Julie E Cumming
Biographic Data
| ID | 5987745 |
|---|---|
| NAME | Julie E Cumming |
| GIVEN NAMES | Julie E |
| FAMILY NAME | Cumming |
| SIGNATURE | CUMMING J E |
| AFFILIATIONS | McGill University |
| ORCID | 0000-0003-2528-4348 |
| VERIFIED | Yes |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 6 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1992 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 1 |
Auditory Streaming Complexity and Renaissance Mass Cycles
How did Renaissance listeners experience the polyphonic mass ordinary cycle in the soundscape of the church? We hypothesize that the textural differences in complexity between mass movements allowed listeners to track the progress of the service, regardless of intelligibility of the text or sophisticated musical knowledge. Building on the principles of auditory scene analysis, this article introduces the Auditory Streaming Complexity Estimate, a …
Computer-aided Analysis of Sonority in the French Motet Repertory, ca. 1300–1350
This article analyzes the distribution of three- and four-voice vertical sonorities in a repertoire of French ars antiqua and ars nova motets. Rather than selecting the subjectively important sonorities within a piece—an effort that would rely on the analyst’s judgment of the overarching contrapuntal goals—this study uses computational musicological methods to analyze and categorize the distribution of sonorities across individual motets and grou…
Renaissance Improvisation and Musicology
Understanding the role of improvisation in Renaissance polyphony has transformed the author's musicology in five areas: compositional process; analysis of Renaissance music; style change; pedagogy; and Renaissance culture
Theology and Music at the Early University
Medieval Instrumental Dances. Timothy J. McGee
Music for the Doge in Early Renaissance Venice
Renaissance Improvisation and Musicology
Understanding the role of improvisation in Renaissance polyphony has transformed the author's musicology in five areas: compositional process; analysis of Renaissance music; style change; pedagogy; and Renaissance culture
Medieval Instrumental Dances. Timothy J. McGee
Music for the Doge in Early Renaissance Venice
Theology and Music at the Early University
Renaissance Improvisation and Musicology
Understanding the role of improvisation in Renaissance polyphony has transformed the author's musicology in five areas: compositional process; analysis of Renaissance music; style change; pedagogy; and Renaissance culture
Computer-aided Analysis of Sonority in the French Motet Repertory, ca. 1300–1350
This article analyzes the distribution of three- and four-voice vertical sonorities in a repertoire of French ars antiqua and ars nova motets. Rather than selecting the subjectively important sonorities within a piece—an effort that would rely on the analyst’s judgment of the overarching contrapuntal goals—this study uses computational musicological methods to analyze and categorize the distribution of sonorities across individual motets and grou…
Auditory Streaming Complexity and Renaissance Mass Cycles
How did Renaissance listeners experience the polyphonic mass ordinary cycle in the soundscape of the church? We hypothesize that the textural differences in complexity between mass movements allowed listeners to track the progress of the service, regardless of intelligibility of the text or sophisticated musical knowledge. Building on the principles of auditory scene analysis, this article introduces the Auditory Streaming Complexity Estimate, a …
Art (6 works) · Art history (4 works) · History (4 works) · Classics (3 works) · Classics (3 works) · Computer Science (3 works) · History (3 works) · Musicology and Musical Analysis (3 works) · The Renaissance (3 works) · Visual arts (3 works)