (6 works) · Art history (3 works) · History (3 works) · History (3 works) · Sociology (3 works) · Ancient history (2 works) · Classics (2 works) · Classics (2 works) · Computer Science (2 works) · Gender Studies (2 works)

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