Antonia Gatward Cevizli
Biographic Data
| ID | 5988082 |
|---|---|
| NAME | Antonia Gatward Cevizli |
| GIVEN NAMES | Antonia Gatward |
| FAMILY NAME | Cevizli |
| SIGNATURE | CEVIZLI A G |
| AFFILIATIONS | Sotheby's Institute of Art |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2014 |
| LATEST PUBLICATION YEAR | 2020 |
| H-INDEX | 0 |
Representing the Ottomans and Their World in 1490s Mantua
Mehmed II, Malatesta and Matteo De’ Pasti
In 1461 the notorious Sigismondo Pandolfo Malatesta, Lord of Rimini, sent his court artist Matteo De’ Pasti to portray the Ottoman Sultan Mehmed II. The artist never reached his destination, being arrested as a spy by Venetian authorities in Crete. Despite the mission's failure it has as much to contribute to our understanding of Italian–Ottoman relations as other fruitful visits. Malatesta had selected Valturio's military treatise De re militari…
More Than a Messenger
The 1490s saw intense diplomatic activity between Francesco II Gonzaga, Marquis of Mantua (r. 1484–1519), and the Ottoman Sultan Bayezid II (r. 1481–1512). Envoys are often overlooked while attention is paid to the messages or goods that they delivered. This article, however, examines two important envoys in detail and argues that they were chosen for the specific military and technical skills that they possessed. Both envoys delivered armor to t…
B ellini, bronze and bombards
Gentile B ellini's portrait of the O ttoman sultan M ehmed II , painted in 1480 during the artist's stay in the O ttoman capital, has become emblematic of cultural exchange between V enice and the O ttomans. However, documentary evidence suggests that the sultan was more interested in obtaining bronze founders than painters. A re‐consideration of the documents of the V enetian Senate from 1479–1480 will alter the perspective from which this episo…
No prominent works on this page.
More Than a Messenger
The 1490s saw intense diplomatic activity between Francesco II Gonzaga, Marquis of Mantua (r. 1484–1519), and the Ottoman Sultan Bayezid II (r. 1481–1512). Envoys are often overlooked while attention is paid to the messages or goods that they delivered. This article, however, examines two important envoys in detail and argues that they were chosen for the specific military and technical skills that they possessed. Both envoys delivered armor to t…
B ellini, bronze and bombards
Gentile B ellini's portrait of the O ttoman sultan M ehmed II , painted in 1480 during the artist's stay in the O ttoman capital, has become emblematic of cultural exchange between V enice and the O ttomans. However, documentary evidence suggests that the sultan was more interested in obtaining bronze founders than painters. A re‐consideration of the documents of the V enetian Senate from 1479–1480 will alter the perspective from which this episo…
Mehmed II, Malatesta and Matteo De’ Pasti
In 1461 the notorious Sigismondo Pandolfo Malatesta, Lord of Rimini, sent his court artist Matteo De’ Pasti to portray the Ottoman Sultan Mehmed II. The artist never reached his destination, being arrested as a spy by Venetian authorities in Crete. Despite the mission's failure it has as much to contribute to our understanding of Italian–Ottoman relations as other fruitful visits. Malatesta had selected Valturio's military treatise De re militari…
Representing the Ottomans and Their World in 1490s Mantua
Ancient history (3 works) · Art (3 works) · Art history (3 works) · History (3 works) · History (3 works) · Byzantine Studies and History (2 works) · Classics (2 works) · Classics (2 works) · Law (2 works) · Law (2 works)